this part made me cry real tears 😭 so beautiful

Live from Dripping 2024

very dark past

holodeck blue

Carmen Villain live from The Inn at Dripping 2024

@carmenvillain

Carmen Villain at Dripping2024

Gaze live from The Inn at Dripping 2024

@relaxerelaxer
@acaciabaila

GAZE at Dripping 2024

Elena Colombi live from The Inn @ Dripping 2024

@elenacolombi

Elena Colombi at Dripping 2024

Nailah Hunter live from The Inn at Dripping 2024

@nailahhunter

Nailah Hunter at Dripping 2024

x3butterfly live from The Inn at Dripping 2024

@sorrellem

x3butterfly at Dripping 2024

Joy Guidry at Dripping 2024

𝑯𝒚𝒔𝒕𝒆𝒓𝒊𝒄𝒂𝒍 𝑳𝒐𝒗𝒆 𝑷𝒓𝒐𝒋𝒆𝒄𝒕 at Mezzanine jan 10 2025

MEZZANINE : V 𝑯𝒚𝒔𝒕𝒆𝒓𝒊𝒄𝒂𝒍 𝑳𝒐𝒗𝒆 𝑷𝒓𝒐𝒋𝒆𝒄𝒕

Surreal reflections from Lyon’s Jonnnah

"Sharing these mixes allows me to step out of introspection and connect with people who are far away, sharing a moment together through sound."

Full Q+A: https://www.lowendtheorists.com/theory-therapy-mixes/jonnnah

@jonnnah

Theory Therapy 80: Jonnnah

Live recording from Nowadays Nonstop in Ridgewood, NY 6/7/25, 2-5am

Hank Jackson live @ Nowadays Nonstop 6/7/25

"this transmission is a calibration device

i found it in the springtime under a shower of pink blossoms
my spirit, an ooze seeping out onto the floor
in this state of sub-being, words passed through untethered—
unintelligible, and touch was void

the device sent rippling waves through the air,
arranging it into mutating forms
they traveled inward and rebounded, inverting inside and out
wisps of feeling newly embodied pushed boldly from every pore

i watched as the shapes of people grew unimaginably
the glimmering swells were interspersed with pearls
which gradually came loose and fell
unlocked, my innermost madness unfurled into a spiraled conch

as the day darkened, the sounds became grim and hoarse
emotions scraped against each other with serrated edges
disintegrating madness into a fine lunar silt
voices came flooding, and in unison whispered: trust"

@enereph
IG: @_enereph
https://gravitypleasure.bandcamp.com/album/water-bodies
https://soundsofnaga.bandcamp.com/album/immortal-mirth

enereph fell through at least three dream worlds looking for sounds to send their nervous mind spinning.

Tracklist:
Mown - An Endless Sweet Sweet Storm
A Strange Wedding - Wormhole Breaker
Simone Bauer - Ego Hacker
Ettore Rigadello - Ooteca
Biocym - Vanishing Point
Souzo - A175 Levit8
Beatrice M. - Crossing the Rubicon
Circular Square - L - 80BN (Soa420 Remix)
Ettore Rigadello - Keratin
Smogo - Submit To The Forest
Khey Mysterio - Basalte feat. Under/Standing
AJO - Kawanone (La Serpiente Remix)
RM Estali - Pitfalls
Prieste5s - Golden Hour
SNKLS - Stir
Sytrjv - Vexomorphis
Nathan Ho - Immodality
Herbalistek - Sentium
Otik - Lightyear Dub
dBridge - Filtered Scenes
Laraaji - Universe
perila - Fallin Into Space
Aisha Vaughan - Campfires
Comechelet & ϙue - Forbidden Love

Distant Signals 080: enereph

Here is Conna Haraway, label boss of Index Records, with an hour weaving dubbed-out abstract house, textured & melodic idm & ambient, a detailed and introspective show.

Conna Haraway @ Drift Radio 17-07-25

Word of Command’s 50th episode — club mutations, Madonna run through dub, Icelandic lambs, and more in auditory journey. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/word-of-command/episodes/word-of-command-20th-august-2025

Word of Command 200825

lingojam; ᵉʳᵉᵇᵃˢᵘ <(+_+)>

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

© Mahi – All rights reserved.

This track and all other works released under the artist name "Mahi" are original productions created and owned by Mahi.  
Unauthorized use, reproduction, uploading, distribution, or copyright claiming of this material is strictly prohibited.  

Any false copyright claims or misuse of this content may result in formal copyright disputes and legal action.  
For licensing, remix permission, or business inquiries, please contact: Mahi1998hb@gmail.com

Where’s My Love

Live recordings from our festival and event series focused on fearlessly singular voices in dance music and transportive modern composition.

Joy Guidry at Dripping 2024

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