1st track from Himmelsmechanik, Ina Ynoki's debut released by Dromoscope Editions as second chapter of the Antidigital Series.

Full release available on Bandcamp at the following link:
dromoscope.bandcamp.com/album/himmelsmechanik

While moving Dromoscope’s Antidigital needle one step ahead, Himmelsmechanik symbolically introduces to the most powerful of the alchemic elements ​which the album is spontaneously inspired by: Fire. Strongest destructive, yet renewing force, archaic vehicle for the methaphysical reflection, Fire is the energy that most of all moves from the bottom to the top, pointing at the heavens where it takes place as a ruler in the Celestial Mechanics. Likewise, the intense debut album by Ina Ynoki flares up as a convulse ritual hymn to the glory of Kosmos, taking shape since its first notes as a strong musical statement. Himmelsmechanik is a gem in the overwhelmingly prolific (but still hidden) production ​by ​multi­instrumentalist, dj and visionary electronic producer Roberto Dolcetti. As ​a clear tribute to his main musical experiences, Himmelsmechanik ​builds a concrete bridge between punk­​hardcore intentions and abstract electronica, ​resulting in one of the brightest post­dada collages by Dolcetti’s unique and fully unconventional art of sampling.

Without any will to take part at the usual diatribe that counterposes Analog to Digital, the Series name is rather inspired by a specific direction in the musical research of the works involved. Curated, produced and handmade by Daniele De Santis as a systematic start for Dromoscope Editions, the Antidigital Series (AA) takes shape as a sequence of musical portraits depicting the activity of four musicians spontaneously engaged in a keen re-discover of the Analog sphere. Driven by this awakening to the natural science ruling the purest substance of sound, the Series symbolically crystallizes its main structure in the cycle of the four alchemic Elements. Gradually unveiling a four-ways path into a possible modern instrumental dialogue between complex software elaborations and recycled musical technologies, the project explores the cassette media itself as instrument and symbol of the ‘Antidigital’ process.

Dromoscope Editions

DE001 | AA 1/4

Ina Ynoki - Telstar (DE001 | AA 1/4)

5th track from Mainarde, Andrea Ricci's debut for Dromoscope Editions, released as third chapter of the Antidigital Series.

Full release available on Bandcamp at the following link:
dromoscope.bandcamp.com/album/mainarde

Dedicated to the hermetic element Air with its relative symbolic number two, Mainarde is an intense five­-parts sonic reminiscence of Ricci’s native­born land, released by Dromoscope Editions as third chapter of the Antidigital Series. Young brilliant electronic musician as well as agronomist and passionate researcher in microbiology, Andrea Ricci was born and raised in the breathtaking italian scenario of Mainarde Mountains where a deep relationship with the unspoiled nature and vast horizons of the native land has indelibly shaped his musical research. Attempting to reflect an interior vision of his meticulously listened landscapes and abandoned places, Ricci triggers interactions between carefully stolen natural noises and a variety of scientifically mastered instruments spacing from complex digital convolution reverbs to pure analogue tape manipulation. As a clear resonance of Ricci's origins and studies, spatiality and organicity deeply permeate his over­detailed sonic abstractions, emotional visions and religious transfigurations of the perceived physical space.

Without any will to take part at the usual diatribe that counterposes Analog to Digital, the Series name is rather inspired by a specific direction in the musical research of the works involved. Curated, produced and handmade by Daniele De Santis as a systematic start for Dromoscope Editions, the Antidigital Series (AA) takes shape as a sequence of musical portraits depicting the activity of four musicians spontaneously engaged in a keen re-discover of the Analog sphere. Driven by this awakening to the natural science ruling the purest substance of sound, the Series symbolically crystallizes its main structure in the cycle of the four alchemic Elements. Gradually unveiling a four-ways path into a possible modern instrumental dialogue between complex software elaborations and recycled musical technologies, the project explores the cassette media itself as instrument and symbol of the ‘Antidigital’ process.

Dromoscope Editions

DE002 | AA 2/4

Andrea Ricci - Untitled 5 (DE002 | AA 2/4)

2nd track from V.I.T.R.I.O.L. , Drøp's debut for Dromoscope Editions, released as fourth chapter of the Antidigital Series.

Full release available on Bandcamp at the following link:
dromoscope.bandcamp.com/album/v-i-t-r-i-o-l

While bringing the Antidigital’s four-fold path to completion, V.I.T.R.I.O.L. squares the symbolic structure of the Series by focusing with conceptual precision and musical elegance the heaviest of elements within the alchemic cycle: Water. Both adaptable and erosive, essence and abyss, the paramount fluid is an archetype of metamorphosis. Constantly attempting to overtake every obstacle towards the gravitational center, pervading and transmuting the Earth by transforming itself, Water eternally conquers the depths where it still serves as origin, nest and nourishment of life. Like a torrent, V.I.T.R.I.O.L. tells and embodies the sublimating Descent of Water, taking shape as a pouring of micro-tonal falls, opening passageways through a radiant narration of deep intimate soundscapes. Framing a sequence of almost religious experiments in circuit manipulation and digital-processing of the resulting electrical sound-fields, the short album signs the important inspirational contribution by Drøp to Dromoscope’ Antidigital project. Enchanting second outcome by sound designer Giuseppe Bifulco, V.I.T.R.I.O.L. resonates clearly of a post-modern electronic shamanism, a fascinating musical vision interpreting sound as a physiological trigger and music itself as a therapeutic instrument, a path for an interior empty-set (ø) capable to free consciousness from rational domain and reconnect it to deeper natural truths. Like a map for the Descent, V.I.T.R.I.O.L. engraves its own name and structure with one of the most substantial hermetic aphorisms ever, “Visita Interiora Terrae Rectificando Invenies Occultum Lapidem”, dropping a hint and pointing a destination for the healing research of the truth: the unknown interiors of the world, the subterranean unveiled inner self. 

Without any will to take part at the usual diatribe that counterposes Analog to Digital, the Series name is rather inspired by a specific direction in the musical research of the works involved. Curated, produced and handmade by Daniele De Santis as a systematic start for Dromoscope Editions, the Antidigital Series (AA) takes shape as a sequence of musical portraits depicting the activity of four musicians spontaneously engaged in a keen re-discover of the Analog sphere. Driven by this awakening to the natural science ruling the purest substance of sound, the Series symbolically crystallizes its main structure in the cycle of the four alchemic Elements. Gradually unveiling a four-ways path into a possible modern instrumental dialogue between complex software elaborations and recycled musical technologies, the project explores the cassette media itself as instrument and symbol of the ‘Antidigital’ process.

Dromoscope Editions

DE003 | AA 3/4

Drøp - Interiora Terrae (DE003 | AA 3/4)

Ina Ynoki - Kosmos (DE001 | AA 1/4)

dromoscope

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