Tracklist

01.  David Cordero & Rhucle -  Triangle Inequality
02.  Will Samson - I Will Sing Again Soon
03.  Michael Grigoni - Pan•American -  New World, Lonely Ride
04.  Blue Lake - Tatara
05.  Jason calhoun + Foresteppe -  iv
06.  Altars Altars - V
07.  América Analógica - Cortezas (i)
08.  Danny Clay - Sighing softly
09.  Francesco Covarino -  Nido ii
10.  Gareth Dickson - Snag With The Language

409. Sleepy Sunday Podcast (Elm Records)

Released February 20, 2025

Various Artists – Healing Sound Propagandist: Retrospective [2019-2024]

Since its foundation, Indianapolis-based Healing Sound Propagandist has quietly built a catalog of nearly a hundred releases by a cadre of emerging and established artists, specializing in undiluted doses of textured drone and experimental ambient. To commemorate this prolific run, Retrospective [2019-2024] collects 76 standout tracks over five hours, from the warm tonal blankets of James Bernard (“Never Alone”), to the wispy, boreal loops of UK’s Pallette (“Für What”) and the womb-like warble of Sean Evans (“Repetition”), along with scores of other beautifully rendered works covering a broad range of atmospheres and instrumentations.

As an arm of the renowned Past Inside The Present imprint, HSP maintains a kinship with its creators and followers that only an artist-run house can provide. Label head Zach Frizzell (aka zakè) found himself in need of a dedicated home for deep cuts and longer form works by his vastly talented roster – one where the focus is squarely on the music and energy, rather than narratives, conceits, or other diversions. Across the label’s discography there is a consistency of quality, from ascendant and seasoned artists alike, that has kept supporters eagerly engaged since the very start. A deliberate choice to release exclusively on digital and cassette formats further places the focus on uninterrupted, deep listening.

Throughout Retrospective, there is a gentle and effective pacing that more than justifies its overall span, while venerating the sheer variety of approaches to curative music. UK-based Moss Covered Technology provides the overture, “Glare”, placing soft, flittering synths over gathering swells of sweetened drone, while Chicago’s wøunds delivers a frigid hum underscored by subtle, strummed guitar on “December191920”. Elsewhere, the duo of Blanket Swimming + Gallery Six evokes a sunlit garden in the sustained blush of “With Endless Eyes”, and Amsterdam’s andarctica unfurls the album-length “Pur”, a hypnotic vessel of stunning depth and dimension.

While the term “propagandist” might evoke some staunch political ideology or breed of thought control, its use by HSP is an ironic foil to the earnestness of the music, which is intended to be fully open to interpretation and suitable for all forms of engagement. According to Frizzell, “Our conviction is that healing sounds and meditative music contain transformative powers — this is an ethos we pursue with unwavering passion, putting all our cards on the table and letting the work speak for itself.”

In a culture beset by gimmicks and ghosts in the machines, simplicity and authenticity are in vanishingly short supply; a reliable sanctuary is a real gift, and for six years the curators at Healing Sound Propagandist have kept that notion at the forefront. Across its many topographies and tonalities, Retrospective is a (relatively) concise distillation for the familiar fan, and only a tantalizing toe in the water for the uninitiated, offered in the hope that it might open new entryways to profound listening experiences.


▪▪▪

Curated, mixed, and compiled by zakè. CD1: Tracks 1-22. CD2: Tracks 23-44. CD3: Tracks 45-67. CD4: 68-76. Disc Description Protocol by James Bernard, Ambient Mountain House. Marketing, distribution, and compact disc copyright: Healing Sound Propagandist. Glass mastered, manufactured, and assembled by Analogue media Technologies Inc. dba Duplication.ca, Canada. Design and layout by zakè. © 2025 Healing Sound Propagandist ℗ 2025 Past Inside the Present Publishing (BMI). This is HSP-91. For credits and detailed album information, please visit the respective artist's release page.
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Various Artists – Healing Sound Propagandist: Retrospective [2019-2024]

Glare

'Glare' - Healing Sound Propagandist: Retrospective [2019-2024] - [Healing Sound Propagandist, 2025]

Æther #007 by Alessandro Barbanera
Dronarivm Guest Mixes Series

Mix number 7 in the Æther series comes from Italian sound artist, musician, composer and guitar maker Alessandro Barbanera. 

Over the course of an hour, Alessandro carefully explores the nuances of modern ambient music – often touching on its darker, more mysterious edges, yet never fully descending into shadows or melancholia.

Check out Alessandro's latest album 'In Darkness Let Me Dwell', released by Dronarivm's dark vibes division, Owl Totem Recordings ~ https://owltotem.bandcamp.com/album/in-darkness-let-me-dwell

Tracklist:

00.00. Tape Loop Orchestra – I Was Born When She Kissed Me (excerpt) [from “In A Lonely Place”, Fluid Audio]
03.46. Carlo Giustini – A Letizia [from “Custodi”, ROHS! Lontano Series]
07.47. Dionisaf – March [from “Twelve Months”, Chitra Records]
12.18. Demetrio Cecchitelli – Notturno [from “Jump”, Le Mont Analogue]
16.08. Corrado Maria De Santis – Entangled Uncertainties [from “City of Tethers”, Owl Totem Recordings]
21.22. Francis Gri – Bruma II [from “Bruma”, self-released]
25.05. Federico Mosconi – At Midnight [from “Nocturnal”, Dronarivm]
29.56. Luca Giuoco – Shantih 3 Times [from “Collettivoinconscio vol.1”, Dissipatio / Toten Schwan Records]
33.03. Grotta Veterano & Music For Sleep – If Only Anything Could Change You [from “Endless Vacation”, Fluid Audio]
39.15. meanwhile.in.texas – Almost Blind [from “Heimat”, Secret Press]
42.18. Yugen (Gianluca Ceccarini, Alessandro Ciccarelli, Tetsuroh Konishi) – My Sounds [from “Yugen”, Disasters By Choice]
48.27. Gallery Six – Zansyuu [from “Kisetsu”, Le Mont Analogue]
52.34. Chelidon Frame – In I Reached (feat. A Distant Shore, Asymmetric Cut, Andrea Marinelli) (excerpt) [from “Flatline Voyages”, Difficult Art And Music]
58.24. Macrogramma – Catedral [from “Magnetic Series”, ROHS! Lontano Series]

Explore more...

Æther #007 by Alessandro Barbanera

Welcome to Ambient Daily, the podcast dedicated to ambient music!
Discover the latest ambient releases, from new-age to pure ambient music.

00:00:00 - 4lienetic, Maybe It's Only Us - Stargazer 
00:05:34 - Tundra Solitude - Winslow 
00:08:00 - Kyle Preston - An Ocean of Quiet Confession
00:12:34 - Spacecraft - Sky Full of Aurora
00:16:17 - Andres Alborok - Ashram
00:18:05 - Winter Silhouette, Christian Alsemgeest - Sun Through Scattered Memories
00:21:54 - HLow - Vimana
00:26:11 - Forever Floating - Broken Echoes
00:28:35 - KapTep - Waiting for Tomorrow
00:35:49 - The Silent Traveler - Warm Embrace
00:39:44 - Forever Floating - Forgotten Memories 
00:41:06 - Kieldfal - Woodland
00:44:33 - Acoustic Levitation - Infinity
00:48:29 - Celestial Seekr - Bolide
00:50:20 - Jonas Blomqvist - Song of Dawn
00:54:32 - Sensitizer - Restful Nocturne
00:57:00 - Double Danger - Boreal

Ambient Discovery Podcast
French spoken podcast with interviews, reviews of the latest ambient releases, etc.
https://ambient-discovery.lepodcast.fr/

To discover more ambient music
Ambient Nap https://spoti.fi/3wftliY
Ambient Daily https://spoti.fi/49rf68Q

Follow Ambient Daily
https://instagram.com/ambient.daily

Follow Le Code
https://solo.to/lecode

Contact
contat@le-code-music.com

Ambient Daily - Episode 30 - Cosmos Adrift

Tracklist

01.  Ian Hawgood - I Was Never Really Here
02. Michael Grigoni and Pan•American - Baritone Boderlands
03. Dag Rosenqvist - Somna, sov
04. Taylor Deupree & The Humble Bee -  Case Study 7
05. The Birds Companion - A Place Outside of Time
06. Tides - Fragile 
07.  HERE - Sun-Warmed Earth
08.  Katharina Schmidt - The Multiplicities 
09. Tomosla - Rivermouth

418. Sleepy Sunday Podcast (Elm Records)

'Petrichor' is the third studio album from long-time collaborators James Osland and Andrew Heath, and serves as a natural continuation of their creative partnership following the release of Elysian Fields (2024), also on the esteemed Fluid Audio label.

The two artists were initially brought together by a shared admiration for each other’s work within the ambient music community. Andrew Heath is an established figure in the genre, with numerous albums and EPs released on respected imprints such as Disco Gecko, Whitelabrecs, Rusted Tone Recordings, Elm Records, and White Paddy Mountain. James Osland, meanwhile, is both an accomplished artist and the founder of Elm Records, a boutique label known for its thoughtful curation. His personal discography includes releases on Unknown Tone Records, Whitelabrecs, Flaming Pines, and Dewtone Recordings, among others. Osland’s practice explores the intersection of sound, memory, and place, working across both sonic and visual mediums.

Petrichor began to take shape during an exchange of ideas between the two artists in the late winter and early spring of 2024. As Andrew shared loops and sonic sketches, James found himself listening from his studio, watching the unrelenting English rain from the window. These moments of stillness-quiet reflections on the shifting of seasons-informed the mood and direction of the album.

What emerged is a collection of slowly evolving compositions, revealing gentle melodies, nuanced textures, and soft drones-much like the tender unfolding of early spring leaves. The album carefully weaves together field recordings, organic textures, and synthesis to create immersive soundscapes that capture the subtle beauty and contemplative atmosphere of seasonal change.

James Osland & Andrew Heath - Outside The Light Was Starting To Wane

I’ve been mesmerised with the sound of Deaf Center since the very beginning. I think it’s been more than 20 years now since their Neon City EP was released on Type. This is way before I even knew that behind the project was a Norwegian duo who started making music together as friends. This is before I knew their names to be Erik K Skodvin and Otto A. Totland. Before I listened to, admired, and celebrated their solo works on here. And, before I met each one in person, and of course, before we naturally became friends. This is precisely why, when it came to launching Headphone Community and deciding on who I should profile there from the start, I reached out to Erik and his partner Monique Recknagel (who runs Sonic Pieces imprint) to pitch them this idea (it was actually when I visited their mi-so shop in Berlin). This is why Erik is the currently featured artist for the month of May on Headphone Community (join for just $1 for an intimate journey!), and this is why I am premiering this track for you today. It’s been another long period of silence for Deaf Center, but the two long-form pieces on Reverie clearly show that they have not put their collaboration on hold. If anything, it has only evolved into a hypnotic meditation on Otto’s keys and Erik’s strings, guitar, effects, and atmospherics, designed for a very deep listening session. The recordings actually come from a live performance in October 2024 in Rabih Beaini’s studio, Morphine Raum in Berlin, during the 15th anniversary celebration of Sonic Pieces. This is less of an improvisation and more of a dialogue between the two friends who haven’t spoken in a while. It is truly magical, and I only wish I could be there to experience it live.

In “Rev”, deeply effected piano motifs reverberate and echo in the depths of the room, evolving through looping and electronics into a blissful, mesmerising cloud of (dis)harmony. The sound is reminiscent of the 7inch “Vintage Well” mixed with the basic elements of 2011’s “Owl Splinters”. […] The immediate duality of the two performers has rarely been so strongly felt, Totland’s deep melodic feeling is underscored by Skodvin’s abstract ambience and processing. Dark versus light, loud versus quiet – this has always been at the core of what makes Deaf Center a special project.

TRACK PREMIERE : Deaf Center - Rev (excerpt)

South African Jason van Wyk is quickly becoming a favourite and prominent artist on these pages. You may even think I’m biased, because I asked Jason to rework one of my tracks. But this relationship is indeed in reverse – I only requested his participation because I admire his sound, and am indeed inspired by his music when I choose to work on my own. There’s something ethereal, delicate, and dreamlike in how his cinematic pads swirl in a cocktail spatial ambience and pulsating rhythm that takes over my heart and bewitches my soul. Stunning harmonic progressions show off true musicianship, while the layered textures keep me occupied with intelligent sound design. This is the culmination of elements that I highly respect in my music. This is why I keep listening to Jason’s music and try to share it with the world. This is why, I’m sure, Mike Cadoo continues to invite him on his label. We last heard from Jason nearly three years ago [time is always speeding up], when in October of 2022, he released Descendants, which inevitably landed on my Best of the Year list in the most coveted category, Music For The Film Behind Closed Eyelids. This is a sacred space, often occupied by the likes of Max Richter, Ólafur Arnalds, and, of course, Jóhann Jóhannsson. With his latest sixth full-length album, Inherent, Jason is back on n5MD, pushing his boundaries forward, featuring even more expansive soundscapes of warm ambiance, haunting piano melodies, and trance-inducing beats. Enjoy this exclusive track, and who knows, maybe Jason will show up on Headphone Community (wink, wink).

TRACK PREMIERE : Jason van Wyk - Remnants

2025-06-05

TCNE7-20250605A

Lighthouse

Melodic Ambient to chill to. Work,study and perfect for background. 

Fairies At The Bottom Of The Garden

Dutch independent label focused on contemporary ambient / modern classical music.

Æther #007 by Alessandro Barbanera

Dronarivm

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