。 The atmosphere is good. The combination of the bass and the sound like a xylophone is good.

Luce

The Sanctuary

Antoinette Boulevard

Track taken from the upcoming album 'Objects & Apparitions'...

- All tracks written / played by Gideon Wolf except *track 10 (In the Wake) Cello part played by Tom Spencer

- Mastering by Ian Hawgood

- Design by Daniel Crossley

Objects & Apparitions

Gideon Wolf - With Eyes Closed

“Companion” is the title track of Otto A Totlands final album in his trilogy of personal, sparse piano compositions, following “Pinô” and “The Lost”. It´s a first glimpse into a new series of fourteen melancholic pieces by the Norwegian composer. Coming November 26th on Sonic Pieces.

Otto A Totland - Companion

forgotten

The original motion picture soundtrack to ‘Salero’ will be out on November 11th.
Pre-order the (Ltd. Clear) LP/CD/DL here: www.erasedtapes.com/store/index/ERATP091
iTunes: itun.es/de/CdbFeb
Bandcamp: snip.ftpromo.net/salerobc
Original Soundtrack to the film "Salero"
Composed & Orchestrated by Adam Bryanbaum Wiltzie.
Recorded in Budapest @ Magyar Hungarian National Radio
Mixed with Francesco Donadello @ Vox-Ton in Berlin

Adam Bryanbaum Wiltzie, the creative force behind A Winged Victory For The Sullen and Stars Of The Lid, is to officially release his score for the motion picture ‘Salero’ on November 11th.
Having channelled some of the most iconic drift music of our time through A Winged Victory For The Sullen and Stars of the Lid, 2016 has already seen Erased Tapes luminary Adam Bryanbaum Wiltzie provide original scores for a number of feature films including Jalil Lespert’s ‘Iris’ and ‘The Yellow Birds’ by Alexandre Moors.
It’s on ‘Salero’ however, that we see Wiltzie weave some of his finest work and deliver an expertly distilled accompaniment to director Mike Plunkett’s sprawling, uncompromising visuals. Set in Bolivia’s Salar de Uyuni, the world’s largest salt flat, the narrative follows the region’s ‘Saleros’ – those who have for generations gathered salt and earned enough to somehow carve out an existence in such a barren landscape. It’s with the discovery of huge Lithium reserves – a mineral used frequently throughout the tech industry – under the scorched earth that acts as a catalyst for exploitation of the environment and its people; holding a microscope to the drastic effect industrialisation has on local culture and tradition.
Recording took place in Adam’s Belgium-based studio for the guitars, percussion and small string ensemble tracking. Hungary was chosen for the final large string orchestra recordings at Magyar Radio Studio #22 with the Budapest Art Orchestra.


LITHIUM, THE NEW ERA

I am exceedingly happy to share with you the first part of my "LIVE Music for the Stars" series. These ambient improvisations are based on the OST for the indie space game Avorion​. Thanks for listening!

Watch the HQ video on Youtube:
https://www.youtube.com/watch?v=ZK1GqMM7yaI

Play Avorion:
http://store.steampowered.com/app/445220/Avorion/

Presented by:
Avorion
Boxelware
Unperceived Records​

Editing: Maya Nadir​
Camera: Niklas Paschburg​

LIVE Music for the Stars I [Pt. I]

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Final track from the new album 'Any Given Moment', now available via Whitelabrecs: 
https://whitelabrecs.bandcamp.com/album/any-given-moment

I've Longed For This // from the album 'Any Given Moment'

Track taken from Christoph Berg's 'Paraphrases' album... 

Officially released today!

www.fluidaudio.bigcartel.com/product/christoph-berg-paraphrases

Christoph Berg - Interlude (remixed by aus)

Due out on limited CD on September 4th

DR-70 : DAVID CORDERO - Honne (本 音), CD / DL
 
In Japan, Honne (本 音) are a person's true feelings and desires.
This album is the musical result of my first trip to Japan, a mix of pleasure trip and live tour. These are eight new songs where I try to express with my music the incredible landscapes, sounds, culture and people that I had the pleasure of meeting.

All of these songs were later recorded in my home studio, using some new recording processes and instruments, also influenced by this journey and my shared experience playing with Japanese musicians.
In addition, I have received contributions from my friends Miguel Otero, Carles Guajardo, Shuta Yasukochi and Kenji Kihara, the last of whom I met during our performance in Tokyo.

I hope you like these new songs as much as I do.
They were made with my true feelings.

- David Cordero 

Mastered by Ian Hawgood

TRACK PREMIERE: David Cordero - Un Drama Mudo (feat. Miguel Otero)

Dutch independent label focused on contemporary ambient / modern classical music.

TRACK PREMIERE: David Cordero - Un Drama Mudo (feat. Miguel Otero)

Dronarivm

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