The Patience Fader

pan•american 'outskirts, dreamlit'

Track taken from the new album 'Towards The Blessed Islands'...

Full Review:

http://www.fluid-radio.co.uk/2013/11/oliver-coates/

Oliver Coates - The Room Is The Resonator

Tape loop created on the first 60 degree day of the year.
Image from an exhibit featuring broken & disused speakers [Vienna, Austria].

I count my sins like pearls.

Full version of 28-hour drone including Low, Dosh, Paul Metzger, etc:
https://drone-not-drones.bandcamp.com/album/drone-not-drones-the-live-28-hour-drone-minneapolis-2014

A preview of the live 28-hour uninterrupted drone we did as a fundraiser for Doctors Without Borders. Fifty acts (give or take) rotated on and off the stage to create a seamless drone. Prairie Fire Lady choir started off the drone with a piece based off of Crosby, Stills, Nash & Young's 'Find The Cost of Freedom.' 

Contribute to Doctors Without Borders here:
http://events.doctorswithoutborders.org/participant/dronenotdrones

"We have finished the job. What shall we do with the tools?"

Buy it!

the 28-hour drone recording preview: Prairie Fire Lady Choir

Korg PS-3100 synthesizer

Recorded live at Lucky's Comics as part of Music Waste
Vancouver, BC
7 June 2014


Sarah Davachi live / Korg PS-3100 / 7 June 2014 / Lucky's Comics (Music Waste, Vancouver)

anjou 'sighting'

A track from the album Five Cambridge Utilities out 05/23/16 on Constellation Tatsu.

L'eoscombu Couti - U-III

Float Into This Feeling

from the album 'semblance' available on kranky 07/20

semblance

forma 'new city'

Edited Version of You'll Be Fiiinnne, taken from The Withdrawing Room LP (Pathway006)

Seek solace. Be still and drift. Withdraw and be there. There. Inside. A chair awaits. A beginning built from an ending, from leaving, from afar. In times such as these, The Withdrawing Room is a safe haven to leave behind all that weighs heavily and surrounds us. We remark how comfortable the chair is, how exquisite the view is outside the window, the aroma, the breaths to be taken as you become aware of the minutia all around you and the sounds emanating from Mary Lattimore’s harp, warming your feet, your hands, your heart. Breathe. Previous collaborations have seen Mary matching wits with such esteemed luminaries as Thurston Moore, Meg Baird, Kurt Vile, Ed Askew, Fursaxa, and Jarvis Cocker. But for this debut work, Mary sequestered herself in a room, much like this one, to kindle three distinct works for keeping the listener company as he or she enjoys the view. The nuanced notes of the harp strings sing and reverberate amid subtle electronics courtesy of Jeff Zeigler on the 24-minute long piece “You’ll Be Fiiinnne;” “Pluto the Planet” meanders at a slow and steady pace as the sun makes its way across the sky and the gentle plucks of the silk and steel resonate within, beyond; the closing chaos of “Poor Daniel” charts a recklessness that embraces the listener as he or she quietly makes their way out of the room to tackle the world anew.

CREDITS + INFO

Recorded and mixed by Jeff Zeigler at Uniform Recording
Mastered by James Plotkin
Artwork by Becky Suss – 76 Meadow Woods Road, oil on linen, 72 x 120 in
Design by Chris Koelle
Mary plays a Lyon & Healy Style 30 harp and Line 6 looper
Jeff plays the Korg Mono/Poly on Track 1

Mary Lattimore - You'll Be Fiiinnne(Edit)

Musicians using drone to raise money/awareness for the victims of the War on Terror.

the 28-hour drone recording preview: Prairie Fire Lady Choir

DRONE NOT DRONES

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