Statik

track 'Boogie Beams' taken from mini-album by Ilan Volkov and Ohad Fishof published in CDr red series. 

Ilan Volkov — conductor and musician. Served as principal conductor of the Scottish BBC Orchestra and the Iceland Symphony Orchestra. Founder and artistic director of the Tectonics Festival, a world-renowned platform for new and experimental music that takes place every year in Glasgow, Athens and Tel Aviv and has previously also taken place in Reykjavik, New York and Melbourne.

Ohad Fishof – An artist who works in the fields of sound, dance, performance and visual art. Began his artistic path in the 1980s with the band נושאי המגבעת and has since developed a unique body of work of time-based idiosyncratic art, in a sequence that includes stabilizers, musical works, video works, place-dependent performances and dance works.

Recorded by Daniel Meir at Levontin 7, December 2020. Mastered by Jacques Beloeil.

Ohad Fishof/Ilan Volkov (Duo):
http://www.tzlilmeudcanfestival.com/about-fishof-volkov/


available for order from stellage.store

Boogie Beams

Ilan Volkov and Ohad Fishof — Boogie Beams (Stellage, 2021)

In My Head

Being in service
To doing: his work flows from
Soulfulness each day

::

Original music & haiku poetry by Bob Weathers

Being In Service

A Moment In Paris

A track from the album 'Terra Nova' out 10/03/17 on Constellation Tatsu.
FALL BATCH 2017

Angel 1 - Karaoke

Following on from several self-releases, along with 2018’s soundtrack for Make, Do Theatre’s Little Change, we’re excited to welcome Loui Binns’ Foetal Zulu into the Rural Colours fold.

Redolent, Lo-fi and warm, Tracts was created using only samples from a set of Bible audiobook cassettes that had been found on a wall in Halifax by Loui’s housemate a few years ago.  Using recordings made directly from the cassettes, as well as field recordings of the cassettes and cases themselves being hit on objects, and the occasional voice of confused passers-by, the EP places these found objects front and centre of the music, almost becoming religious icons in their own right. 

Despite the self-imposed limitations of the EP, Tracts is a rich and varied collection of pieces, combining ambient and soundscape composition with more classic electronic dance music elements.

Foetal Zulu / X71 taken from EP Tracts

"Drone Works Vol. 3 - A Compilation Of Contemporary Drone And Ambient Sounds" celebrates the third year of DRONE WORKS INTERNATIONAL with 15 amazing artists from all across the world, combining about hundred minutes of complex sound experience.

DWI likes to thank all artists involved. More information about each artist at each track. Please support them and check out their music.

Tracklist:
01. Vinny Vortex - Off The Radar
02. Velo Di Nebbia – Luminoso (Rework)
03. Lofield - Another Tomorrow
04. Logic Moon – Dolor
05. Deep Tremolo Sustain - Off Shore
06. 9VoltDisaster - Footprint
07. Phalioo - On A Dirt Road Guided By A Flashlight
08. Kraut Sounds - In Transition
09. Whalt Thisney - Nothing Alone Is Greater Than Itself
10. Jörgen Kjellgren - Warm Luminous 1
11. Mila Drone - North Beach
12. Polaroid Notes - Dissolve (Drone Rework)
13. Carbonates On Mars - Propranolol Nights
14. Tom Cadillac - Gully Ghosts
15. D.Y.H.M? - Rabbit In The Headlights

Download @ https://droneworksinternational.bandcamp.com/album/v-a-drone-works-vol-3

Release Date: 26th December 2019
Drone Works International DWI 21

Bandcamp

V.A. - Snippets Of Drone Works Vol. 3 (DWI 21)

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Root Cellar Inventories is a new mix series from Tone Harvest that will slowly compile and rotate cathartic favorites from the harvest into musical cornucopias with multi genre ingredients.

1. From Within I - Raphael Weinroth-Browne (@nihilisticgod)
https://raphaelweinroth-browne.bandcamp.com/album/worlds-within

2. From Within II - Raphael Weinroth-Browne (@nihilisticgod)
https://raphaelweinroth-browne.bandcamp.com/album/worlds-within

3. Weave - Jesse Woolston (@jessewoolston)
https://jessewoolston.bandcamp.com/track/weave-piano-day-2016

4. Cromo (Piano & Drones 2) - @bruno_sanfilippo & Mathias Grassow
https://brunosanfilippo.bandcamp.com/album/cromo-piano-drones

5. Tell Tide -  Austin Rockman (@austinrockman)
https://austinrockman.bandcamp.com/album/plum-god

6. Field - Hyperbox (@hyperbox)
https://hyperbox.bandcamp.com

7. A Strange Economy - Tsone (@tsone)
https://tsone.bandcamp.com/album/exiles

8.Then the Sky - Massergy (@massergy)
https://areciborecords.bandcamp.com/album/the-vast-colure

9. Before the End - Keosz (@keosz)
https://cryochamber.bandcamp.com/album/be-left-to-oneself

10. On Devil's Hill - Dead Melodies (@dead_melodies)
https://cryochamber.bandcamp.com/album/legends-of-the-wood

11. Empty Slopes - Mount Shrine (@mtshrine)
https://cryochamber.bandcamp.com/album/ghosts-on-broken-pavement

www.toneharvest.com

Root Cellar Inventories - Mix I

Olta Karawane show continues with Part 2: Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford and other hungry friends of John are waiting for him on the shore.

V.A. - Snippets Of Drone Works Vol. 3 (DWI 21)

Drone Works International

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