TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Rif S3- Fuck off AI Cover Design  "
credit :

date : 9-11-2025

Great Machine :
https://silhouettesynthesizer.cargo.site/SHOP

Discharges V Light

BROKEN  VESSELS  2

Guitar Signal from the Loft

Bezkwit - "Show Me Your Id"

SOUND  SELF  SOUND   XX

Space Filling Curve, in 31TET,  for Marimba, Harp, Harpsichord and Organ

https://winoiwinyle.bandcamp.com/album/to-kanaan

To Kanaan - "Kanaan".

Quando o acaso deita pedras

method: A50 and microphone  before input - pedals and effects before output
narration: these days one has to cope with these days - that's basic dialectics, isn't it
copyright for the poem, the composition, the sounds and the image: jo richter

behold the golem at the helm
made of silence, made of clay
this is your home, this is your realm
how much does an inked word weigh

bailiffs live the coral life
elder masters clad in kelp
men may snorkel, hegels dive
words confuse, there is no help

if the undead self arrives from voodoo space
if the unmet I is just AI
if shadows shed redeeming grace
if jojo dialectics are all lie
who will prompt the prompts and question questions
who will prompt the prompts and question questions

dial 0 for landline services

method: collaboration - my own contributions were basically framing the process, quite minimally so - all the while poor me being absolutely flabbergasted by the beauty unleashed by the geniuses doing the real work associated with this project 
image: stubbornly being convinced that handmade is "better for positive discomfort" than AI, however awarkwardly it might jut out into the world, I have chosen a different cover image than my fellow creators - please do excuse (copyright jo richter)

COMMON LINER NOTES:



After taking a break from this story for a whole year, The Smoking Trout is so happy to share with you all the final chapter in our epic ongoing tale, the Quest for the Holy Dumpling! Thanks to all who've joined us on this fantastic ride, as either listeners or musicians. See credits below to learn about the crew who contributed to this memorable final episode. You'll also find links to our BandCamp and our earlier album, plus Jeff & Jo's incredible lyrics!

Stonerjazz @user-911083679 -- Lyrics, Vocals (intro/outro) Guitar (intro/middle)
Tot - @tot-beat -- Beat & Drums (intro/outro)
Tea R. Sea - @tea_are_sea -- Beat (middle), Synths (throughout), Production
Nadia Selvaggi - @nadiaselvaggi -- Vocals (middle)
TexMex Shaman @texmex-shaman -- Guitar & Guitar Special Effects (intro/middle/outro)
Nic - @nic_nic_nic -- Vocals, Synths/Keys (middle)
Jo Richter @sonic-textures -- Lyrics, Melodion

-------------
Catch up with all 12 tracks in the Smoking Trout's now-complete concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q

Find us on BandCamp! thesmokingtrout.bandcamp.com
-------------

Lyrics (by Stonerjazz & Jo Richter):

Everybody on the bus, Gus and Stu
and some others from Uriah, too, made up their minds
packed up their kinds and kith and kin
and decided unattachedly to pack it in
and Johnny, all nostalgic for the solitude of melancholic bedsheet ascetism, said
"We should go to Zed" and smiled in mild remembrance
"I saw a crack a couple light years back in the space time continuum,
with a sign that read, Zed, 50 miles straight ahead.
We might get there in time to liberate my lost accordion
from the clutches of the local constabulary

Uriah had a riot
when the dumplings disappeared
trampled by the herds of lust, desire
lampooned by the nerds of rust and fire
gobbled up by fast food throats and street flock trucks
and someone farted, burped and said they wanted seconds
and that was when the trouble started and ursurped the mental landscape
and who’s to blame but some minions from that moppet, Alfred Rufus Smith
who to his simian bewilderment was headed back to earth
in that stolen starship that he stole again, restole and stole for just another time
(the way rebirthing beings rack up karma by incarnating ceaselessly)
from the only holy spaceport of that karmic spacelord on the potted planet
frowned upon by Gus and Stu and all the riders of experience on the nirwana bus--

--"And so it was , they crossed the boundry into Zed, and landed lightly on the purple plain
and when they did, all the holograms on board the bus turned into real Girls and Boys
Would love to say things turned out well but what the hell , who can tell
Uziel Wivress, Neal Nic and Nadia, jeff and Jo, Stephen Tot and Terry too enjoyed the view as the bus it hit the ground and settled down
in the golden grass near the end of June--
Gus and all the crew were happy too having arrived safe and sound
without a scratch on that sacred patch of rock in space--

see the tarmac flotilla in karmic espandrilles
sharpen their common intuition
and like expanding armadillos
overcome respective inhibition
and cross across the crucial rift and ,riffing, raft the cosmic shift
and wake up in the place where Johnny is remembered as the bringer of the dumpling holy and the player
of the golden instument divine -till the end of time.

THE SMOKING TROUT:  End of the Line

DANACH WAR ES KEINER

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

BROKEN VESSELS 2

Dror Elimelech

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