Lost & Found | Part II

Paint The Sky.Tiano

Ventotene, a small island in the Mediterranean. Under a breathtaking starry sky, waiting for the dawn.
Thanks to @RosinDust for her gorgeous violins. I am always grateful for her willingness and enthusiasm.
In the last period I worked a lot on things written some time ago, so I had not composed anything new for a few months and, as always happens in these cases, I was a little afraid of having run out of creative vein. That's why, with this new piece, I'm happy and ready for the next time when I'm definitely going to ask myself, once again, "oh my god, is this over?" :)

Here the other collaborations with Tatiana:
soundcloud.com/francescocartocci/sets/grazie-tatiana

In the photo, of course, Ventotene.

Composition and all arrangements: Francesco Cartocci

It's almost dawn - with Rosin Dust

@ApproachToSilence / @ApproachToSilence2  (4/16 / Redesign: 31.8.22)
[Teaser]
Spotify:
https://open.spotify.com/album/455vTvd5F4u5A2cPxrhN2a?si

ApproachToSilence_2022

Horizon 22

Pyramids Of Mars

Soundscape Experiment #92

Music and lyrics by: 
The Rolling Egg Rolls
Nguyen Huu Hiep Hoa
https://soundcloud.com/therollingeggrolls

Vocals: BBright

The Rolling Egg Rolls x Your Body (BBright Cover)

Psychedlic drone

Synth: Lunacy audio /Cube
Efect :ChowDSP /Chow matrix
           Unfiltered audio/Silo   and more


Enjoy!

Cubixum or :Psychedelic drone

PERSPECTIVES  2

Râh: Quintet for Violin-Flute-Clarinet-Bass Clarinet and Harp

Bubble Burst

Thanks to @HopelesslyHype for the cover art!

Rendezvous

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Just added some guitar to @half-unusual and @daniel-diaz 's track from last week.

More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Invitrio (w/ Daniel Diaz & HalF UnusuaL) (disquiet0593)

Saturn In Pisces

K G G - Underwater Cave System

[This piece is 2nd part of 1 song.] The time of 'Keytone' song hit (charted on Apple Music in 2021), the 'Sonorisen' song also was released with the form of very challenging & completely-free improvisations by the same keys as ' Keytone' on 1st album of COOWAVE, titled "SONORISEN - Intrino Learning". Is almost Noise Avant-Garde awesome within 19 minutes full length, still great to see the purified decomposing&recomposing ways before publishing Classical-Trad breeding total albums[[Grundlagen Von KOOAS] series], is to verify a kinda certification of COO's honestly as musician and nowadays COO kept on. ISWC code: T-317.509.246-9

Sonorisen [Very Rare 'Keytone-Period' Session in 2021]]

Sonorisen Part.2

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

PERSPECTIVES 2

Dror Elimelech

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