Name: B1 Tobs - Bbtvip by Drowned Records in Ciao Ranchito
Duration: 6 min 39 s
Description: https://drownedrecords.bandcamp.com/

Ciao Ranchito

B1 Tobs - Bbtvip

Get your copy at Bandcamp:
https://dynamicreflection.bandcamp.com/album/contemporary-spaces-the-remixes-pt-2

For the second and last EP of Contemporary Spaces remixes, Dynamic Reflection welcomes yet another batch of talented producers to the label. Just like the first remix EP, it is a mix between household names, and up and comers.  
 
First off, it’s Perc’s interpretation of Glide. The UK-based artist, who is known for his use of distortion and aggressiveness, takes it down a notch on this occasion. He has made Glide into a echoing and glitchy track that doesn’t reach its energy peak until the last couple of
minutes. Matrixxman takes over with his Biohazard mix of Future Existence, which contains a tensive synth, confined by a filter that gradually opens,and than closes again, retaining your attention at all times.  
 
On the B-side, SHDW and Obscure Shape reshaped The Hunt to provide the first outright dance floor track of the EP. With its thumping kick and epic pads around the breaks, it’s bound to win crowds over in the club. Dutch talent Ben Buitendijk also remixed Future Existence, in his own distinctive, hypnotic style. A deep, though energetic track with a verymature sound. 
 
Lastly, as a digital bonus, Matrixxman remixed Immersion as well. The subby kick, old school rides and uplifting lead, make it into one of those secret weapons, waiting to be used on the night’s most worked-up moments.  

Abstract Division 
Soundcloud: soundcloud.com/abstractdivision 
Facebook: www.facebook.com/abstractdivisionmusic 
Twitter: twitter.com/AbstractDiv 
Resident Advisor: www.residentadvisor.net/dj/abstractdivision 
Beatport: www.beatport.com/artist/abstract-division/221575 
Instagram: www.instagram.com/abstractdivision/ 
YouTube: www.youtube.com/AbstractDivisionNL 

Ben Buitendijk
Soundcloud: https://soundcloud.com/benbui
Facebook: https://www.facebook.com/benbuiben

Matrixxman
Facebook: https://www.facebook.com/matrixxman
Soundcloud: https://soundcloud.com/matrixxman
Resident Advisor: https://www.residentadvisor.net/dj/matrixxman/

Perc
Facebook: https://www.facebook.com/PercTrax
Soundcloud: https://soundcloud.com/perc
Instagram: https://www.instagram.com/perctrax/
Twitter: https://twitter.com/perctrax

Obscure Shape
Facebook: https://www.facebook.com/obscureshapeofficial

SHDW
Facebook: https://www.facebook.com/shdwofficial

Future Existence (Matrixxman Biohazard Mix)

Abstract Division - Future Existence (Matrixxman Biohazard Mix)

With a fantastic Remix, were proud to present you no other but Jonas Woehl. His style is one of a kind and his latest work on the 98u Ep doesnt stand out from that. Listen and Enjoy

Soundcloud:
@jonaswoehl
Facebook:
https://www.facebook.com/jonas.woehl

Soundcloud:
@98u
Facebook:
https://www.facebook.com/98u

Beatport

98u - Rails (Jonas Woehl Remix)

Longtime resident of the label Stefan Vincent offers up Dynamic Reflection’s 37th vinyl, a four tracker consisting of three distinct original mixes from Stefan’s own hands and a remix by the fellow Dutchmen Artefakt. 

For everyone who has heard of Stefan Vincent and his music before, it’s no secret that he favors the use of melody and melancholy to bring purport to his tracks and The Spaces Between Time is no exception. While peculiar parts of sound design do their job by keeping things in motion at all times, lush pads find their counterpart in the familiar sounds of vintage drum machines that lay the foundation of these contemporary pieces of techno.

Add to that a very dreamy yet effective remix by Artefakt on the A2 and the tone is undeniably set. DREF037 is the kind of patiently evolving and expanding techno that crowds just will not get enough of, guaranteed.

The Spaces Between Time

Stefan Vincent - For A Brief Moment We Could Stop Time

The precision of naming takes away from the uniqueness of seeing. In the case of Yan Cook all come together in harmony. Yan joins the label with 4 very well crafted cuts. after a very steady profile and career. now is the time to make him shine even more. Listen: bit.ly/2s0rmNX
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Buy the 12" Worldwide or in these online shops: 
Vinyl: fanlink.to/CpA - #ARTSRECORDS
Digital: Always 1 week after the vinyl release. 02/02/18

A1. Yan Cook - Sand

Clone - https://bit.ly/2qR8Rrc
Juno - https://bit.ly/2F6d7bF
Rush Hour - https://bit.ly/2HEorku
Decks - https://bit.ly/2HmuBSU
Deejay - https://bit.ly/2F7JUgg
HHV - https://bit.ly/2JiToYB
Redeye - https://bit.ly/2vFWhko

The mud is soaked after the heavy rainfall. It’s stormy but the new car you just purchased is in full automatic mode, cranking up the beats per minute formally unknown to the life of Susan. There are no goggles that will see through the fog; no Granny Smith apple soup that summons the space before you. The wind turbines are blowing right in your face, but the elephant’s memory is better than it has ever been. That’s why DJ Swagger’s Green Waters explores the depth of the past, whilst crisply hovering over futuristic, transformed low-voiced samples that will most definitely build fires with nocturnal creatures. It’s quite safe to admire Susan’s step towards kebab eating binges and standard evening sessions.

The one-forty bpm exploration is furthered by Susan’s very own Axefield, as he encompasses familiar sounds into a setting hitherto unexplored within this realm. As the needle hits the 140 Trak, I begin to see an image of some kind of oil rig, digging deeper and deeper until it reaches the bottom of the sea level, delving straight into the nature and richness of oily oil. Right there, in that instance of discovery, the synthesised odour of recognition jumps right to the top of the surface, similar to a frog that is gasping for air. That frog, however, isn’t the only one in desperate need of oxygen. Our main man Raj was too. But that’s partly because he took a little too much of that good good.

Flip the plate, fam. The B-Side is like waking up on a summery morning, firing up your old school desktop and being welcomed by that sound. You already know what Susan means with this one. And if you don’t, DJ Windows XP’s How Did You Know I Was Here will gently stroke your back until you feel comfortable enough to handle the waves that overflow your burnt coffee can, as the drop comes in like a banana falling upwards because gravity has most definitely now been defied. Raj, we ask you again: how did you know Susan was here?

The strange dream comes to an end as the misty Sketches by Joakim Hellgren whistles kindly in the fleeting distance. If you have ever felt hollow, absorb the tribe-like howls of distorted mumbles, drum claps￼ and an erotic dance between hi-hats. Is that a piano? Who knows. Whistle to the streets and you may pick up every spare penny that rests before you. The 808 business is strong, that’s why it’s not called 807. Stay focussed, because Susan never knows who’s patrolling tomorrow night. In order to stay calm you may ask the right answers to the right questions. Hear now! You surely read that one twice. But the confusion is mildly satisfying, because sometimes life is all but a drawing, or for that matter, the very beginning of it all. The cryptic hieroglyphics make sense to Susan, but that is because she is the only one who at the end of the day truly knows who she is.

Now, Raj, did you have that Monster drink?

Order 12" vinyl

SUSAN005: V/A - "Raj" (DJ Swagger, Axefield, DJ Windows XP & Joakim Hellgren) CLIPS. 30.04.18

READ > inverted-audio.com/premiere-100-silk-share-cuts-from-upcoming-olsen-and-dearly-departure-cassettes

Dearly Departure's title cut 'Genesis' brings it all back to where it begins. "Inspired by the moodier fringes of LA’s nocturnal underground as well as the “dark gothic energy” of certain fatalist new wave", Crook's track melds the heavy-breathing jack of a classic Chicagoan pumper with the low-key chimey harmonics of a further heliotropic musical bloodline.

Genesis

Dearly Departure - Genesis [100% Silk]

Buy:
https://sohaso.bandcamp.com/album/noord-hollandsche-ghetto-tracks

Dexter & Cosmic Force - Noord Hollandsche Ghetto Tracks Ep (SoHaSo 020)

A1 Drum Techniek 
A2 Geheugen Meuk 
B1 Sloppenwijkkont 
B2 Baslijn In Opstand

Something Happening Somewhere 
@sohaso  
www.somethinghappeningsomewhere.com

Artist: Dexter & Cosmic Force
@dexter-official
@cosmicforce
Title: Noord Hollandsche Ghetto Tracks
 cat nr.: SoHaSo 020
 12” vinyl (limited to 300 copies) (09-11-2018) 
Artwork: Mainstudio
Mastered by Norman @ Calyx
Distribution: Kompakt

Cosmic Force returns to Something Happening Somewhere for an all-out ghetto affair in collaboration with the mighty Dexter. Four relentless and unpretentious dance floor cuts with a high energy high fun(k) factor. It’s as high of a dose of the magical alchemy between man and derailing machines as you can find. Every second of this record feels like entering an unknown dangerous zone, blink once and someone could sweep out the motherboard beneath you and turn everything inside out. A robot’s brain disintegrating while you’re still plugged inside racing through it as everything slowly falls apart, without the safety programs to protect you. The great digital escape part II.

Drum Techniek is like taking a LCD drumbeat mixed in a blender with some vitalising capacitor hallucinogens. If the undeniable groove of the first one and a half minute isn’t enough, a jaw shattering bass line creates even more bad ass vigour. Geheugen Meuk’s unstoppable energy train is fuelled by a hypnotising stomping bass line that is intersected by warbled dystopian chords. Lost in the transistor mind, the memory chip slowly starts emitting smoke and shape shifts beyond the point of recognition. Leaving the gates open for uncontrollable off script imagination to reign.

Sloppenwijkkont takes the same approach as Geheugen Meuk but adds a more defined West Coast flavour. Baslijn In Opstand does exactly what it says on the can, like the electronic music interface decided to stop obeying and took over the controls to produce the music it favours. All this music is not for the faint hearted but will prove an incredible addition to anyones dance floor arsenal for those moments which need some extra psycholetric firepower.

Dexter & Cosmic Force - Geheugen Meuk

Oscillate Tracks 002 is the second compilation from the Oscillate crew who have been running the event series at ://about blank for just over 4 years. This time with Melbourne based producer Hymns, known for his beautifully restrained, spacious electro, Superhexagon regular J. Wiltshire, presenting his own glistening take on modern dubstep, Perth-based artist PTMC, upheaving all expectations with his surprising rhythms and syncopation and Schloss Records founder Karima F whose percussion and berserk melodies know no bounds. Diverse, yet of the same palette, this record paints a dreamy yet powerful picture.

Oscillate Tracks 002 Snippets

A collection of 14 grizzly tracks, with an emphasis on electro and acid. This one means business, so respect the sound as it rips ya to shreds. Ominous raw Detroit sound, nitty gritty 808s, high spirited bass lines. Be ready as you enter the wild with these forces of nature!

Tracks by - AGNARKEA, Ufaze, Datawave, AΣΤΥΤΕΚΚ x DJ Problems , Rico Casazza, Crossover Network, FRANCOIS DILLINGER, C C O, Collin Sullivan, Wade Watts, Wee Djs, Buzz Kill, Ludgate Squatter, G-HADD

Artwork by Michael Idehall

Mastered by Alex Moralez

Out July 10th

Pre-Order

DMC006 - V.A.

Family Matters Vol. 2

1831 NRG

Peramen! A Compilation for Belarus

“Change! Our hearts demand it. Change! Our eyes demand it”, sings Kino’s Viktor Tsoi in “Peremen”. This song may now be heard on the streets of not just Minsk and Grodno, but also Babruysk, Brest, Gomel, Mogilev, Pinsk, Vitebsk and what – at least to a foreign onlooker – looks like countless Belarussian cities and towns engulfed in protest. Following years of Alexander Lukashenko’s rule, another rigged election, omnipresent violence perpetrated by the state apparatus, censorship and draconian laws, the people have taken to the streets en masse. This is not the first time the Belarusians are out to protest, but the scale of these disturbances is unprecedented. Also unprecedented is the fact the rallies are led by women, who head the peaceful marches that have spread onto the streets of Belarus. Workers, miners, teachers, employees of the media and the Minsk underground as well as artists from the Belarusian State Philharmonic have all joined the protests. They stand against lies, demand the transparency of public life, and access to power. As they rally against repression and torture, they expose themselves to the same.

The artists featured on the Peramen! compilation also demand changes. While we cannot physically join the protesters on the streets of Belarus, we want to offer them at least this form of support. Our thoughts are with our friends – and with all the people who have been arrested, beaten, and humiliated. We join in the grief of families of all those murdered in the protests.

The compilation covers a broad selection of genres: from club music, through classical and experimental classical, to noise, ambient, and rock; from pieces that were composed to ones that were improvised or inspired by folk music. Its geographical scope is similarly broad, spanning Belarus, Czechia, Poland, Slovakia, Ukraine, USA, Russia, and Hungary.

Buy - Comp for Belarus

Future Life

JLM Werx joins the Hilltown Disco family for the label's 7th EP in the series.

We are taken to another dimension ruled by the Keyboard Freaks, where robots roam the land with their destructive, futuristic electro-bass.

The five-track EP is filled with bass-heavy jams that vary from bongo-basslines to acid-fuelled angry cyborgs made predominately from the MC505, giving a nod to iconic grooved-out electro-funk to rock sound systems across the galaxy.

https://soundcloud.com/hilltown-disco

Pre-order

PRÈMIÉRE: JLM Werx - Acid 146 [Hilltown Disco]

Pablo Splice steps up with some new business. It's hard to pin down exactly where this fits in but it definitely spans a few styles of electro with a twist of techno and some deep analogue house. It's also safe to say these tracks probably don't sound too much like anything else.

'Do the work' takes a moment to lay out the cardboard, then it kicks off - a relentless glitchy bass hook powering through an 8-minute routine with alternating levels of intensity. Use with caution.

'2 the 9s' promises to make it weird... and it also promises a world of stank face in the place. If you like your electro with a dose of minimal techno, and a nod to drum n bass or something wobbly in the bass realm, this should be quite pleasing.

'Psionic' could be considered the emotive ballad of the set. Melodic and deep, this one vibes on 808 electro breaks spaced to the extremities. A series of stabs and spacious melodic hooks cascade in layers, a little bit sci-jazz-fi...

Revising '2 the 9s' is one of electro's trippiest producers by far... he leaves a distinct mark wherever he appears and instantly left a mark on Pablo Splice since first hearing his unbelievably cool track, 'Rush Hour'... and that's exactly why he was highly coveted for a remix... it's a special honour to have a remixer casually re-craft an original that was in truth, directly inspired by their music... as anticipated, Fleck E.S.C. graciously delivers both his signature funk and weird - fresh and direct from Tokyo...

Adding a sugar coating to his own recent 'Magnetic Incursions' EP released for Woodwork, the esteemed Jay Tripwire contributes a rendition of 'Psionic' that is true to form, relentlessly groovy and dubbed-out with his signature voodoo-minimalist flair...

...But rounding off the entire bill is none other than Gez Varley, G-Man himself. For Pablo Splice, Gez had mad influence as a bleep techno pioneer in the legendary outfit LFO, through to his post-industrial minimal techno as G-Man that has set new standards since the late 90s. G-Man was enlisted to mold the chosen original mix into something that would legitimately become his own. The absolute artistry of what resulted is a pristine example of elegance and ease. Somehow he reduces 'Do the Work' to nothing but a stem cell and re-imagines the inescapable hook in its simplest possible form. A select few can craft a mix so subtle, hypnotic and addictive.

Embed / PreSales https://pablosplice.bandcamp.com/album/do-the-work

Social Links
Woodwork Recordings: https://www.woodworkrecordings.com
Facebook: https://www.facebook.com/woodworkrecordings/
Soundcloud: https://soundcloud.com/woodworkrecordings

Pablo Splice: https://pablosplice.bandcamp.com/album/do-the-work
Jay Tripwire: https://www.facebook.com/jaytripwire.fanpage/
Fleck E.S.C.: https://www.facebook.com/fleckesc/
G-Man: https://www.facebook.com/GManTechno/

Do the work EP

PREMIERE: Pablo Splice - Do the work [Woodwork Recordings]

J.A.D.E invites @lvlc89 from @tuttonudo collective

Tracklist:
1. Moken - Fly High ft. ARP220
2. Daniel Monaco - Summer Twilight
3. Sansibar - Wallah
4. Panorama Lineal - Smash the system ft. Ravetop
5. Lena Platonos - Cyaniris
6. Anatolian Weapons - 2020 acid jam
7. Minimal Violence - The next screen is death
8. Teatre - List of wanted fugitives
9. Dr Gabber - Acid ketamina (Chanty OTM bootleg)
10. Ednd - Quartz composer
11. The Lost Boys - Cybernetic revolt
12. December - Encore
13. Favsto - Flowers are dead
14. Skelesys - Persuasion
15. Sebastian Voigt - Sequential
16. Sansibar - 4digitghost
17. AIC - Sea alarm
18. Tullia Benedicta - Alkemia (Years Of Denial remix)
19. Hadone - How to fake success (Marino remix)
20. Dj Frankie - N0 0RD1N4RY L0V3
21. DJANUNAK - Meal’n’Real

https://soundcloud.com/jadetalktoyou

Free DOWNLOAD

𝘑.𝘈.𝘋.𝘌 Podcast Series: LVLC

Bremen-based dance music record label, active from 2014 to 2018 and now inactive.

buy/free downloads: https://drownedrecords.bandcamp.com/
distributor: distribution@wrong-hands.com

B1 Tobs - Bbtvip

Drowned Records

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