Oh yeah. This is really chaotic and I like how there's more synths in this one

The image really enhanced the listening for me. Sounds tessellated and 3-D.

These are some really weird but still funky rhythms. Not as experimental as some of your other stuff. I like that I can feel a groove in it.

ooo yes that rhythm change here at the end is cool. Dope track man.

ok, I'm not fluent on Pig Latin, but hey: during this Friday morning I managed to get two sentences done:
First sentence goes B-C-E-G-A-B8-Eb-D8
Second sentence goes B-C-A-E-B8-Eb-G-D8-E8-D8
Then I  transferred the initial two note "consonant cluster" to the end of the phrase and added a vocalic syllable in the form of a low A note (upright bass and treated piano)

00:00 First sentence B-C-E-G-A-B8-Eb-D8
00:13 Second sentence B-C-A-E-B8-Eb-G-D8-E8-D8
00:32 First sentence in Pig Latin
00:45 Second Sentence in Pig Latin

Added some filtered delays and reverbs.
I finished with a last low note and some acoustic detritus from the piano+fx return

Composed and performed by DD
Photo by Boudewijn Huysmans

@disquiet

Created on Friday March 12th for the 480th junto project.

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/

This project is informed by Pig Latin. From the Oxford English Dictionary: “a secret language formed from English by transferring the initial consonant or consonant cluster of each word to the end of the word and adding a vocalic syllable.”

Miniature 4 Pig Latin (disquiet0480)

Ghosts of Sine and Vine [disquiet0326]

Several tracks of staked warbling sine waves produced in pure data. These use mutiple sine waves with the shifting volumes to give a warbling effect. Some of the bassier tracks had a side chained beat pumping them using an expander gate- this was in time with the end-of-vinyl click sample. some other added crackle  and click samples . Compiled in pro tools. Only two of the drone tracks had delay/reverb the rest of the tracks are dry.

Samples:

https://freesound.org/people/DanielsonIII/sounds/68400/
https://freesound.org/people/ludvique/sounds/71854/

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:
https://disquiet.com/0326/ 5
More on Clay and Fischer at:
http://dclaymusic.com 8
http://feather2pixels.com 1
More on the Disquiet Junto at:
https://disquiet.com/junto/ 2
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co 3:
https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/ 2

Ghost Of Sine And Vine

joöag

アオキ サトル 『 Type ≒ BLUE 』2020年4月28日
Aoki satoru - Type ≒ BLUE : Tokyo, Japan - April 28, 2020 [ TOD 131 ]

It was recorded in Tokyo under the declaration of a state of emergency.
家のベランダから録りました。

Type ≒ BLUE

From the Bandcamp release (Crackle)(Sniff)(Hiss):
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss

Experimental guitar quintet with Martin Hoogeboom,
Ansound http://soundcloud.com/ansound-655183295
Ulrich Langenbach http://www.ulrich-langenbach.de/
Paul Mimlitsch http://soundcloud.com/r369improv
Wodwo http://rayrobinson.bandcamp.com/

Mixed by Martin Hoogeboom
Mastered by Marlon Wolterink (White Noise Studio, Winterswijk)
Artwork by Irena Zablotska (http://www.zablotska.com/)

A Martin Hoogeboom Project (DS1248/2020)

(Crackle)(Sniff)(Hiss)

SNIFF (Ansound, Hoogeboom, Langenbach, Mimlitsch, Wodwo)

Sonic Weapons

ラミニウス

More on this 463rd weekly Disquiet Junto project, Making the Gradient (The Assignment: Make a piece of music inspired by the concept of a gradient), at:

https://disquiet.com/0463/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0463-making-the-gradient/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

fading lather

halF gradienT [disquiet0463]

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

Electronic/acoustic piece. Piano, sax, granular synth, things.

Turning

a rework from Mean Flow of a track by Henrik Meierkord and Marco Lucchi

febbraio 2021

joöag

drreic

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