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réécouter sous peu est toujours aussi lourd 👌👌

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Unconditional Beauty - Drumcode - DC135

I am trying to learn techno. And it is my first techno-style track using Ableton Live. Please keep fingers crossed. Today only for the fun!

Techno Beat #1 and testing Ableton Live

Jay Lumen - Departures [PURE096]



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Le Ly Land - Drumcode - DC146

Dutch producer and DJ Reinier Zonneveld is racking up accolades about as fast as new fans are losing their shit to his far reaching beats. Having already released on Richie Hawtin’s Minus label and the ever-influential Traum Schalplatten, Zonneveld’s latest, an EP titled Rushchamber, is out on the increasingly important Stil Vor Talent, an imprint run by tastemaker Oliver Koletzki.

The 3-track EP captures the variation Zonneveld is known for and kicks off with “Sharp Bust,” a careening, pure techno number with detuned horns and whirring rushes. The titular track 2, “Rushchamber,” weaves in groovier house influences in the beat, and “Flatchat” levels off somewhere in the middle. The collection reflects the wide palate that Zonneveld, who was raised on classical music, brings to the studio. 

Reinier Zonneveld - Sharp Bust

My new EP is out now!
https://pro.beatport.com/release/dark-rooms/1698574

Jay Lumen - Dark Rooms (Original Mix) Low Quality Preview

Enrico Sangiuliano came up through illegal raves and is now a top DJ who plays all over the world and has his music played by the likes of Adam Beyer and Sven Vath. He has had the longest ever running techno number one on Beatport (his remix of ‘Can You Hear Me’ for DJ Boris on Alleanza) and is one of the best selling artists on the site at any one time. His music comes on Cocoon and Drumcode amongst others, and is powerful, direct stuff for the dance floor.

Written entirely in Italy, “X-Pollination (or cross-pollination) is fundamentally the key factor of growth, consciousness and life,” says the artist. “It’s the way I connect with people, share my passion, fly from one place to another and put many influences and elements into my music.”

The title track is eight minutes of slow burning but hypnotic techno funk with rolling rubber drums and nervy pads. Frazzled synths add post apocalyptic vibes to this main room anthem and many well crafted peaks and troughs along the way help make it even more standout. It is a real techno classic in the making.

Mark Reeve is the UK star who remixes. He has a long history with techno that goes back to the rave scene. Since then his education has taken in trips to techno mecca The Omen, has resulted in music on Cocoon and collabs with Pig & Dan. He has also released on Drumcode and has a big rolling sound that fills the world’s finest clubs and warehouses with his unique grooves. His take on the original is more energetic, with searing synths, cantering kicks and a dark energy that makes you pump your fist and stomp the floor. It is full of drama and is perfect balanced from start to finish.

Enrico Sangiuliano - X-Pollination (Mark Reeve Remix) [Unrilis]

Buy on Beatport

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno. ‘Going Down’ is built around a deep menacing vocal, as subterranean bass drums, thundering kicks and a sinister synth line combine for a high impact finish. ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Going Down - Drumcode - DC166

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

Independent record label owned by Adam Beyer.

Adam Beyer Vs Dense & Pika - Going Down - Drumcode - DC166

Drumcode

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