Yves Deruyter - Back To Earth / Progressive Mix

The magic of Loops & Tings lies in its ability to evolve while staying instantly recognizable. Each remix reshapes its iconic riff, amplifying its energy in different ways. Some driving it into raw, peak-time territory, others taking a more restrained, hypnotic route. No matter the approach, the track’s pulse remains as strong as ever, proving that some grooves never lose their grip.

vinyls & more: https://linktr.ee/superstition

dive into our timeless classics catalog: https://on.soundcloud.com/RuQf8fNFD9ojitN78

Loops & Tings

JENS - Loops & Tings

Sunshine (Remixes 2012)

Sunshine (Original Mix)

Feeling high

Feeling high (Original Mix)

Buy here

Mark Pihlar - Can't Control My Mind - BTNL27

Access

Access (Radio Edit)

Now available on Beatport: https://freeforall.lnk.to/FFAD009SC

‘The Best Of Orlando Voorn’ contains 25 of his biggest hits including; “Flash” (Fix, 1992), “A Paco Di Bango’s World” (Playboy, 1996), “Solid Session” (Format, 1996) and “Where Is Your Evidence?” (Frequency, 1991). 

If you ever wanted to own these tracks, but didn’t get a chance to purchase the vinyl, now is your chance to get back those lost years.

The Best Of Orlando Voorn

Solid Session (DJ Misjah XXXLarge Mix)

Download Here

Format - Solid Session (DJ Misjah XXXLarge Mix)

SLAM / @paragraph - ARCHIVE EDITS LP (SomaDA124)

1. Nitzer Ebb - Join In the Chant (Slam Rework)
2. Slam - Scorpion (Live Edit) 
3. Slam - Memoriam (Original)
4. Silent Breed - Sync In (Slam Re-Edit)
5. Slam - 1001 (Original)
6. DK8 - Murder Was The Bass (Slam Re-Edit)
7. Terence Fixmer - Body Pressure (Slam Re-Edit)
8. Damon Wild - Rotary (Slam Live Edit)
9. Hertz - Recreate (Slam Rework)

Slam rework Nitzer Ebb Nitzer Ebb, Silent Breed, DK8, Terrance Fixmer and more for the final instalment of their Archive Edit series

Soma label heads Slam curate a specially designed package of tracks to finalise their Archive Edit project that sees them delve deep into Techno’s past to bring some of the genre’s best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam’s own unreleased material, showcasing the duo’s current sound; one that constantly naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

“We resurrect nine cuts from our archive collective collections for your listening and spinning pleasure. Some are original material, some are live re-edits, some are well-known, others are not! They all have one thing in common, they all attempt to unashamedly destroy dancefloors, and thus featured heavily, (usually toward the end of our DJ sets) in the last year or so well known”. Now we share them with you!"

Slam open the album with an absolute monster track in the form of their rework of the legendary Nitzer Ebb’s ‘Join In The Chant’. The anthemic EBM/post-punk infused original is given a thrashing overhaul from the duo marking one of the standout tracks of this collection.  A special live rework of fan favourite ‘Scorpion’ drops before the previously unreleased ‘Memoriam’ delivers on a more emotive tip. Firing back into the edits is Thomas P Heckmann’s seminal ‘Sync In’, under his Silent Breed Moniker which is a fast-paced, Neo-Trance affair Slam then drop the manic ‘1001’ which takes the BPM stratospheric. DK8’s, Murder Was The Bass is up next and given a 2019 update as the duo's edit snatches up all the most perfect elements of the track leading nicely into a rework of French EBM legend Terence Fixmer’s ‘Body Pressure’ - driving through with its twisted beats and vocals. Another special live edit of the first Archive Edit release, Damon Wild’s Rotary makes an appearance as the album closes out with the rave infected, rework of the Hertz classic ‘Recreate’

All Tracks Mastered by Conor Dalton @ Glowcast Mastering

Archive Edits

Murder Was The Bass (Slam Re Edit)

DK8 - Murder Was The Bass (Slam Re Edit) - SomaDA124

TU | www.trueunderground.one electronic music news and entertainment! A true desktop magazine experience on computer, mobile, tablet and VR.

Pre-order A Copy: https://www.beatport.com/release/dreams-umek-version/2802135

1605241 - Dreams (UMEK Version)

Premiere | Quench - Dreams (UMEK Version) 1605

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - The Afterparty - Adam Beyer Remix - Drumcode

Independent record label owned by Adam Beyer.

DC110 - Ben Sims - The Afterparty - Adam Beyer Remix - Drumcode

Drumcode

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