I remember this track from the Cocoon Live at Green & Blue Mix!

Drumcode

Paul Ritch is no stranger to Drumcode and has returned with an outstanding single featuring three tracks that will dominate DJ sets. The first track ‘Run Baby Run’ entertains us with an arpeggiated chord sequence that is accompanied by percussion-like synth sounds before bursting into a thick-layered sequence of sound. The dark and dubby side of the single see’s Paul’s ‘Astral’ bring a funky sleazed out groovy track that also uses a discerning melody. ‘Mind Insistence’ is a dark 5am groove that will keep the dance floor swaying in the early hours with it’s tripped out feel and syncopated percussion.

DC115 - Paul Ritch - Astral - Drumcode

Hailing from Miami USA, KAMADEV is bringing us this melodic beauty. Once the track starts you'll feel the synth enter your body. You definitely hear how much talent this producer has.

Nova Collective - Creating the perfect space.
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Outside Of Time

Kamadev - Outside Of Time (Radio Edit)

Denis A - Rubicon (Original Mix)

Adrift

Gravity Well (Extended Mix)

Eris

Buy on Bandcamp

Hurukan - Eris

I'm a fan of the duo from Northern Ireland for a long time and was already really happy that they remixed our Kydus release last year on Terminal M. And now I'm even happier to have the possibility to release 4 originals from James and Lloyd. The reactions I get on the title track 'Argentina' which I used in my Essential Mix on BBC Radio 1 are crazy. 

Rock on (Monika Kruse)

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https://www.facebook.com/TerminalMRecords
https://www.facebook.com/locoandjam/

Loco & Jam - The Journey

Loco & Jam - Endless Piano

Vinyl: www.deejay.de/Clint_Stewart_Shad…T031_Vinyl__268465

Clint Stewart – Shadows On The Wall EP [SNDST031]
A1. Shadows On The Wall
B1. Nias
B2. Lost On Kauai
Digital only: Ghost Tree

Our next vinyl release comes from one of our core artists and the most recent commander of our HUB series, Clint Stewart. It is safe to say by now, that Stewart's strength and appeal lies in his versatility and his most recent EP ‘Shadows On The Wall’ may be the best example yet. Spanning dark, massive cuts to uplifting, ethereal journeys, his compositions always remain steadfast in their focus to create dramatic, emotional narratives and unforgettable moments. From the start, the self titled ’Shadows On The Wall’ featured in Pan-Pot’s debut BBC Radio 1’s Essential Mix sees Clint deliver his heaviest tune to date where unrelenting percussion lays the foundation for an onslaught of climactic sonic eruptions emanating in an impressive display of powerful vibrations. ‘Nias’ takes a different trajectory as it shoots into celestial spaces where throbbing low end and lush pads harmonize into a vibrant array of gorgeous, shimmering aural arrangements. Following the approach of the previous two but landing somewhere in the middle is ‘Lost On Kauai’ where heaving drums and monumental bass converge with fever inducing arpeggios creating an incredible tension of opposing dynamics. Finally, completing the EP is the digital bonus ‘Ghost Tree’ whose low slung groove and eery pads make the perfect weapon for the strangely unique occasions.

Shadows On The Wall EP

Lost On Kauai

Clint Stewart - Lost On Kauai

Berlin based DJ and producer Marco Resmann steps up on Upon.You to release his Voyager EP, featuring the deep and rolling techno track ‘Glide’.
 
With releases on respected imprints like Poker Flat and Watergate, Resmann steps up on Upon.You, the label he co-founded and leads the A&R department. With roots in Berlin his brand of techno fuses hypnotic elements to create an enveloping atmosphere and his new material is a clear example of this.
 
‘Glide’ is a smooth anthem with a dark motif, as heavy bass lays the foundation for a rolling sawtooth synth line to carry through eerie textures. It’s clearly a dancefloor weapon, one that will be in high demand on the club circuit.
 
The Voyager EP also includes three more originals from Resmann and is set for release June 19.

More exclusive music

Premiere: Marco Resmann 'Glide'

Susurrus

Nightmare

Niereich - Agerola Positano (Roel Salemink Remix)

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

06 - DC107 - Petter B - Second Coming - Drumcode

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - Bullet - Cari Lekebusch Remix - Drumcode

In the same vein as her recently launched MOOD imprint, ‘Believe’ is suited to a number of atmospheres and settings. Across the nine original productions and one collaboration with label boss Adam Beyer, Nicole has crafted a sonically diverse long-player of sounds which draw on the plethora of styles electronic music has to offer. From her accustomed techno to twisted house and everything in-between, the stylistic variety on offer means cuts ‘Believe’ will easily feature in more intimate settings and big-room venues alike. ‘Believe’ features a host of tracks aimed squarely at the clubs. From the moody ‘Movin On’, the bass-heavy “Do Your Thing”, to the industrial techno grooves on “Come And Lay” and the hypnotic chanting vocal on “Get On It”, the techno-aficionados will not be disappointed with what is sublime set of cuts that will no doubt destroy any dance-floor. 
In contrast however, there are more intimate moments to be found. For example the rhythmically entrancing yet uplifting “Fly With You”, to “Liberum Spirita” with its mazy ethereal breakdown, and the synth-heavy percussive builder “Lumière Tamisée”. Nicole’s further flexes her production muscle with the stripped back dub-flavours of “Big Love With No Apology”, and a robotic groove-laden funk on the standout “Can I Get Some”.  “Believe” delivers a consummate body of work with which Nicole’s considerable abilities in the studio are clear for all to hear. A wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. Furthermore, it lives up to the high-standards of previous Drumcode long-players and is an engrossing and impressive debut; and one that offers a smooth segue into the next chapter of an already exciting career. 


Nicole Moudaber - Can I Get Some - Drumcode

The first glimpse of Joseph Capriati’s ‘Self Portrait’ is revealed, as Drumcode drop a double a-side single from the hugely anticipated second album by techno’s heir apparent. The tracks ‘Fratello’ and ‘Awake’, have been highlights of Capriati’s sets in recent months, punctuating performances at landmark gigs such as his main room closing set at the internationally respected Time Warp Festival in Germany and maiden coast-to-coast tour of the US.

‘Awake’ was born out of Joseph’s longstanding love affair with Holland’s famous Awakenings parties and is a homage to the fanatical fans who turn out en masse at each event. Tense, atmospheric and relentless, ‘Awake’ captures the feeling of a momentary release of energy that is such a part of the high-octane Awakenings experience.

‘Fratello’ has achieved anthem status since it debuted in Capriati’s sets last September, such is the reaction it has garnered from fans. A work of rare beauty, this is techno at its most emotive, as hypnotic melody is laced with intricate key patterns, while the Italian’s trademark shaking percussion propel the track forward.

DC113 - Joseph Capriati - Awake - Drumcode

DC113 - Joseph Capriati - Fratello - Drumcode

Independent record label owned by Adam Beyer.

DC115 - Paul Ritch - Astral - Drumcode

Drumcode

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