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Ramon Tapia - Last Step (A.Paul Remix)

[#MGR052] - Tuca -Powerful Afternoons EP

1 - Tuca - Cosmic Vibes (Original Mix)
2 - Tuca - I Want (Original Mix)
3 -Tuca - 2room (Original Mix)
4 - Tuca - Another Rules (Original Mix)

Tuca - Cosmic Vibes (Original Mix)

Slam Feat Mr V. - Take You There (Soma Track Series Vol 2) is out next week on Soma

Pre-order: http://www.somarecords.com/shop/music/soma_454d/

--

Catch Slam in RM2 this Saturday night

Tickets: http://www.fabriclondon.com/club/listing/1228

Buy release

Premiere: Slam Feat Mr V. - Take You There (Soma Track Series Vol 2) - Soma Rec

With the opening track providing an atmospheric techno masterpiece, dubspeeka’s production ability shines through with a staccato synth melody providing a unique listening experience. Staying true to the melodic techno sound that has propelled dubspeeka to the forefront of the global underground music stage, K354 and K375 showcases his ability to conjure varying sounds with chilling vocal samples and distorted percussion sounding out through each production respectively. With dubspeeka’s prominence within the techno world flourishing faster than any other artist within the field, ‘Unfriended’ makes yet another decisive point in this eclectic artists career.

dubspeeka - K377 Unfriended - Drumcode - DC156

Some support in random order:
Monika Kruse: good stuff! will play!
Enrico Sangiuliano: lovely originals and remix!
Sasha Carassi: solid release
Noir: COOL!
Andres Campo: Sick ep!! All tracks are top!!! Thanks for sending.
Coyu: Baldur is a great track. Support!

German based duo Hidden Empire are swiftly making progression in their climb to the top of the techno scene. They’re known from several hit releases on Stil vor Talent and Traum Schallplatten. We are gleesome to open the doors of Filth on Acid and welcome them for a 3 track original EP. On remix duties we gladly find Egbert, the Dutch powerhouse of peak-time techno, who’s currently releasing on Drumcode.

Twilight Of The Gods opens with Baldur. The authoritative, round kick and bassline build a colossal foundation on which propulsive arpeggiators shift things into next gear. A sturdy, polished groove ensures movement on the dancefloor. The atmospherics and hornlike shout of Baldur, hint to the unfortunate fate of this mythological creature as well as building pleasant pressure.

Mjolnir, the hammer of Thor, stays true to its name, as it is a definite peak-time affair. Long stretched swelling, bassy pads are the backbone for reverberated percussion and dapper synth stabs. Memorable synth melodies unfold on the break to balance force and profoundness.

Bragi can be seen as the most hypnotic of the pack. Arpeggiated synths, soft pads and detailed synths hint to the abstruse nature of Bragi; the god of poets. Smart drum programming keeps the track in ever morphing state.

We close the EP in style, with Egbert’s remix of Bragi. As an artist, always on the lookout of new ways to detonate party crowds, this time he derives a groove with qualities of cavalry. Throughout the track the kick, bassline and drums continuously exert and exchange powers, which makes it sound like a constant battle as to where in the groove they can sit. This unique element builds an enormous strain. Combined with the beautiful break; again Egbert’s music arrives at the next level.

Hidden Empire - Bragi (Egbert Remix)

"I used to play Tiga's records for hours on end in my bedroom in Brazil. If you had have told me I would have been asked to remix a track from Tiga & Audion​" says ANNA.

Her remix of 'Stabbed In The Back' is one that's sure to send dancefloors into meltdown so check out the premiere before anyone else.

Turbo 194 - Nightclub Remixes

More exclusive music

Premiere: Tiga vs Audion 'Stabbed In The Back' (ANNA Remix)

Label: Diamond Black Metallic ‎– DBM-000 - 
Format: Vinyl, 12", 33 ⅓ RPM, EP -  
Country: Germany - 
Released: 2017. - 
Genre: Electronic - 
Style: Techno -

Confidns - Extase (Chris Liebing Remix)

John Digweed’s Bedrock kick-starts what will no doubt be another exceptional year for electronic music, with a label debut from Canada’s Shelley Johannson. A chance meeting with John at last summer’s Veld Festival led to the Toronto-based artist exchanging emails and sending him some new tracks she’d just finished. The rest, as they say, is history. Undoubtedly, Shelley is an upcoming future star of the ever inventive and evolving global Techno scene, having previously impressed with releases on Sian’s Octopus Recordings. She also recently created a superb guest mix for ‘Transitions’ Episode 681 (listen link below).

For people with open minds and open ears, electronic music doesn’t really have borders - blurring boundaries is a given - unrestricted creativity and experimentation is what allows artists to make exceptional music that becomes timeless and treasured. Shelley Johannson is cut from the cloth of the new generation of global techno artists who channel the spirit of classic and timeless music, update it and create new boundless possibilities for the future. Her inimitable dancefloor-driven attitude showcases a creative palette that stands for pure quality and originality, as she boldly walks her own path towards a very bright and highly creative musical future.
Her EP opens with the heavy kick-led, stripped-back, fizzing percussive energy of ‘Broken City’, a track topped with a healthy dose of analogue squelch and deliciously evocative vocal snippets. ‘Nocturnal Bright’ maintains the focus on a powerful percussive groove, but ups the energy levels and adds some delightful melodic beauty to the proceedings. ‘Slow Rise’ rides a tricky tightrope - building tension to superb effect as the dark’n’dirty beats spark subtle melodic motifs throughout, creating a distinct emotive edge. Closing out the EP perfectly, title track ‘Tribaltone’ is an ever-evolving, percussive workout par excellence as it fires a furnace of energy for an impressive finale.

Shelley Johannson - Tribaltone

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Bells Of The Revolution - Drumcode - DC184

Egbert - Geheimwaffe

Egbert - Dubdub [Kneaded Pains]

Independent record label owned by Adam Beyer.

dubspeeka - K377 Unfriended - Drumcode - DC156

Drumcode

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