Drumcode - part 2

Gary Beck - Askaig

Jel Ford returns to Drumcode after his highly anticipated remix of Alan Fitzpatrick’s ‘For An Endless Night’. Ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking. Heavily featuring on Adam Beyer’s Drumcode radio both ‘Red Mist’ and ‘Overcast’ have gained heavy support from DJ’s and fans alike. ‘Ode To Basement’ is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system.

Jel Ford - Red Mist - Drumcode - DC145

Tokyo-based techno DJ and producer Nobuharu Morimoto makes his debut on Unrilis with a hypnotic EP defined by flowing rhythms and immersive soundscapes. A fixture of the city’s underground scene, he holds residencies at two of Tokyo’s premier techno events, plug and OUTSIDER, delivering sets that span Detroit-inspired deep techno to high-energy, driving tracks.

Following releases on respected labels, Morimoto now joins Unrilis with a refined and emotionally charged sonic approach. The EP opens with “Soramakase,” built around a rolling groove, pulsating bass, and muffled vocals, layered with dystopian pads that heighten tension, while the breakdown introduces rising jazzy chords. 

CU PREMIERE: Nobuharu Morimoto - Soramakase (Unrilis)

Release: from 21 Dec 2025 -  Buy it here > https://tribetracks.bandcamp.com/

Join mailing list for free house classic remixes > http://eepurl.com/jmIw6Y

Tribe Tracks presents its 2nd release in 2025 - "Move" by Jonnystash.  A grooving deep  & tech house roller with catchy vocal hooks and house organ stabs.  

(c) 2025 Tribe Tracks


Move (Radio edit)

Kaiserdisco are back on Drumcode with 3 brand new tracks including the heavy hitting ‘Black Light’, that has been championed by Adam Beyer in recent sets. ‘Black Light’ uses old school stabs that weave up and down to create a roller coaster of a ride. ‘SQ 80’ and ‘Manley’ are groovy numbers that really show Kaiserdisco’s versatility.

Kaiserdisco - SQ 80 - Drumcode - DC149

Buy on Beatport

Mark Reeve - Can't You See (Original Mix) [Drumcode]

Mark Reeve - Hold Me (Original Mix) [Drumcode]

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Ben Sims - Bullet

Ben Sims - The Calling

Julian Jeweil returns with a generous five-track EP continuing his stellar 2017. 

Following on from his ‘Rolling’ EP that dropped in January and featured the outstanding ‘Blue’, an early contender for one of the strongest tracks of the year, Julian Jeweil drops the crisp intergalactic techno trip ‘Space’

The EP begins in stunning fashion with title track ‘Space’, driven by stirring vocal effects that build up tremendously, later giving way to a punchy acid-laced climax. ‘South’ follows, a low-end tour de force. ‘Answer’ is already familiar to fans after it featured on DCR368 Live from Loveland and the track is a rousing peak-time weapon propelled by subterranean stabs. ‘Encke’ is deliciously mind-bending, led by heavy bass and distorted effects, before ‘Module’ follows providing a groovier, but no less powerful contrast.

Julian Jeweil - Encke - Drumcode - DC179

Artist: Ben Sims 
Title:  Smoke & Mirrors 
Label:  Drumcode 
Release: 27th October 2011 
Format: Vinyl / CD / DigiCat No:  DCCD005 

Late-October sees the long awaited release of Ben Simsʼ debut LP, ʻSmoke & Mirrorsʼ, on Swedish techno imprint 
Drumcode.  
 
Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every 
seminal techno imprint there is. As an A&R heʼs been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans.  
 
Most recently the London-based producer has seen his ʻWay Back Wednesdayʼ (with Tony Anderson), ʻFunk Youʼ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club 
night “Machineʼ alongside Kirk Degiorgio.  
 
Itʼs with Simsʼ multitude of achievements and notoritey in mind that the knowledge that ʻSmoke & Mirrorsʼ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyerʼs Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Simsʼ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Benʼs talents, influences and perhaps most importantly, his vision of what techno can and should be.  
 
From the off ʻSmoke & Mirrorsʼ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ʻSmoke & Mirrorsʼ.   
 
The rousing and prophetically titled ʻRiots in Londonʼ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ʻDescentʼ but subtly augmented with almost-there soulful vocal samples. This 
nod to soulful elements is then carried on in the less pacey, house referencing ʻ The Snakeʼ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin.  
 
As ʻSmoke & Mirrorsʼ develops, suprises like the out-and-out tech-funk of ʻBack To The Podʼ and the street party disco of ʻCan You Feel It?ʼ are hinted at but never lack surprise when dropped. The emphatic drive of the huge 
sounding ʻI Wanna Go Backʼ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ʻBulletʼ and the late-night discordance of  ʻThe Afterpartyʼ ramp up the tension.  
 
The twilight sections of Simsʼ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ʻThe Callingʼ trips proceedings out in anticipation of the closer, 
the Tyree Cooper vocalled and aptly titled ʻI Feel It Deepʼ 
 
ʻSmoke & Mirrorsʼ has been more than worth the wait. Itʼs as balanced, entertaining, engaging and powerful as youʼd expect from such an artist as Ben Sims and, comfrom Blake Baxter and Tyree Cooper, is essential stuff. 

DJ SUPPORT FROM: ADAM BEYER, SLAM, BEN KLOCK, MARCEL DETTMANN, CARI LEKEBUSCH, TECHNASIA and many more.

Ben Sims-Smoke & Mirrors 'Drumcode Album Mini Mix'

Joseph Capriati - Iron Pump

Ben Sims - The Afterparty (Original Mix)

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - I Feel It Deep (Featuring Tyree Cooper) - Sandwell District Remix - Drumcode

Bart Skils kicks off the three-track single with ‘Fight Club’. Using rolling drums, ‘Fight Club’ builds to a crescendo before the unusual melodic synth phrase bursts in to give the track a distinctive character. ‘Base Camp’ uses a throbbing, militant style synth that emanates in and out to add dynamic and tension. ‘Tracking Down’ uses atmospheric pads to construct a thick build up before a funky, melodic line kicks in to give ‘Tracking Down’ a different feel to the others.

DC114 - Bart Skils - Fight Club - Drumcode

Independent record label owned by Adam Beyer.

Gary Beck - Askaig

Drumcode

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