Drumcode - part 2

Adam Beyer Par Grindvik-Seq 2  Turn-Original Mix

Raudive- resistor EP. Pylon

alan fitzpatrick Unusual Afternoon

Gary Beck - Askaig

<p>The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.</p>

Sasha Carassi - The Hard Parade (Original Mix) [Drumcode]

Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - Dark Days - Drumcode - DC143

Beatport

Juani Ross - Mental State (Original Mix)

Kazzette

Cari Lekebusch and Joseph Capriati - Missed Flight

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Ben Sims - Bullet

Ben Sims - The Calling

Artist: Ben Sims 
Title:  Smoke & Mirrors 
Label:  Drumcode 
Release: 27th October 2011 
Format: Vinyl / CD / DigiCat No:  DCCD005 

Late-October sees the long awaited release of Ben Simsʼ debut LP, ʻSmoke & Mirrorsʼ, on Swedish techno imprint 
Drumcode.  
 
Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every 
seminal techno imprint there is. As an A&R heʼs been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans.  
 
Most recently the London-based producer has seen his ʻWay Back Wednesdayʼ (with Tony Anderson), ʻFunk Youʼ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club 
night “Machineʼ alongside Kirk Degiorgio.  
 
Itʼs with Simsʼ multitude of achievements and notoritey in mind that the knowledge that ʻSmoke & Mirrorsʼ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyerʼs Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Simsʼ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Benʼs talents, influences and perhaps most importantly, his vision of what techno can and should be.  
 
From the off ʻSmoke & Mirrorsʼ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ʻSmoke & Mirrorsʼ.   
 
The rousing and prophetically titled ʻRiots in Londonʼ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ʻDescentʼ but subtly augmented with almost-there soulful vocal samples. This 
nod to soulful elements is then carried on in the less pacey, house referencing ʻ The Snakeʼ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin.  
 
As ʻSmoke & Mirrorsʼ develops, suprises like the out-and-out tech-funk of ʻBack To The Podʼ and the street party disco of ʻCan You Feel It?ʼ are hinted at but never lack surprise when dropped. The emphatic drive of the huge 
sounding ʻI Wanna Go Backʼ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ʻBulletʼ and the late-night discordance of  ʻThe Afterpartyʼ ramp up the tension.  
 
The twilight sections of Simsʼ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ʻThe Callingʼ trips proceedings out in anticipation of the closer, 
the Tyree Cooper vocalled and aptly titled ʻI Feel It Deepʼ 
 
ʻSmoke & Mirrorsʼ has been more than worth the wait. Itʼs as balanced, entertaining, engaging and powerful as youʼd expect from such an artist as Ben Sims and, comfrom Blake Baxter and Tyree Cooper, is essential stuff. 

DJ SUPPORT FROM: ADAM BEYER, SLAM, BEN KLOCK, MARCEL DETTMANN, CARI LEKEBUSCH, TECHNASIA and many more.

Ben Sims-Smoke & Mirrors 'Drumcode Album Mini Mix'

Ben Sims - The Afterparty (Original Mix)

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less. Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label.

The 2020 edition hits with 13 tracks, eight coming from label debutants. There’s Eats Everything searing rave bomb ‘Organico’ and Dubfire’s ice-cool electro offering ‘Deadbug’, both artists landing their maiden contributions to DC after long affiliations with Beyer. With three EPs in less than two years on Truesoul, Oscar L steps up to DC, showing the breadth of his sound palette with a soaring, synth-laden gem ‘Dark Fate’. Belgians Joyhauser featured at last year’s Drumcode Festival paving the way for ‘Fierceness’, a beautiful melody-drenched cut befitting their DC cap. Anfisa Letyago is another first timer and shows why she’s one of the scene’s most highly touted new artists with the brooding beast ‘Are You In’. A growing label favourite, Juliet Fox follows up ‘Was Beautiful’, her superb track on last year’s A-Sides, with ‘Our Fantasy’, reinforcing her skill for crafting anthemic techno compositions. Thomas Schumacher & Victor Ruiz link and the result is ‘Intuit’, a sleek futuristic roller that hits you square between the eyes. Other highlights come from longtime Drumcode cohorts Reset Robot and Harvey McKay, who both dish up premium works, reinforcing their classy productions nous.

Buy all

Loco & Jam — Addicted — Drumcode — DC223

DC109 - Roberto Capuano -- Inversion -- Drumcode
Drumcode storms into 2013 after releasing some superb tracks in 2012 which included celebrating their 100th release with an outstanding EP from Adam Beyer and Ida Engberg. Also releasing some exceptional tracks from artists such as Alan Fitzpatrick, Jay Lumen and Gary Beck, Joseph Capriati, Gregor Tresher, Sam Paganini, Nicole Moudaber and Ben Sims. Heading into 2013 Drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout the coming year.
Roberto Capuano is a name heard before at Drumcode, releasing his debut release on the 15 year anniversary compilation with his track ‘Oblique’. Gaining support as a producer, Roberto has released on record labels such as Analytic Trail, Phobique, MKT, Monique Musique and Suara. He has gained a lot of support from Adam Beyer, Richie Hawtin, Joseph Capriati, Umek, Carl Cox and Alex Under amongst others. Roberto has also been Djing around the world at venues in Europe including the famous, “Old River Park” amongst others.
‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Capuano - Inversion  [Drumcode]

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - I Feel It Deep (Featuring Tyree Cooper) - Sandwell District Remix - Drumcode

Independent record label owned by Adam Beyer.

Gary Beck - Askaig

Drumcode

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