Drumcode - part 2

Jesper Dahlback - You Got Me

Listen: https://paradise.ffm.to/idontcare

Following a string of high-impact releases and global DJ support, HNGT returns to VOLTA Records with a fierce new single, “I Don’t Care,” dropping August 14th.

Blending raw, distorted synth lines with a commanding robotic vocal, “I Don’t Care” is a bold Offbeat Techno cut that speaks to the inner rebel, the part that refuses to conform. It's not just a track; it's a sonic manifesto.

This release marks a significant milestone in HNGT’s artistic journey. It all began in 2020 through Victor Ruiz’s masterclass, a pivotal moment that led to HNGT’s debut on VOLTA with the breakout track “Rebel” a release that opened major doors and set the tone for what was to come. Since then, HNGT’s music has gained strong support from techno heavyweights like Enrico Sangiuliano, Adam Beyer, Amelie Lens, and others, and has been featured on top editorial playlists including Techno Bunker and Electronic Rising.

With “I Don’t Care,” HNGT channels a matured sense of creative freedom and defiance, a sound forged from experience, evolution, and a deep-rooted connection to the VOLTA family.

This one’s for the bold. The ones who don’t care.

HNGT - I Don't Care

BUY ON BEATPORT

Bart Skils & Weska - Dusk Till Dawn - Drumcode - DC331

Set About delivers a powerful reimagining of a timeless classic with JD Davis – Closer To Me (METODI Remix). The unmistakable voice of JD Davis — known for iconic collaborations with David Guetta, Joachim Garraud, Oliver Heldens, Ben Sterling, Tiga, and more — returns in a bold new form.

This remix marks the first release under the new artist name METODI, formerly known as Metodi Hristov. Showcasing his refined, high-impact techno signature, METODI fuses raw energy with deep emotion, transforming the original into a peak-time anthem built for dark rooms and big stages.

Set for release on July 4th, just one day after METODI’s birthday, this milestone track celebrates both a new artistic era and a timeless vocal legacy—uniting the past and future of dance music in one unforgettable cut.

SA312: JD Davis - Closer To Me (METODI Remix)

The YellowHeads, METODI -  PUT THE PRESSURE (Original Mix)

Voltage Rising

Voltage Rising (Original mix)

🎹 Spotify: http://bit.ly/ProgAstroSpotify

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Buy: https://va.lnk.to/DerMuckenschwarm-OliverKoletzki-Kaufmann-StilvorTalent
Release Date: 25-07-2025

► Kaufmann (DE) ♫
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https://www.beatport.com/artist/kaufmann-de/866330
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► Stil Vor Talent ♫
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Tracklist:
01. Oliver Koletzki - Der Mückenschwarm (Kaufmann (DE) 20yrs SVT Remix)
02. Oliver Koletzki - Der Mückenschwarm 

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ALL PREMIERS: https://soundcloud.com/progressiveastronaut/sets/premieres

ALL FREE DOWNLOADS: https://soundcloud.com/progressiveastronaut/sets/free-downloads

ALL PODCAST EPISODES: https://soundcloud.com/progressiveastronaut/sets/progressive-astronaut-mixes

PREMIERE: Oliver Koletzki - Der Mückenschwarm (Kaufmann (DE) 20yrs SVT Remix) [Stil Vor Talent]

Buy/stream: https://drumcode.ffm.to/dc332

SUDO - We Are Free - Drumcode - DC332

Pulsus - Sabura (Fade. - Remix)

you are listening to the radio mix. for the original version listen here: 
https://open.spotify.com/track/0dWuMJ58YBm38w5EfCf5i3?si=ae7c185a987b4516

Tao Andra - Wake Up To Reality (Iboga Records)

Considerado uma das promessas mais empolgantes da música eletrônica brasileira, HNGT construiu sua trajetória a partir de uma paixão despertada em 2018, após visitar o lendário Warung Beach Club. Desde então, mergulhou nos estudos de produção musical, lançando faixas que já somam mais de 1 milhão de plays e conquistando pistas no Brasil e no exterior. Seu estilo combina elementos de Techno e Psytrance, criando atmosferas imersivas com sons que remetem ao espaço e ao universo. Com passagens por clubes como D EDGE, Elfortin, Terraza e Surreal, além de apresentações em países como Portugal, Alemanha, Holanda, Irlanda, Romênia e Líbano, HNGT vem consolidando seu nome com apoio de grandes artistas como Amelie Lens, Victor Ruiz e Enrico Sangiuliano.

TechneraCast #004 - HNGT

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Ben Sims - Bullet

Ben Sims - The Calling

Artist: Ben Sims 
Title:  Smoke & Mirrors 
Label:  Drumcode 
Release: 27th October 2011 
Format: Vinyl / CD / DigiCat No:  DCCD005 

Late-October sees the long awaited release of Ben Simsʼ debut LP, ʻSmoke & Mirrorsʼ, on Swedish techno imprint 
Drumcode.  
 
Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every 
seminal techno imprint there is. As an A&R heʼs been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans.  
 
Most recently the London-based producer has seen his ʻWay Back Wednesdayʼ (with Tony Anderson), ʻFunk Youʼ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club 
night “Machineʼ alongside Kirk Degiorgio.  
 
Itʼs with Simsʼ multitude of achievements and notoritey in mind that the knowledge that ʻSmoke & Mirrorsʼ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyerʼs Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Simsʼ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Benʼs talents, influences and perhaps most importantly, his vision of what techno can and should be.  
 
From the off ʻSmoke & Mirrorsʼ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ʻSmoke & Mirrorsʼ.   
 
The rousing and prophetically titled ʻRiots in Londonʼ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ʻDescentʼ but subtly augmented with almost-there soulful vocal samples. This 
nod to soulful elements is then carried on in the less pacey, house referencing ʻ The Snakeʼ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin.  
 
As ʻSmoke & Mirrorsʼ develops, suprises like the out-and-out tech-funk of ʻBack To The Podʼ and the street party disco of ʻCan You Feel It?ʼ are hinted at but never lack surprise when dropped. The emphatic drive of the huge 
sounding ʻI Wanna Go Backʼ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ʻBulletʼ and the late-night discordance of  ʻThe Afterpartyʼ ramp up the tension.  
 
The twilight sections of Simsʼ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ʻThe Callingʼ trips proceedings out in anticipation of the closer, 
the Tyree Cooper vocalled and aptly titled ʻI Feel It Deepʼ 
 
ʻSmoke & Mirrorsʼ has been more than worth the wait. Itʼs as balanced, entertaining, engaging and powerful as youʼd expect from such an artist as Ben Sims and, comfrom Blake Baxter and Tyree Cooper, is essential stuff. 

DJ SUPPORT FROM: ADAM BEYER, SLAM, BEN KLOCK, MARCEL DETTMANN, CARI LEKEBUSCH, TECHNASIA and many more.

Ben Sims-Smoke & Mirrors 'Drumcode Album Mini Mix'

Ben Sims - The Afterparty (Original Mix)

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - I Feel It Deep (Featuring Tyree Cooper) - Sandwell District Remix - Drumcode

Independent record label owned by Adam Beyer.

Jesper Dahlback - You Got Me

Drumcode

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