Drumcode

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Dusty - Drumcode - DCCD10

Robert Babicz & Marc Romboy - "This Is Not A Sync Track" (ReSynced Rmx)

<p>It&#8217;s time for Sasha Carassi&#8217;s &#8220;Echoes&#8221; from a few months ago to receive remix treatment, and Skober&#8217;s interpretation is up first and focuses on the melodic elements of the Original but cleverly adds moody synths which add to the overall epicness of the affair, especially in the grandiose breakdown. Layton Giordani is up next with his trademarked shadowy sound and impeccable arrangement, offering yet another angle of attack. Last but not least are Loco &amp; Jam dubbing things out with bursts of references to the original in key moments, while maintaining a rocksteady vibe sprinkled with discordant stabs.</p>

Sasha Carassi - Echoes (Layton Giordani Remix)

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

Wild

Indecent Noise pres. Mental Asylum - Trauma [Night Vision] 2012

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Adam Beyer’s Drumcode is growing from strength to strength, year after year, with a non-stop release schedule showcasing both the labels new and most established artists with cutting edge techno beats. After 20 years since its inception, Drumcode continues to push the boundaries, firmly grounding their position as the world’s No.1 techno label.

Drumcode’s youngest rising star, Layton Giordani, exploded on to the scene after his debut album “Where It Begins” back in February, after scoring some of the biggest festivals in Europe this summer, he now returns with an exciting collab titled “Live Again”.

NY born and bred, Danny Tenaglia has always been a true inspiration for Layton since his teenage years, so when the opportunity to collaborate with the fellow NY legend was on the cards, it was a dream come true.

Danny and Layton join forces for the lead track ‘Live Again’. Its deep and dark with a slowly building pad wrapping around a modulating synthetic hook. The dark and effected vocal echo takes the track into a hypnotic vibe.

‘Take It Back’ delivers a pumping drive the moment it fires up. Snapping percussive force and an infectious rhythmic groove will unhinge dance floors nationwide, whilst ‘Secrets of Vibration’ has a rattling, yet blistering low end presence to it.

The New Yorkers unite on this energetic and exciting collab.

Layton Giordani feat. Danny Tenaglia - Live Again - Drumcode - DC180

Drumcode favourite Harvey McKay returns to the label with a darker new sound.

The Glaswegian has been a regular contributor over the years, highlighted by the memorable ‘The Illusion of Control’ EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo’s ‘Pentatonic’ EP and featured a mix on Adam Beyer’s radio, which included ‘Black Dolphin’, kickstarting the hype on the track.

Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core. McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. ‘Retox’ is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track. Concluding the package is ‘Cover Up’, a fantastic stripped back exploration into dark atmospheric techno territory that’s tailor made for the winter warehouse raving season.

Harvey McKay - Cover Up - Drumcode - DC182

Harvey McKay - Black Dolphin - Drumcode - DC182

II OUT NOW II

Buy/Stream: lnk.to/HOTC104

Hot Creations favourite and Paradise resident Patrick Topping is back onboard the seminal imprint with the hotly anticipated, two track release, Be Sharp Say Nowt.

Road tested on the world’s biggest stages and at the most notorious parties, title track Be Sharp Say Nowt encapsulates Patrick’s signature sound and has proven to be his biggest track of the year. “The gospel vocal from LaShun Pace is amazing!” says Patrick, “I'm so happy to have it finally come out on Hot Creations”. On the flip, Track Change offers a contrast and a slightly different side to Patrick’s sound.

Spearheading the new wave of electronic music producers coming from the North of England, Patrick Topping has made a name as a prolific producer, securing seven different Beatport number 1s since his debut release in 2013. His accolades also count two DJ Awards for Best Newcomer and Track Of The Season for Forget, as well as DJ Mag’s Best Tune in their Best of British Awards. Last year he rounded things off with his first DJ mix album, Paradise On Earth vol 1, which received Mixmag’s Compilation of The Month and 10/10 from Germany’s Faze Mag, as well as reaching number 1 in Beatport’s House chart.

TRACK LISTING
 
A Be Sharp Say Nowt
B Track Change

Patrick Topping - Be Sharp Say Nowt

Eclipse EP

Wehbba - Eclipse

Inferno

Carl Cox, Reinier Zonneveld, Christopher Coe - Inferno (Original Mix)

Hidden Empire - Cashmere

▸ Hidden Empire:
Facebook ► https://www.facebook.com/hiddenempire.music/
Soundcloud ► https://soundcloud.com/hiddenempire

▸ Octopus Recordings:
Facebook ► https://www.facebook.com/OctopusRecordings
Soundcloud ► https://soundcloud.com/octopusrecordings

▸ SleepLess:
Facebook ► https://www.facebook.com/SleepLessMusique/
Youtube ► https://www.youtube.com/channel/UCxrBvMakeT6JBfQK8zwP_bg/featured
Soundcloud - SleepLess Musique ► https://soundcloud.com/sleeplessmusique
Soundcloud - SleepLess Recordings ► https://soundcloud.com/sleepless-recordings
Instagram ► https://www.instagram.com/sleepless.musique/

Cashmere

Buy On Beatport

Hidden Empire - Cashmere

BUY IT NOW: https://www.beatport.com/track/space-date-pleasurekraft-remix/12153522
STREAM IT NOW (Spotify): https://open.spotify.com/track/1lbUtnuS8AYvKd0lziKpJ4?si=gasYXChQSSeRezMAL9tiug

Pleasurekraft return to Drumcode on remix duties after a 2 year hiatus with all engines on the Cosmic Techno ship firing.  Big-room atmospheric drums and an infectious call and response hook intertwine with Green Velvet's otherworldly vocals to produce a new highly visceral and steroid injected version of the original.  The "Space Date" remix marks the sixth collaboration between the seminal purveyors of the Cosmic Techno sub-genre, Pleasurekraft, and Chicago's iconic dance music pioneer Green Velvet. 

The remix initially came about after Drumcode head Adam Beyer heard Pleasurekraft's "Welcome to the Universe" EP [Kraftek] at the end of 2018.  A huge supporter of the Swedish/American production duo, Adam felt so inspired by the whole EP, especially "Main Sequence" that the opportunity for Pleasurekraft to take their love of all things space related lent itself naturally to the thematic elements in Green Velvet's vocals. 

The track's spine is built around a hypnotic groove that is anchored to a single word from the original's vocals : "ecstasy" and slowly builds to the first climax of the record where the listener finally hears Green Velvet's vocals in full for the first time.  However it isn't until the second break of the track that the power of the remix is finally unsheathed, resetting the groove and building up to a second swell featuring a duo of call and response melodies between the lead hook and a lower end bass that takes the intensity of the track up another notch - ultimately culminating in complete silence that gives way to the remix's original heartbeat and repeating mantra: "ecstasy". 

Taking over a month of studio time to complete, it was road tested for the first time at Pleasurekraft's Fabric London gig, where there was no shortage of inquiries as to the ID of the record.  This soon became a repeating theme after Adam Beyer first included it on DCR446 and played it during both of his Ultra Miami (Resistance) sets, including his closing b2b set with Maceo Plex who loved the track so much he proceeded to get his own copy and play it during his own solo set one week later at Time Warp in Germany.  

Multiple clips of the remix have already gone viral on various social media and blog outlets, with no shortage of fans waiting anxiously for the June 24 release date on Adam Beyer's own Drumcode Records. In Adam Beyer's own words, Pleasurekraft are "setting new standards" with their continued foray into the Cosmic Techno sub-genre they continue to define.

www.instagram.com/pleasurekraftofficial
https://www.youtube.com/user/pleasurekraftREAL
www.facebook.com/pkmusic
www.twitter.com/pleasurekraft

Space Date Remixes

BUY IT NOW

Adam Beyer, Layton Giordani, ft Green Velvet - Space Date (Pleasurekraft Remix)

Independent record label owned by Adam Beyer.

Layton Giordani feat. Danny Tenaglia - Live Again - Drumcode - DC180

Drumcode

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