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Drumcode

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140


SCI+TEC welcomes HAFT for their label debut with Reflections, a two-track EP blending deep grooves and melodic, hypnotic energy. It includes a collaboration with 3D calligraphy artist and longtime Dubfire friend Peyman Shaafi, marking his return to music after early DJ work in the ’90s. Rooted in connection, history, and joy, the release reflects HAFT’s evolving sound and Peyman’s renewed passion for production.

(Premiere) HAFT, Peyman S - Reflections

Originally released as part of a vinyl only Drumcode Ltd release, Mark Broom sent me his own version a couple of years back but I decided it was so good that it needed to be heard so I included this never-to-be-released edit of 'Eyes Wide Open' on my Fabric 87 mix compilation. 

Eyes Wide Open

Eyes Wide Open (Mark Broom's Unreleased Edit)

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Enrico Sangiuliano vs Hertz - Start Of Madness - Drumcode - DC159

Sam Paganini   - Desire (JAM001)

Now in its second decade, with a steady stream of the most forward thinking and cutting edge techno productions, Drumcode has one of the biggest selections of releases from industry heavy hitters, whilst not forgetting its future by bringing the newest talented producers into the limelight, where Layton Giordani is now a name firmly within that line up.

The New York born, but now EU based producer first had recognition back in 2014, and his debut release came via Drumcode with his track “Rivington” on the A-Sides Vol5 compilation in 2016.

Full force into 2017, Drumcode has announced the release of Layton’s debut album with “Where It Begins” this February. Consisting of 12 original tracks, the album packs a punch when it comes to no-nonsense techno. Successfully weaving relentless drums and catchy vocal hooks into a selection of thick, brooding, atmospheric tracks.

Teasing us with a sample, Drumcode has released “Good Violence” – thumping from the get-go in true Drumcode fashion, this track is a pure dance floor destroyer. Laced in some heavy low end power, slapping percussion and a hypnotic synth pad to build up that late night tension just right.

Layton Giordani - Good Violence - Drumcode - DC170

After appearing on A-Sides Volume 4 at the start of 2016, Ilario Alicante now makes his full debut on the label. He has quickly established himself as a key player amongst a new crop of techno artists and truly is one of the brightest stars in the game. His skills behind the decks have seen him tour the globe with Cocoon, as well as appear at the likes of elrow, Lovefest and We Are FSTVL.

Opening with ‘Times’, the EP gets off to a flying start as the track rages straight into top gear, rolling through 6 minutes of pure power. This is a peak time tool that is set to be heard across dance floors worldwide this year. ‘Awakened’ you may have heard from Adam Beyer’s sets of late, a firm favourite which gets his much sought after seal of approval. Rampant syths and mesmerizing vocal hooks all make it one hell of a journey. ‘Sense’ is a more industrial affair, chunky basslines take your hand through the track as it charges on. It’s that classic deep Ilario Alicante sound we all know and love. The EP finishes off on ‘Apogeo’, with its hypnotic siren tones and acute percussion. One thing is for sure, Ilario Alicante is in a league of his own.

Ilario Alicante - Sense - Drumcode - DC169

Ilario Alicante - Awakened - Drumcode - DC169

Ilario Alicante - Times - Drumcode - DC169

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Slovenian producer UMEK returns to Tronic with his new, killer 2 track EP, Certain Trace. Straight out the gate, some serious no-nonsense techno comes in the form of Deja Vu. It has a thundering kick, haunting synth stabs and a piercing percussive fusion. It has a warped synthetic stab which punches throughout the track and gives some serious authority.

The title track Certain Trace has a mind-melting hook combination, driving listeners into the depths of the mix. It grows in complexity as the track progresses with a catchy elevating style rhythm.

Two crackers right here. We love them both!

Buy on Beatport

UMEK - Deja Vu (Original Mix) [Tronic]

Brazilian DJ and producer Wehbba delivers his first full solo release on Adam Beyer's Drumcode imprint with the 'Eclipse' EP, featuring the deep, eerie and hypnotic techno cut 'Protocol'.

Wehbba's 'Eclipse' EP, which includes four originals, is set for release February 19.
Purchase here: https://www.beatport.com/release/wehbba/2211030

DC185

More exclusive music

Premiere: Wehbba 'Protocol'

The legendary Raffaele Rizzi Makes his debut appearance on @throneroomrecs with two astounding masterpieces. 

The Italian producer is a regular on the Unrillis imprint, also featuring on Prospect Records and the mighty Tronic Records. We welcome him with open arms as he paves his way forward in spectacular fashion with a gripping EP that pushes the boundaries in progressive melodic techno.

Follow Raffaele Rizzi
SoundCloud: @raffaelerizzi
Facebook: www.facebook.com/raffaelerizziartistpage

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Rising Star EP

Premiere: Raffaele Rizzi "The Meaning Of My Life" - Throne Room Records

Niels Van Gogh - Pulverturm (Denise Schneider Remix)

Buy/Stream: WeAreTheBrave.lnk.to/Kiss

Alan Fitzpatrick keeps moving from strength to strength with his ‘We Are The Brave’ imprint. Following on from their successful summer, the label get back to their underground roots as we enter the club season. Next up we’ve got two deep, ominous rollers from Portsmouth lad ‘A.S.H’. 

Acid tinged 'Kiss' sets the deep moody tone for the record, where colossal kick drums ride along with a delicate, yet impressive array of synths and arpeggios drift over the top. 'Kiss' is remarkably dreamy at the same time as being immersive and full-bodied, the lead synth rips through the speakers and the drops bring the sensations needed for the club.

'Reactor' sets off similarly, but soon breaks off into a bright arpeggiated lead synth line that reverberates through the track right up to the drop. 'Reactor' is then interrupted by a fierce and brooding synth lead! Big drums take control of your feet while the synths take your ears for a ride and the result is a beautifully hard, melodic techno wonder!
  “I keep saying that A.S.H is one to watch, his productions are next level. So proud to have him on the label again” - Alan Fitzpatrick. 


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A.S.H - Reactor

Independent record label owned by Adam Beyer.

Layton Giordani - Good Violence - Drumcode - DC170

Drumcode

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