Techno

I would say "Circus EP" is a bit groovier than previously. I've been working a lot more with bass. Before, my music was more minimal with a shuffle techno vibe but for this release I didn't do any shuffle. I guess you could call this my new sound. It's in between tech house and techno. The bass is more housey anyway, but the energy is still techno.

Shake It (Daniel Stefanik Berghain Edit) - Circus EP, SCI+TEC

Can you believe it? Fall of 2014 marks the 20TH ANNIVERSARY of YOSHITOSHI, the seminal record label founded by Deep Dish in 1994. To celebrate, we are bringing the classics back, remastered and with new remixes from an amazing group of heavy hitters from all corners of the dance world.

Given that Yoshitoshi’s roots are ingrained in house music, it’s only fitting to start the #YoshiClassics campaign with Eddie Amador’s “House Music”. A true Yoshitoshi classic released in 1998 that went on to become a global phenomena. The hypnotic rhythm and infectious “Not Everyone Understands House Music” has become the preach anthem for generations of dance music lovers.

Already played by the likes of Carl Cox, Sharam and many more..

#YoshiClassics

Eddie Amador - House Music (Uto Karem Remix) [Yoshitoshi Recordings]

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Heads above (maceo plex remix) Who made who

taken from the last and final EP in the Conjure series.  "Conjure Infinity"

Release: December 15th on Drumcode

Maceo Plex - Conjure Dreams - Drumcode - Dec 15th

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

Alvin Dosieah 
https://soundcloud.com/milks-841100457 
https://www.instagram.com/milka_uk_official 
 

SUBMINIMAL.
https://soundcloud.com/subminimalsounds 
https://subminimalsounds.bandcamp.com 
https://www.instagram.com/subminimalsounds

Alvin Dosieah & SUBMINIMAL. - Expanse

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud. (Thomas Schumacher, November 2015)

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/ThomasSchumacherOfficial
https://www.facebook.com/victorruizofficial


Thomas Schumacher & Victor Ruiz - Apollo

Pan-Pot - The Other Remixes [SNDST015]

VINYL: http://bit.ly/1OehZwS
DIGITAL: http://btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@carl-cox


Beatport

Pan-Pot - Riot (Carl Cox Remix)

We welcome back Noir to Tronic for his second release this time teaming up with Olivier Giacomotto. “Reste” is a track that focuses on a hypnotic arpeggio and a fat analog bassline. We also have a remix courtesy of Dubai’s finest, Raxon. He reworked the track elegantly giving it his trademark sound and groove. 


Buy on Beatport

Noir & Olivier Giacomotto - Reste (Raxon Remix) [Tronic]

♫ Read More ♫:
http://www.deephouseamsterdam.com/premiere-enrico-sangiuliano-moonrocks-original-mix

Enrico Sangiuliano makes his return to Adam Beyer's Drumcode with the highly anticipated EP ‘Moon Rocks’.

Enrico Sangiuliano began his career through illegal raves in Italy. In recent years, Enrico began putting his releases out into the international techno scene with rhythmic, deep, hypnotic and technological tracks, exuding techno from the heart. His work has been supported, selected and played by the likes of John Digweed, Carlo Lio, Monika Kruse, Christian Smith, Joseph Capriati, Ramon Tapia, Steve Lawler and, of course, Adam Beyer. In fact, if you were in attendance at Awakenings this year, you would have heard this fat bassed monster closing out the main man's set, now set to release as part of an electric, eponymous EP.

Today, we proudly premiere the EPs title track. Packed with booming percussion, intricate synths and brooding crescendos, this one's not for the faint of heart.

"Moon Rocks" is available 22 August on Drumcode

https://soundcloud.com/enrico-sangiuliano

♫ READ MORE ♫

Premiere: Enrico Sangiuliano - Moon Rocks (Original Mix)

The second track is ‘Orbital’ from Moonwalk, a Neapolitan duo who have previously released on Still Vor Talent, Get Physical, Knee Deep In Sound and more. A thudding bassline underpins waves of synth arpeggios, before an atmospheric breakdown provides the focal point of the track.

Moonwalk - Orbital

Ramon Tapia returns to Toolroom after the huge success of ‘Yellow Submarine’ earlier this year that went on to become one of THE tunes of the BPM Festival in Mexico. ‘Move One’ is an all round darker affair and lends itself perfectly to those bigger techno floors. Tapia manages to fuse his trademark techno grooves with some old school trance influences that can be heard in that incredible break down once those meaty synths land!

One weapon that you need in your life, this will be huge!

Ramon Tapia - Move One (Original Mix)

Get it here

Moby - Natural Blues (Reinier Zonneveld's Homage Remix) [Suara]

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Purchase here: https://www.beatport.com/release/your-mind/2309440

Influential DJ, producer and label owner Adam Beyer takes to his own Drumcode imprint to deliver his latest peak-time floor-filler in the collaboration with Bart Skils titled 'Your Mind'.

If you’ve caught a set from Adam Beyer recently, chances are you remember this track causing mayhem. ‘Your Mind’ is a banging new collaboration with Dutch talent Bart Skils, and it absolutely caught the attention of his Timewarp, Awakenings and Ultra set audiences with its haunting chorus chant. 

'Your Mind' is released via Drumcode on June 18.

More exclusive music

Adam Beyer & Bart Skils 'Your Mind' [Drumcode]

Independent record label owned by Adam Beyer.

Maceo Plex - Conjure Dreams - Drumcode - DC136

Drumcode

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