Drumcode

Machina Obscura

Rusted

Sam Paganini   - Desire (JAM001)

A fully analog production featuring thumping drums, a rumbling bassline and evolving synths that reach a stunning conclusion and we’ve got the first play below.

http://mixmag.net/read/premiere-joseph-capriati-and-flavio-folco-produce-a-heaving-analog-cut-premieres

More exclusive music

Premiere: Joseph Capriati & Flavio Folco 'Prospective Journeys'

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - In Love - Drumcode - DC171

DC172 comes on behalf of Brazilian born Vinicius Honorio, a now London based producer and DJ who is making some serious in-roads amongst a new breed of techno artists. Having already released on labels such as Pig&Dan’s Elevate and dubspeeka’s Skeleton, the next natural step in his progression comes in the form of a release on Drumcode. 

‘Through The Darkness’ is a masterclass in darkened techno grooves, with each one of the four tracks managing to show off Honorio’s skill as a producer and just why he is firing on all cylinders. The release kicks off with ‘Walking Shadow’, a track that has been a key part of Adam Beyer’s sets at the tail end of 2016 and in to the new year. This tense, brooding affair has certainly garnered a lot of attention of late and it’s clear to see why. The title track ‘Through The Darkness’ is a much more of a stripped back cut, jam-packed with a haunting vocal hook, driving basslines and slick drums. This is one for the late night mischief makers. ‘Desolate’ is another hard-hitter, managing to perfectly balance that signature Honorio groove and pounding drums that adds depth to his productions. The release closes with the atmospheric ‘Out For Blood’, which is loaded with vintage rave stabs and weighty basslines – This one is meant to played in dark and sweaty rooms.

Vinicius Honorio - Through The Darkness - Drumcode - DC172

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Hailing from Spain, we are pleased to welcome Ramiro Lopez to take the reigns for our next release. The in-form producer has already released music on the likes of Bedrock, Intec, Suara and Diymanic in a relatively short space of time and garnered major support from Adam Beyer, Carl Cox and Monika Kruse. Coming out on 15th May, his ‘Pretending’ release comprises of 4 tracks that have been a mainstay of Adam Beyer’s sets during the latter part of 2016 and now full force in to 2017. 

The release opens with ‘September’; Atmospheric to its very core, the crunching drums and low end rumbles make this one a sure fire weapon of choice. Next we jump into ‘Loving You’ with a haunting vocal that compliments the stripped back yet refined approach of this track. ‘Come Closer’ featuring Juliet Fox is a dark, rumbling number that screams building percussion that lends itself to become a peak time choice, whether it’s a club or festival. The release closes with ‘Pretending feat. KnowKontrol’; An 8-minute piece of work that is destined for unadulterated dancefloor destruction, whilst maintaining that melodic element that Ramiro Lopez is fast making his signature style.

Ramiro Lopez - September - Drumcode - DC174

Ramiro Lopez drops the electrifying follow up to his ‘Pretending’ EP from May this year. 

For almost a decade, Spain’s Ramiro Lopez has established himself as one his country’s leading proponents of techno, with strong releases across labels that include Suara, Intec, Octopus Recordings and Bedrock. He first debuted on Drumcode in 2016 with the rousing collaborative track ‘Clap Your Hands’ that ranked among one of the label’s standout tracks for the year. With one Drumcode release already under his belt in 2017 and a new label project Odd Recordings with fellow DC cohort Arjun Vagale recently launched, he’s enjoying another strong year.

His return to the label comes in the form of ‘Being Alone’, a powerful trio of cuts, all of which featured in Adam Beyer’s Awakenings Festival Day 1 performance. The title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. ‘Dark Science’ is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. ‘Der Raum’ rounds out the EP, highlighted by Lopez’s deft drum work, proceeded by a driving, euphoric climax.

Ramiro Lopez - Der Raum - Drumcode - DC181

'After Thomas Schumacher’s succesful “Natural Rhythm” trilogy on Noir Music, the Berlin-based producer now returns with a fresh new release...'

Read More : http://whenwedip.com/2018/06/premiere-thomas-schumacher-noir/

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Premiere: Thomas Schumacher - Embody [Noir Music]

Pan-Pot - Funke

Slovenian techno king @UMEK is back with three track EP 'Hell Archetypes' via @filthonacid, out Friday 19th October.

UMEK - Hell Archetypes

Back Into Consciousness EP

Spektre - Back Into Consciousness (Original Mix)

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

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Wehbba - Third Wave - Drumcode - DC202

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Premiere: Sara Simonit - Evolution [Tronic]

Pre-order: https://fanlink.to/LitAoM

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Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they helped usher in to the dance music lexicon.

The new album Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 

Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.

As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is in full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  

Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Premiere: Pleasurekraft ft Amāl Gama - Hush

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Cologne-based Patrik broke into the scene back in 2010 with his unique spin on techno. Signed to a number of top dance labels including Intec and Filth On Acid, he describes his sound as something which can make people dance. 

“His raw sound with emotional melodies and deep lyrics really touched me when I listened to it.” @monikakruse said. 

The latest EP ‘Like Forever’ on @terminalm combines trance like melodies, growling FX and warehouse drums in a soulful meleé of emotive mind music. Tribal rhythms, spoken word vocals and splashy percussive underbelly complete the picture. 

Monika adds her magic touch to the remix of the lead track, teasing out the main motifs and injecting a large dose of her own personality. ‘Hope’ is a whirlwind of arps and kettledrum kicks that create a wildly expansive soundscape that hypnotises you by stealth. 

Follow Patrik Berg 
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Like Forever

Premiere: Patrik Berg "Like Forever" - Terminal M

Independent record label owned by Adam Beyer.

Ramiro Lopez - September - Drumcode - DC174

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