this is a great track! nice work.

thanks...
Pete Beat

Weekly selection of new and sometimes old Dark Minimal, Techno and Dub. Sort by most recent for the latest and greatest!

Dark Minimal, Techno & Dub

Isolation EP

Sonomatic

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks on each, both consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Roberto Capuano - The Space - Drumcode - DC129

New on Kompakt 
http://www.beatport.com/release/plastik-2014/1362858
http://www.kompakt.fm/releases/plastik_2014

Simon Baker - Plastik 2014 Remix

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Back To School - Drumcode - DC135

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Enrico Sangiuliano & Secret Cinema - Trrbulence - Drumcode - DC142

Booka

Kuiper Belt (Red Richards )

Buy on bandcamp

Hurukan, D'Jamency  -  Oliver X - Kuiper Belt (Red Richards )

German DJ/producer Markus Suckut returns to Rekids with another 2-tracker on November, 4th. Here you can give the A side of his upcoming "Good Times" ep - "10 Y" - a first listen.

Head to review: http://bit.ly/2fxLX54

Markus Suckut schickt mit „Good Times" eine weitere EP auf Radio Slaves Rekids Imprint ins Rennen. Die A-Seite „10 Y" könnt ihr hier vorab hören.

Zum Review: http://bit.ly/2fxLX54

Good Times EP

Premiere: Markus Suckut "10 Y"

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

A-Sides Vol.6

Dense & Pika - Just A Beat - Drumcode - DC178

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 2. Frankie Bones - Call It Techno - Carlo Lio Remix

Slam - Maffaking

Maceo Plex - Mutant Pulse Feat Paradigm Shift

I am happy to welcome Veerus who delivered 2 bombs :-) . Everytime I played them it was the highlight of my sets. 1998 Rave meets Techno 2018! (Monika Kruse)

beatport/spotify/vinyl

Veerus - Ehm

Pig&Dan signal their first solo outing on Drumcode since 2016, with a stirring four-track work.

The duo stands as one of electronic music’s most prolific artists, shapeshifting between different shades of house and techno over a 15+ year period, all the while displaying a startling breadth that’s ensured their enduring demand. Their relationship with Adam Beyer has solidified over the years, first impressing with a debut EP ‘Mexico’ in 2016, before collaborating with the Swede himself in 2017 for the fantastic four-tracker ‘Capsule’, a notable highlight. With their contribution to last year’s A-Sides compilation ‘La Bruja’ one of the strongest of the bunch, their return for a full-length EP is timely. 

Title track ‘Infinity’ is rave-infused stadium techno crafted to perfection, driven by an undulating melodic lead that builds to a tension-packed break, before the chords re-appear and propel the track toward a trippy finale. Vocal cut ‘Losing Part of Me’ is momentous, with punchy bass and pin-sharp percussion juxtaposing superbly with the emotive vocal and laser-kissed melodic touches. ‘Terrax’ is propelled by woozy synth leads that escalate in intensity, before unexpectedly dropping into a series of soothing synth interludes, before slamming back in with purpose. The EP concludes with ‘Plex’, as a brooding melody line is paired with pumping percussion for an atmosphere-heavy finale. 

Tracklist: 

1. Pig&Dan – Infinity 
2. Pig&Dan – Losing Part of Me
3. Pig&Dan – Terrax
4. Pig&Dan – Plex

Buy all

Pig&Dan - Terrax - Drumcode - DC201

DC109 - Roberto Capuano -- Inversion -- Drumcode
Drumcode storms into 2013 after releasing some superb tracks in 2012 which included celebrating their 100th release with an outstanding EP from Adam Beyer and Ida Engberg. Also releasing some exceptional tracks from artists such as Alan Fitzpatrick, Jay Lumen and Gary Beck, Joseph Capriati, Gregor Tresher, Sam Paganini, Nicole Moudaber and Ben Sims. Heading into 2013 Drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout the coming year.
Roberto Capuano is a name heard before at Drumcode, releasing his debut release on the 15 year anniversary compilation with his track ‘Oblique’. Gaining support as a producer, Roberto has released on record labels such as Analytic Trail, Phobique, MKT, Monique Musique and Suara. He has gained a lot of support from Adam Beyer, Richie Hawtin, Joseph Capriati, Umek, Carl Cox and Alex Under amongst others. Roberto has also been Djing around the world at venues in Europe including the famous, “Old River Park” amongst others.
‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Capuano - Inversion  [Drumcode]

Three years in the making only to be held up nearly another whole year due to COVID, this dark brooding monster of an EP by Brussels-based artist Strapontin, aka multi-disciplinary artist Patrick Belmont, is finally seeing the daylight on Invisible, Inc. Clocking in at over 35-minutes, the record is almost album-length and spans a multitude of depths and moods with elements of techno, new wave, rock 'n' roll, house, and tribal… all glued together with a sleazy atmosphere reminiscent of the electronic body music pioneered by Strapontin’s Belgian forefathers Front 242 and their German peers DAF. Add to this a heads-down-no-nonsense darkroom beast of a remix by techno maestro Sascha Funke and the package is complete.

About the track we were given to premiere, Strapontin himself said: “It started with a desire to move away a bit from my dancefloor side and go into more undefined fields, I wanted to work with blurry sensations that I can't understand. I like mixed feelings, and ‘Dramatex 300’ is made of that ambivalent mood. The voice is saying 'I'm feeling empty' and 'I'm feeling healthy' at the same time. I like that paradox”. 

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://invisible-inc.bandcamp.com/

Follow @strapontin & @invisible-inc, peeps!

PREMIERE169 // Strapontin - Dramatex 300

Independent record label owned by Adam Beyer.

Slam - Maffaking

Drumcode

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