https://soundcloud.com/lasignature/djdeeon-tribute-respect

From album: Dark4ces # Old album from early beginning # Tracks made with samples from Loopmasters & Loopcloud using Serato DJ with Numark Mixtrack Pro 3 # Enjoy <3

Hack (Spektre Remix)(!Organism) - OUT NOW!

Support (in random order):
Adam Beyer: big!
Pan-Pot: nice one
Monika Kruse: I really like the stuff of Ilija. It combines interesting melodies and a good groove. defiantly one artist to watch in the future!
Joseph Capriati: downloading for joseph capriati, thanks !
Noir: Solid Release from FOA again.
Sam Paganini: Nice pack and remixes!
Hot Since 82: Downloaded for Daley!
Joris Voorn: Downloaded, Thanx.
Enrico Sangiuliano: really cool ep, Roberto's remix is amazing 3
Martin Eyerer: the whole package is great!!

Ilija Djokovic - Requiem (Roberto Capuano Remix)

​Via his label, Gem Records, Secret Cinema has been churning out pummelling techno aimed at festival-sized crowds for years and right now he's on a hot streak. 

His latest release sees him team up with long-term collaborator Egbert on a two track EP that's received support from the likes of Adam Beyer, Charlotte De Witte and Alan Fitzpatrick.

We've got the premiere of A-Side track 'I Can Feel It Rising'​ and you can listen to it below.

More exclusive music

Premiere: Secret Cinema & Egbert 'I Can Feel It Rising'

We're very proud to present the 75th Orange Recordings release! We welcome back Italy's Danny Fontana with his massive "Funaki EP". On remix duty we have Hungarian duo Steam Shape! This 3 track bomb will be sure to rock the dance floor!

Follow Orange Recordings:

https://soundcloud.com/orangerecordings
https://www.facebook.com/orangerecs
https://twitter.com/orangerecs

Danny Fontana - Furaki (Steam Shape Remix) [Orange Recordings] - ORANGE075

Our Remix for @dokmartinmusic 

Out now on @technologic-recordings

Get it on Beatport: but.ly/SummitTL13

DOWNLOAD

Dok & Martin - Summit (Vale of Tears Remix)[Technologic Recordings]

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba & DJ Deeon - We Have Bass - Drumcode - DC202

I am fortunate to present the remixes of CAITLIN Freaks & Misfits by Victor Ruiz and myself on Electric Ballroom.

Freaks & Misfits is CAITLIN’s first solo release after years of producing electronic music and songs along side contemporaries like Noir, Patrice Bäumel and Thomas Schumacher.
CAITLIN and I have collaborated on the original three track EP released on WIR Musik as well as two of the remixes on this three track offering. (Thomas Schumacher)

CAITLIN - Freaks & Misfits (Thomas Schumacher Remix)

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Panopticon (The Patron Saint of Global Surveillance) ft Thomas Gandey

>>> BEATPORT: https://bit.ly/KDRAW049 <<<

If someone’s career is currently shifting into overdrive, it is the career of our Thomas Hoffknecht. With his previous release Relax still dominating and his debut on Drumcode, the world is rightfully so awe of his ferocious sound. 

Thomas is back with his Power Plant EP. Three additionally worthy pounders, all deserving your ear. 

A1 is brings us “Power Plant”, some sort of piano-esque circulating melody combined with that in your face sound we have come to love. 

“Green” brings us a hypnotising call and response, while “Natures Plan” is giving us some dub flavour. Please welcome back friend of the family Thomas Hoffknecht.

Thomas Hoffknecht - Natures Plan - KD RAW 049

RTP001 - Dr Motte & Eric Sneo - We Are Here [Riot]

Independent record label owned by Adam Beyer.

Wehbba & DJ Deeon - We Have Bass - Drumcode - DC202

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