Thank you for this spectacular creation 🙏🏻

My first interpretation of a medieval  polyphonic piece. The Agincourt Carol (sometimes known as "Deo Gratias Anglia") is a English choral composition in 3 parts  which commemorates the battle of Agincourt in 1415.

Calls from the Wood

Anglia

Vocals: Patrick Haize
Music: Itom Lab
"The Journey Is the Destination" 
Itom Lab

Dance Into The Sun (feat. Patrick Haize)

Tanngrisnir och Tanngnjóstr.

Soy demasiado hermosa para ti de todos modos.

Venganza

Skeptomaniac

Background Sound by Soulacybin 

Much of this prayer is inspired by Native American ancestral prayer.

Earth Prayer

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Free DL

Nephilim

Returning to Desert Trax for their second EP release, Jakare unites old-world aesthetics with opulent sound design in their tribal organica voyage, ‘Schizophonia.’ A soulful blend of classical instrumentation, downtempo atmospherics, and exhilarating digital grooves, Italian duo Halfred and Lo.Renzo’s vision of sonic shamanism incorporates elements of folkloric music and dance floor electronica to paint a unified portrait of global music for the new world. Channeling the vibrant sounds of nature and the uplifting energy of Latin American musical culture, ‘Schizophonia’ pierces through the noise of an evolving planet to create a refuge for celebrating the unifying colors, tones, and timbres of the human spirit.

02 - Jakare - Gloomynescence

Winding Ways

Winding ways

Johnny Cope

Captain Campbell

Nonesuch

Celtic/Tribal/Pagan/Medieval Folktronica

"Wild Hunt" Video:
https://www.youtube.com/watch?v=TxYhZ9RoC4E

"Morning Star" Video:
https://youtu.be/3AP3l5Pe3Zo?si=KUWR77dfqhwdZp6p

Booking Contact: 
Scott Sterling
drumspyder@icloud.com

Drumspyder weaves a web of percussive rhythm, melody, and line. Framedrums, tambourines, and  low whistles mingle with bass beats and ethereal atmospheres, bringing the Celtic and British Islands traditional music into vital contemporary expression.

Scott Sterling has always followed the path of rhythm. Over the course of a long journey through diverse forms of drumming and dance music: avant-garde circus, slinky bellydance troupes, and acclaimed bass-music productions, the one constant has been the beat of the drum. 

Over the past several years he has specialised in the realm of framedrums and tambourines. Influenced by modern framedrum masters such as Glen Velez and David Kuckhermann, but also inspired by the rhythms of the Irish bodhran, he follows a distinctive path through the world of contemporary percussion: fusing his experience with cross-cultural framedrum techniques and Arabic rhythms with a new-found love of Celtic dance music. 

To this rhythmic foundation he adds traditional melodies (played on low whistles and various keyboards) drawn from the folk music of Ireland, Scotland, and England , as well as the rich repertoire of Medieval and Renaissance music from the British Isles. 

Out of the alchemy of rhythm, melody, and his long experience in dance music production, he has forged a unique approach to Celtic and Medieval fusion, where elements of trance, bass-heavy electronica, and ethereal atmospheres mingle into an intoxicating brew. His overall ambition is to connect traditional rhythms and melodies with the contemporary dancefloor.

Captain Campbell

Drumspyder

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