Lew Gypsy

“I Dreamed You Were the Forest” drifts like a lucid dream—an instrumental journey from Court of Pan shaped by warm, organic textures and soft electronic pulses. Built on layered synths, gentle rhythmic patterns, and atmospheric soundscapes, the track feels like wandering through a forest made of memory and light.

Ambient chords bloom and fade like sunbeams through branches, while subtle melodies weave in and out with a calm, meditative flow. There are no vocals, just pure motion and mood—space to breathe, wander, and sink into your own thoughts.

Perfect for focus, reflection, late-night creativity, or letting your mind drift somewhere softer. I Dreamed You Were the Forest is a quiet escape, a place where sound becomes nature and nature becomes a feeling.

I Dreamed You Were the Forest

Barking Series 3 - Sluts Rule the World 3 (Finale)

1998slut

Terrace

Thumbharp Rhapsody (ambient and nonesense lyrics)

A new EP of original tracks - slink and kinky beats, percussive interlacings, and flavors of ancient music from Europe and the Mediterranean. Available soon on Bandcamp, iTunes, and general distrubution.

Bandcamp

Forest Lovers

“Enseñame” means “Teach Me” in Spanish. 

**This project is a benefit to help our friends to preserve the URGENTLY at-risk Cerro El Amay Primeval Cloud Forest in Guatemala. 100% of profits will be donated to the Cloud Forest Conservation Initiative. Click the link below to be directed to the organization’s website for more information.** 
------> www.forestprimeval.org <------- 

These songs are our prayers of gratitude and respect to the Earth today. 
May we remember her land as our own flesh and her forests as our own lungs. 
Through our music, may we hear her heartbeat.
credits
released March 14, 2016 

Original song, Enseñame was recorded & produced by Numatik 
- Vocals - Written and sang by Natalia Clavier (from Thievery Corporation) 
- Acoustic Guitar - David Brown (of Rising Appalachia) 
- African Drums - Biko Casini (of Rising Appalachia) 
- Percussion - Trey Crispen 
- Vocal Mixing - Anthony Thogmartin 

Enseñame - Liquid Bloom remix 
- Alvin Young - Bass 
- Ixchel Prisma - voice 
- Rara Avis - voice 
- Amani Friend - shakers, percussion, remix production 

A special thanks to Dave Hamilton for recording Natalia’s vocals in a hotel room studio in NYC. 

Art by Francis McKeon - Aeonic Art 
Mastering by Shawn at Audible Oddities

03. Enseñame (Kalya Scintilla Chill Remix)

Dragon Heart

Three of Knives

Is this Totem?! Wait yes, its still Totem. Comin' atcha with a knuckleball from left field. Not the usual tribal midtempo you might be used to. This track is the first of a series of songs that are an experiment in voice, motif, analog and the unknown. 

Lyrics:
A billion lives I've lived
A million times I've watched the sunset in your eyes
So what more must I give?
To set us free, in a new story and to let us be
So now I sing

I sat an watched atop the earth as it was born
I was there when you were made
I am older than the sun, the sky, the night
I am the moonlight on your face

You can see it in your mind, you can see it in the eyes of a newborn child.
You can feel it in the pulse of the earth, you can see it in the eagle as she flies on high
Can you feel it in the roll of the thunder?
Can you feel it in the dead of night?
If you can't, you may never know.

Said, Hey ya ya ya
The sun must shine as it does on you
Said Hey ya ya ya
Were never the same no matter what we do

Chorus:
We don't bow to the people who holdin' out
We don't bend to those that bleed
It comes down to the moment of life and death
Because your eating what you feed
If you know what you must do, you gotta stand up for what you believe
Go and read the writing on the wall
Because your reaping what you weave

Have you thought about the future generations delicate balancing of life
We cannot forsake the land that will feed them pushing out of mind out of sight
To give life to the Mother of the Earth is to give light to a blind eye
For the land I will stand and defend, I am praying unto the most High.
x2

Chorus

We gotta rise up and we gotta dig deep
We gotta feel the ground that underneath our feet c'mon
X4

Said, hey the veil be thinning everyday so we can't give up.
x4

We Don't Bow

Nine Branches

The Monaghan

Winding Ways

Northumbrian Jig

Winding ways

Johnny Cope

Loch Leven Castle

11:11 Part 2

Buy this track

18 - The Moon

@Lunar-Symphonyy
A-Hankali, in the Housa language of the ethnic group in Sub-Saharan Africa, means slowly, carefully, closely. 
Lunar Symphony applies those principles to their music; to remind ourselves to be patient, to take it slow and to put care into what we love. The “A Hankali” EP is a  journey of connection and closeness through dance, bass, and everything else in these times of uncertainty.

A Hankali

Symphony - A Hankali

The first track from my forthcoming EP "Calls from the Wood". Based on "Italian Rant" from Playford's Dancing Master (1651) , this is a renaissance tune re-imagined as a midnight forest dance with flute, tambourine, gittern (a small antique lute) and deep bass.
The full 5-track EP will be released on March 19, 2021.

Calls from the wood

Calls from the Wood

Starlit Stream

Celtic/Tribal/Pagan/Medieval Folktronica

"Wild Hunt" Video:
https://www.youtube.com/watch?v=TxYhZ9RoC4E

"Morning Star" Video:
https://youtu.be/3AP3l5Pe3Zo?si=KUWR77dfqhwdZp6p

Booking Contact: 
Scott Sterling
drumspyder@icloud.com

Drumspyder weaves a web of percussive rhythm, melody, and line. Framedrums, tambourines, and  low whistles mingle with bass beats and ethereal atmospheres, bringing the Celtic and British Islands traditional music into vital contemporary expression.

Scott Sterling has always followed the path of rhythm. Over the course of a long journey through diverse forms of drumming and dance music: avant-garde circus, slinky bellydance troupes, and acclaimed bass-music productions, the one constant has been the beat of the drum. 

Over the past several years he has specialised in the realm of framedrums and tambourines. Influenced by modern framedrum masters such as Glen Velez and David Kuckhermann, but also inspired by the rhythms of the Irish bodhran, he follows a distinctive path through the world of contemporary percussion: fusing his experience with cross-cultural framedrum techniques and Arabic rhythms with a new-found love of Celtic dance music. 

To this rhythmic foundation he adds traditional melodies (played on low whistles and various keyboards) drawn from the folk music of Ireland, Scotland, and England , as well as the rich repertoire of Medieval and Renaissance music from the British Isles. 

Out of the alchemy of rhythm, melody, and his long experience in dance music production, he has forged a unique approach to Celtic and Medieval fusion, where elements of trance, bass-heavy electronica, and ethereal atmospheres mingle into an intoxicating brew. His overall ambition is to connect traditional rhythms and melodies with the contemporary dancefloor.

Johnny Cope

Drumspyder

Recent comments

mathusalem

Related tracks