Factory Floor remix by Optimo (Espacio) on Optimo Music

Factory Floor - Real Love (An Optimo (Espacio) mix)

Lying from double A side Single

LYING 
WOODEN BOX 

Lying

Released April 2011. 12'' Vinyl & Download.  Optimo Records 

R E A L L O V E (Original)
R E A L L O V E (Optimo Espacio Remix)


R E A L  L O V E

16-2-16-9-20-1-14-9-7

From 'UNTITLED' EP
PTYT 035
12": LTD EDITION CLEAR VINYL + DVD EP
CD + DVD EP
 


16-2-16-9-20-1-14-9-7

A Side - Two Different Ways (original)
B Side - Two Different Ways (second way) 

Release date: 14/11/11

12'' Single 
DFA Records 
DFA 2318

Factory Floor

TWO DIFFERENT WAYS

The original version of Evil features on Grinderman's forthcoming album Grinderman 2, released by Mute on 13th September (and on ANTI- in the US on Sept 14). 

Pre-order now: http://www.grinderman.com/buy


Grinderman - Evil (Factory Floor Remix 2)

Boiler Room Broadcasts: Dollop's Detroit Series w/ Kevin Saunderson, Factory Floor (Live), Boddika, Bradley Zero, Flora Yin-Wong & Dollop DJs

[Broadcast on 13th July 2012]

Tracklist & video at http://boilerroom.tv

Factory Floor live on Boiler Room Broadcasts at Dollop Detroit Series

A WOODEN BOX TAKEN FROM FACTORY FLOOR DEBUT MINI ALBUM E.P 'UNTITLED' RELEASED ON 10" VINYL BY BLAST FIRST (PETITE) RECORDS.
http://www.myspace.com/factoryfloor
http://www.blastfirstpetite.com/

A WOODEN BOX

Fall Back 

12" Single & Download 

Preorder the limited vinyl at store.dfarecords.com/products/dfa2369

Preorder on iTunes  at itunes.apple.com/us/artist/factory-floor/id474035557?ign-mpt=uo%3D4

Preorder at Rough Trade Shops http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=358322

Release date: 15/01/13
DFA Records 



Fall Back

It all started with a fan letter…

“Hey Peter, just noticed you on a Rhys Chatham link. Just want to say I adore your work, I had a release on DFA recently, and they sent me some of your releases you did with Jonathan - so brilliant! I’ve had “Condo” track for a while, this completely catches my personality and when I feel disillusioned or need comfort, I always put this on, and it makes me feel good and strong.....i will stop gushing now! Thank you!

Nik Colk Void x”

This was Peter’s reaction…

“I was quite flattered and was glad that ‘Condo’, one of my lesser-know tracks, was being appreciated. (I was also curious, because the most-viewed clip of ‘Condo’ on Youtube is actually a slowed down version: someone played the 12” 45rpm EP at 33 rpm. The result, however, is quite beautiful.)

I responded, said I hoped we could meet the next time I am in London, and Nik then suggested that she had a track that she was working on, and would I like to listen to it and possibly collaborate. I am always game for a new challenge, so I said sure and Nik sent an mp3.

I was immediately struck by the haunting and evocative nature of the track, the analog synths feeling fresh and familiar at the same time, the vocals having a primal quality of breath and phrasing. I loaded the track into Ableton and instinctively began recording some overdubs. I used analog (Prophet 5) and digital (Moog iPad) synths and a soprano saxophone. I then sent a mix to Nik.

Nik responded quite positively, and over the next few weeks we exchanged files back and forth, experimenting with different mixes and submixes. After a couple of dozen rough mixes, accompanied by email discussions among the three of us (Gabe had entered the process after the first few exchanges,) we settled on a final mix. Shortly after we had a final mix, I synchronized the track with a video that my partner Kit Fitzgerald was working on. This long extended shot fit the music perfectly, and we had a video for ‘Beachcombing’. (A still from this video serves as the artwork for the 12”.)

Initially, there was going to be a one-sided 12”, with ‘Beachcombing’ the only track. Nik then wrote to me that Dominic was also interested in working on a track, and would I be interested in working on a B-side with Dom. Of course, I readily agreed, and I received an mp3 of synth tracks. As previously, I began building up tracks, using the alto sax (rather than the sopranino used on Beachcombing) and the addition of a vintage Korg vocoder.

Once again, a series of file exchanges of mixes, submixes and discreet tracks ensued, and we finally settled on mix #26a. There is kind of a sweet quality which surprised the both of us.”

The result is before you now and forthcoming on Optimo Music. Modern collaborations with magical results!

www.optimomusic.com

tek

drunkasaskunk