Uhhh...

Blurred Lines - Robin Thicke ft. T.I. & Pharrell Williams
Do The Bartman - Bart Simpson

For promotional purposes only (and it's just a bit of fun!)

Blurred Bartman - SpareElbowSkin Mashup

Starting the fall lineup for 2013 we’ve got an absolute scorcher from Oklahoma based Rule of Eight. Taking electro house by the horns and kicking it square in the face, the young producer is quickly making a name for himself amongst the ever competitive scene; furthermore, Celadon may be his most impressive example.

Pounding drums attempt to escape a howling synthesized build, but prove to be incapable as it only sheds light on a massive drop into 8-bit mayhem. Following the first display of bass, Blake drops the tempo and lets his drum design unload at a lower BPM. Results have been witnessed during a Tommie Sunshine Brooklyn warehouse set. Also included with the release is a Monolith remix that skillfully adds his dub influences to the original, all the while carrying main synth leads reinvigorated.

TS support: http://www.youtube.com/watch?v=nGnUVjXiXyE

RELEASE DATE ⋅ 09/03/2013

Rule of Eight - Celadon (BF022)

Edition #20 of Early 80’s Floorfillers takes a look back to August 83. 
You can see the Top 10, complete with label or record sleeve scans and individual track credits, here: 
http://www.electrofunkroots.co.uk/greg-wilsons-top-10-floorfillers-august-83/ 
Greg Wilson – August 2013

GREG WILSON’S EARLY 80’S FLOORFILLERS: 
A fascinating insight on how the fading Jazz-Funk scene gave way to the emerging Electro-Funk movement in the early 80’s, ‘Greg Wilson’s Early 80’s Floorfillers’, marks the 30th anniversary of when these tracks first appeared. Compiled from his record lists of the time, and unfolding month by month, Greg Wilson counts down the Top 10 Floorfillers played at his venues during the key years of ’82 and ’83. Featured, most notably, on his Tuesday sessions at Wigan Pier and Wednesday gatherings at Legend in Manchester, the most cutting-edge weekly black music nights of the era, these were the clubs most associated with the evolving Electro-Funk sound.

The majority of music played on the black scene in the UK was initially only available on import, mainly out of New York during this period, with the club nights described as ‘upfront’, meaning that the DJ’s were way ahead of the curve – what they played now, others played later, or not at all. Without these DJ’s, many now classic dance tracks would never have become UK hits (many without enjoying similar crossover success in the US) – the reason they were released here in the first place was because these specialist DJ’s were breaking them via the underground.

Things would change in a big way during those 2 years; we were entering the hybrid age for dance music, and the oncoming House and Techno and Hip Hop directions would all owe a huge debt to this era of dance alchemy and groove experimentation.

This podcast is also available on iPhone, iPod touch and iPad via the Radio ditto app, which is downloadable for free from iTunes: http://itunes.apple.com/app/id464200632?mt=8

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GREG WILSON'S EARLY 80's  FLOORFILLERS - AUGUST 1983

Live recording from Bollywood tent at Bestival 08.09.13.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

S3RL (HAPPY CORE TECHNO MIX)- @DRWHOD

DRWHODJ