Name: Molly Nilsson "Ugly Girl" by DARK SKIES ASSOCIATION in Random n.1
Duration: 2 min 55 s
Description: Taken from the 7" single SEX released on DARK SKIES ASSOCIATION November 2014.

incredible composer, I will love Molly's songs until the end of my days.

Random n.1

SUPERNATURAL

Pic: Maximo Pedraza (http://www.flickr.com/photos/maximopedraza)

Soko - Monster Love (feat. Ariel Pink)

Molly Nilsson - A Song They Won't Be Playing On the Radio

Download our debut EP, 'Lost In The Night' on iTunes https://po.st/LITNEPDL
(via Beatnik Creative)

Artwork: Wilm Danby
Extra Graphics: Natasha Rodwell

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www.twitter.com/thepalaceband
www.youtube.com/thepalacechannel
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Download

I Want What You Got

The first single from Preoccupations' debut s/t album on Flemish Eye, out 2015/01/20.

Watch the video by the very talented director: Yoonha Park here https://www.youtube.com/watch?v=hdMz7BUtOvk

Preoccupations : Continental Shelf

DOWNLAOD >>> http://bit.ly/Rhythm-Control

With my Rhythm Control mix I wanted to explore a slightly different sound than what people know me for in clubs, and create something that sounds timeless. I've drawn inspiration from different places in time and different styles, and I saw this as a way for me to collect into one place all of those more eclectic influences that continue to inspire me. Most of all this is a mix of slow jams and indie rock to bring some heat in on those cold cold winter nights.

Seth Troxler - Rhythm Control Mix (FREE DOWNLOAD)

Taken from the 7" single SEX released on DARK SKIES ASSOCIATION November 2014.

Molly Nilsson "Ugly Girl"

BUY HERE - https://itunes.apple.com/us/album/stranger-single/id938766861

Stranger is the fourth single from 
M O T H X R 

See M O T H X R  this Decmeber at Pianos in NYC (12/2, 12/9 and 12/16)

Official site: www.MOTHXR.com
Twitter: twitter.com/MOTHXR
Soundcloud: @motherband
Instagram: @MOTHXR
Spotify:  http://ow.ly/Ea4fo

Lyrics:
I'm not a stranger
it's just a strange land
It's Getting louder, I leave when I can
Danger here is so quiet
Water here is the fire

Stranger is the fire
Water in the night

(Chorus)
It's in me / it's in you too
Only she could know me
But we haven't met before
I'm feelin / feelin
She think she know me
I don't give a fuck at all

I let them all in / they all wanna stay
I'll tear it all down if that's what it takes
The danger here is I'm higher
Falling further to find it

Stranger in the fire
Lay with me tonight

Face down / can't breathe
It's cold
Just don't need it



Stranger

Crystal Stilts - The Dazzled

Coldwave

First Song of my new project. Check out my finished project “Time is Now”

All Alone

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Taken from their self-titled debut album 'Exploded View', Out Now!

 New band from Berlin & Mexico City fronted by Anika. 

Download Orlando instantly: https://explodedview.bandcamp.com
Order the LP/CD: http://hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
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Twitter: twitter.com/ExplodedViewBnd
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Tour dates: bit.ly/1R1m34M

Exploded View

Orlando

Exploded View – Orlando

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

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Molly Nilsson "Ugly Girl"

DARK SKIES ASSOCIATION

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