Wide timbral space noise improvisation on a DSI Evolver with some Eventide Space blackhole reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

Beware that I have absolutely no musical talent and what you hear is some pretty crappy controller playing on a dynamic timbre instrument.

Evolved Noises IV

Evolved Noises V

Evolved Noises VI

Wide timbral space noise improvisation on a DSI Evolver with a little Eventide Space blackhole reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

Beware that I have absolutely no musical talent and what you hear is some pretty crappy controller playing on a dynamic timbre instrument.

Song For My ISP

Wide timbral space noise improvisation on a DSI Evolver with way too much Eventide Space blackhole reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

This is essentially a demo of the Eventide Space reverb using the blackhole algorithm with mix=100 and lots of inverse gravity. One can probably feed almost any sound into it with these settings and get something like this. In other words: Eventide Space is the primary sound source in this track.

Noisy Spaces I

Wide timbral space noise improvisation on a DSI Evolver with way too much Eventide Space blackhole reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

This is essentially a demo of the Eventide Space reverb using the blackhole algorithm with mix=100 and lots of gravity and feedback. Eventide Space is the primary sound source in this track though signs of the original sound source are a lot more audible than with the inverse gravity settings.

Noisy Spaces II

Wide timbral space noise improvisation on a DSI Evolver with way too much Eventide Space shimmer reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

This is essentially a demo of the Eventide Space reverb using the shimmer algorithm with mix=100 and lots of feedback. Eventide Space is the primary sound source in this track though signs of the original sound source are a lot more audible than with the blackhole inverse gravity settings.

Noisy Spaces III

Wide timbral space noise improvisation on a DSI Evolver with a little Eventide Space blackhole reverb recorded live in one take through a Tapco Mix100 distortion unit into the audio input of a towable.

This track was recorded a bit too loud giving some nice soundcard distortion via the towable. However it adds up nicely with the decent amounts of Evolver growl present in the track.

Evolved Noises VII

I am a danish software engineer that are very interested in synthesizers and domain specific programming languages. Hence the account name.

What you hear in this profile are examples of my experiments with mapping MIDI events from controllers into more complex modulation and real time control than usually used with hardware synthesizers.

Also, given that I have very little musical training and not very much musical talent, earplugs are strongly advised when listening to my noise making experiments!

In case you wonder what my source of inspiration is: <a href="http://www.init.ituniv.se/~palle/publications/Dahlstedt2008_CMMR_DynamicMappingStrategies.pdf">paper</a>, <a href="http://www.init.ituniv.se/~palle/pmwiki/pmwiki.php?n=Works.DuoPantoMorf">audio</a>, <a href="http://www.youtube.com/watch?v=sVqP6P3t_8U">video</a>, <a href="http://vimeo.com/10340711">solo</a>.

dslsynth

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