upload #2

ARBOU-Dusty Lanterns [DARK NATURE CONCEPT]

An electronic instruemntal track representing the feeling of anticipation a person undergoes when waiting for something to occur.

Anticipation

Download: https://www.xlr8r.com/mp3/2016/02/born-in-flamez-x-modeselektor-tbf/

@born-in-flamez
@modeselektor

Download

Download: Born In Flamez & Modeselektor -TBF

Evan Marc + Steve Hillage - Intention Craft

"Welt" by Cologne Tape (featuring @adaofficial, @barntofmagazine, @jens-uwe-beyer, Jörg Burger, John Harten, Philipp Janzen, Mario Katz, John Stanier und Axel Willner alias @garmonbozia-2) will be out on March 31 through @magazine-records. More info: bit.ly/ColoTape

Info

Cologne Tape - Welt 1

Enitokwa's​​ new ​​work,​​ which​ r​eleased​ t​he ​​ultimate​​ ultra​ r​eality​​ Utopia ​​drone​​ album​​ "​2069"​​ i​n early ​​2016, ​i​s ​t​he​ third​​ part ​​of​ t​he​"​Tealightsound" ​​series​​ advocated​​ by​​ Kyoto's​ t​ea wholesaler,​​ Ujikoen,​​which ​​has​​ continued​​ since ​t​he​​ Edo ​​period.​​​ Sounds​​ of​​ nature, environmental,​​ electronic​​ and​​ prepared​​ piano​​ sublime ​t​ogether​​ as​​ a​​whole​l ​ike​​ a​​ miraculous ambient ​​music​​ picture​​scroll.

2016年初頭、最果ての超現実ユートピア・ドローンアルバム​“​2069”​​をリリースし たEnitokwaの新作は江戸時代から続く京都の茶問屋、宇治香園が提唱する ”Tealightsound”​​シリーズ第3弾。自然音、環境音と電子音、プリペアードピアノが 渾然一体に昇華した環境音楽奇観絵巻。

Ujikoen presents “Tealightsound” (http://ujikoen.co.jp/tealightsound/)

Artist: Enitokwa 
Title:  o.n.s.a.   
Label: non-entertainment-research / Ujikoen

Format: CD  (nercd003)   
Contents: 5 Tracks    42min. 41sec.

⚫︎15:01
⚫︎⚫︎23:28
⚫︎⚫︎⚫︎29:17
⚫︎⚫︎⚫︎⚫︎34:13
⚫︎⚫︎⚫︎⚫︎⚫︎42:41

Date of Release: Oct.6. 2017
Price: 1500yen ＋ Tax

Enitokwa: Electronics, Field Recordings and Mix
Shigeki Ieguti: Prepared Piano on Track 2 and 3
Mastered by Kabamix (LMD)

Produced by Enitokwa  
Executive Producer: Hirokazu Kojima (Ujikoen Co. Ltd.)

Drawing: Sakura Kondo
Photograph : Mai Narita
Design: Kei Sakawaki

©Ⓟ 2017 non-entertainment-research & Ujikoen Co. Ltd. All rights reserved.


Comment:

I think that ambient music is the music that does not limit how to listen. I hope this album will be familiar to each way of listening to music.

AMBIENT MUSIC= 環境音楽とは聴き方を限定しない音楽のことだと思っています。このアルバムを手にとって下さった方々それぞれの聴き方に馴染みますように今は祈るばかりです。

Enitokwa

Mr. Isao Tomita, a pioneer of synthesizer music, has left a word that "electronic and human beings are phenomena" as well as before life. That moment and eternity the dust of the universe gathers and eventually returns to the dust of the universe. Listening to Enitokwa's music, such feelings go round.

シンセサイザー・ミュージックの先駆者、富田勲さんが生前に、「電子音も人間も現象である」と言葉を残されています。宇宙の塵が集合し、やがてまた宇宙の塵へと戻る、その一瞬と永遠。Enitokwaの音楽を聴いて、そんな想いが巡ります。

Chee Shimizu

It is a sound richly containing theanine (sweet ingredient of tea), a gem that can taste slowly and lean heart. A documentary scenery sound reminiscent of the tea making process at Ujikoen is arranged in the whole story, and the virtuous thing with a frankly act is very refreshing.
Please try to entrust with peace of mind in "definite" works which extracted carefully every single drop.

It has been inherited the calmness from Keizan Temple constantly since 700 years ago.
How does the former pioneers feel the fragrance that Enitokwa brings up？

テアニン(お茶の甘み成分)を芳醇に含んだ音であり、心を傾けてゆっくりと味わうことの出来る逸品。宇治香園での製茶工程を想起させるドキュメンタリーな風景音が全編に配置されており、そこはかとない作為との妙がとても静涼です。 一滴一滴丁寧に抽出された"確実な"作品に安心して身を委ねてみて下さい。

径山寺から700余年 連綿と受け継がれる清閑な
営み
Enitokwaが立ち上らせる薫りはかつての先人達にどう映るのであろうか?

SUGAI KEN

The level to make it play after the storm. It was organic and quiet sequence that emerged and relieved feeling. I'd love to recommend the new work of Enitokwa which is completed!

嵐の後に再生させる境地。浮き出たのは有機的で静かなシーケンスと安堵感でした。完成されているEnitokwaの新作を是非!

ALTZ

o.n.s.a.

o.n.s.a.  (nercd003) DIGEST MIX

drums by Lege Kale


I could let you have it
you could be my habit
you could be my woman, right
I dont want you half in
anytime I know
you're living in a hole
anytime I know

I could let you have it
you could be my habit
you could be my woman, right
I dont want you half in
anytime I know
living in your head
theres a backdoor

my little one
she is so bad
bad as the sun

well she break me then i fall
I dont know the half of it anymore

I could give a fuck about you
she can get whatever she need
everytime that she look at me
I feel weak in the knee
wanna try to be fancy, love
I could give a fuck about you
you know that I do my girl
feel it when you come in close
you always hit on the nose
never know how you could know

treat me like one
treat me treat me like a
I dont know the half 
why would you want her
treat me like the queen 
slap your knees 
like you been laughing 

chorus

I could be yours if you wanted

tell me

Habit

Pre order New Album Fear of Falling Asleep out on Jan 18th 
https://Tender.lnk.to/FOFA

Can't Show My Face

Cover&Vocal: datalilijen
https://www.instagram.com/p/BqmVs6UnvqB/

什麼是愛?

Music and lyrics by Marie Abou Khaled, co-produced by Marie Abou Khaled and Zeid Hamdan, with additional arrangements by Marc Codsi and Jérémie Régnier.

Artwork photo by Mohamad Abdouni, art direction Melanie Dagher.

Lyrics:

اتطلَّعْ فييّ منيح
شو يعني
ما بَقْ بدَّك؟

أنا اعْطِيت كل شي
ومحيت كل شي
كِلْ حالي
كِرمِـلَك

اتطلَّعْ فييّ منيح
اعطيني لحظة
تا لاقي بنظرة
خَطّ الرجعة

إذا راح كل شي
أنا ليه 
عم بسهر كِرمـِلَك؟

كِرمـِلَك

ما بَقْ بدّي بَلّغَـك
ما بَقْ بدًي إهلَـكْ
ما بق بدّي خزق حالي
كل ما تقلّي وقلّك

ما بق بدّي ناقش
ما بق بدي فتّش
وأهم شي ما بق
بدّي نرجع نبلِّش

ما بق بدي إلمح وجّك على ايَّ شاشة
ما بق بدي اقرا اسمك وضلّني عذّب حالي
ما بق بدّي حِسّْ

Kermelak

1) Doing The Beeston Bump:
"The record opens with my partner and I walking on the pebble beach at Cley-Next-The-Sea. The sound get softer as we get onto the dunes so characteristic of Norfolk coast. Tom Skinner (Hello Skinny, Sons of Kemet) plays the drums."

Watch John's video for 'Doing The Beeston Bump' here (filmed on location in Norfolk): https://www.youtube.com/watch?v=Eah0zZQPR5U

-------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Doing the Beeston Bump

Pétra - Landes (Nico Niquo Remix)

笑琴 Chill Qin

杜蟲：跨領域電音制作人。表演聲光、自制樂器。
在破碎的台灣文化中，用音樂情感渲染，苟且偷生的一條蠕蟲。結合肢體表演、電腦程式，善於編排民族聲響與電子音樂。七情六慾的從Ambient 到 Beats & Bass…
2017 奧地利林茲電子數位藝術節、丹麥click festival演出團隊 。

Duanger - duang kianger: the sound of hitting Chinese Gongs + "being baked" in Taiwanese slang. Cross field artist, Playing light-work, interactive instruments and beats... 
Performed at 2017 Ars Electronica, Austria; Click Festival, Denmark.


contact: moshkid23@gmail.com

什麼是愛?

杜蟲 | Duanger

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