another quality production 👏 👌 definitely supporting on my radio show

Dispatch Recordings Official Playlist - 2

Flexout teams up with French powerhouse Vandal for a special cross-label release celebrating collaboration and creativity across borders. Featuring six cutting-edge tracks, the project brings together artists from both rosters in a fusion of styles that pushes the boundaries of modern Drum & Bass. From gritty steppers to deep rollers, each track is the result of unique partnerships between some of the most exciting names in the Flexout and Vandal camps. A true meeting of minds—and a statement of where the sound is headed.

Follow Amoss:
https://bio.site/amoss___

Follow Minor Forms:
https://linktr.ee/minorforms

Follow Flexout Audio:
https://linktr.ee/flexoutaudio

DOWNLOAD

Amoss & Minor Forms - Tactics

Serpnt - Bleeps

Crunchy grooves and digital funk from Genic on Expectations. A precise roller from Sofa King Sick Part 2, out now on Sofa Sound Bristol.

—

@genicuk
↳ Instagram: https://www.instagram.com/genic.uk

@sofasoundbristol
↳ Instagram: https://www.instagram.com/sofasoundbristol

@dnbranger
↳  Facebook: https://www.facebook.com/dnbranger
↳  YouTube: https://www.youtube.com/@DnBRangerANZ
↳  Instagram: https://www.instagram.com/dnbranger
↳  Website: https://rangerrecords.co
↳ Linktree: https://linktr.ee/dnbranger

Sofa King Six, Part 2

Genic - Expectations

The Sauce are back on our own label with a very special release.

'The Beat' is probably, if not definitely, one of our funkiest productions to date. This has been a favourite in our sets for a minute and always brings wicked vibes and energy - "Talk to me!"

The Sauce - The Beat

Re:growth is releasing the '101' EP on Teej's label Nyx Recordings.

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Soundcloud - https://soundcloud.com/regrowthdnb 

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Re:growth - 101

Oossht T>I is back and we’re going fully stratospheric with this one. 
Undeniably this is someone with an uncanny ability to craft sounds, rhythms with infectiously different approach and so it’s an absolute privilege to announce four tracks of sheer pressure on this EP.
Prolific, unstoppable and downright defiant when it comes to selecting samples and piecing together music, this selection covers all the bases - from keeping a dance floor popping such as in ‘Hold It’ and ‘17mm’, to the more hypnotic, psychedelic breakdown of ‘Ride The Plane’, over to the ‘Break Neck’ which oozes that angular shoulder shuffling T>I flex. We know you gonna love this.

Ride The Plane EP

Hold It

Buy / Stream

T>I - Hold It

Polar bears are facing a critical challenge as the Arctic sea ice—their essential hunting ground—continues to shrink due to climate change. With less ice, they struggle to find food, leading to declining health and survival rates. As apex predators, polar bears play a vital role in maintaining the balance of the Arctic ecosystem. Their decline is a stark reminder of the urgency to act against global warming and protect fragile environments before it’s too late. We will donate all proceedings from this release to Polar Bears International.
credits

Relict makes a powerful debut on the PROT3KT series with a fierce two-track single. Collision and Continuum both showcase his sharp production and relentless drive, balancing energy with detail in signature style. As always with the PROT3KT series, all proceeds will be donated to support environmental protection.

Artwork by Gaijin Graphics. 

Relict - Collision

Passed test

Invisible dub

Fresh off his debut track 'Restless' - German stalwart of darkness Relict comes correct with his debut EP Lumina EP. 4 powerhouse tracks that truly show his technicality and ear for quality.

instagram.com/relict.music
@relict_music

Relict - Don't Quit

Bad Faith EP

The Moment

Bloodlust

Bad Faith

The 101 - EP

Looking Back

Smiling On My Happiness

Bad Signal  EP

Bad Signal

After a background in traditional piano training and progression onto the electronic organ during childhood, I got my first 16-bit computer aged 13 in the form of the Commodore Amiga 500.
Somebody gave me copies of Soundtracker software and the ST range of sample disks, and along with my best friend, we began making our own tunes. Then along came MED Sound Studio and we started really getting to grips with producing using just the Amiga and simple keyboards.

As our output grew and the next few years unfurled, so we created first Q-P-I Music (Quadrosonix Productions Inc), 'Headlong Recordings', and finally 'Unborn Records', all basically label names for our growing output of experimental, late 80's/early 90's rave-influenced tunes. I became CJ Shadow, making hardcore, techno and jungle style tracks, while CJ Trinity made remixes of more commercial sounding tunes like that of The Prodigy and laid-back house/techno stuff, and developed a more general electronica-like, ambient, trance-style sound.

By the time we left school in 1992, aged 16, we had produced well over twenty C90 cassette albums of material. The next year or so saw investment in our kit as we upgraded to Amiga 1200 computers, better synths, and for the first time the introduction of simple mixers and decent monitor speakers. The quantity of our output certainly reduced, but the quality significantly increased.

Though our paths in life diverged significantly at aged 17, we continued to produce an evolving sound, improving and honing our individual styles and incorporating our personal influences as jobs and money allowed investment in better software and hardware. By the time the internet was a thing and even before ADSL (broadband) I was releasing the best of our music on unsigned music websites like MP3.com. Uploading several hours of music on a dial-up connection, now that was fun :)

By the turn of the millenium we had our own website, unbornrecords.net, and ran it as our label and home online to promote our music. CJ Trinity's material was by now very much in the house/trance and dance remix genres, whilst mine was definitively a breakbeat-driven, jungle and drum&amp;bass sound, reflecting the scene I was busy raving in every weekend, and immersed in fanatically. We sold a few CD albums, got quite a lot of downloads and generally enjoyed what we did, but life got in the way of it ever becoming more than a hobby.

Though our music continued to increase in quality and get some serious attention from a few people in the right places, sadly by 2005 we both had so much going on in our separate lives and so little time for music production that the website fizzled out, and along with the demise of several of the unsigned artist sites we had our material on, our music basically fell off the edge of a cliff. CJ Trinity's unfinished but astonishingly good final album, 'Atmospheric Hi Trip', really showed how far and complete his particular dance sound had come. My last CJ Shadow album, entitled 'Kitchen For No Reason', was completed that year and actually reflects how complete and professional my DnB-based sound was becoming. Even today, everyone who hears it seems to agree that it truly is a crying shame that I never continued making music.

Since 2005 I remain infatuated with the Drum & Bass scene, keeping up with the massive online output and trends, going out whenever possible to the dances and just loving everything I'm hearing and seeing. Recent months have seen me going through the old hard drives, listening to our old music, and a dawning realisation that I cannot allow this part of my life to die. And having now stumbled on a folder of projects and work from 2005 that basically constitutes what would have been my next album, I have decided to plug myself back into production.

2025 sees the 20th anniversary of the release of Kitchen For No Reason. I can confirm that a new LP is on its way, produced under my new Ignomius Darka moniker.

https://ignomius.com

Transparent Audio / Sofa Sound / Sauce Recordings / Dispatch

Hailing from the vibrant city of Kiev, Ukraine, Vitalii, known as Dub Head, is a founder of Cybernetic crew, devoted to creating a unique and captivating sound in the world of drum and bass.
 
Dub Head’s breakthrough came with the release of the "Entropy EP" under Syndrome Audio label. Entropy showcased Dub Head’s meticulous production in sound design, through fusion of strong funk grooves and lush pads.
 
Dub Head continued his journey through multiple releases under Dispatch Recordings, including highly acclaimed "Bad Signal EP", "Template EP" and "Dispatch Dubplate 10."; all securing spots in Beatport top 10 for DnB releases.
 
Following his success with Dispatch, Dub Head collaborated with Sofa Sound, releasing "Meltdown / Space Worm" and "Jelly Fish / Bass Face,".
 
Dub Head’s debut album “Bring You Back Online" was released on Dispatch Recordings featuring collaborations with M.Justa, Black Barrel, Eastcolors, Scepticz, and Gusto.
 
For many years, he has relentlessly perfected his skills, passionately crafting a sonic landscape where deep, dramatic elements harmoniously blend with powerful scientific motifs. Dub Head recently moved to the UK and he continues his journey pushing boundaries and exploring new sonic territories without losing his signature use of funk that sets him apart and captivates listeners.

FOR PROMO: 
promo@dubhead.net

FOR BOOKINGS please contact:
booking@dubhead.net

Bad Signal

Dub Head

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