A1.Homva - Bergalo [HOMVA015]
A2.Homva - Triveta [HOMVA015]
A3.Homva - Vremena [HOMVA015]
A4.Homva - Faroza [HOMVA015] 
A5.Homva - Rodatsa [HOMVA015]
A6.Homva - Furoza [HOMVA015]
B1.Homva - Valtos [HOMVA015]

Homva - Valtos [HOMVA015]

Forthcoming track from Cobra Spiritual's second release "To Anthos".

Order

Cobra Spiritual - Combost (From "To Anthos" AVOT012)

Журба

Der Jasager

Z.I.P.P.O - Last Hope

Bastard

All Comes At Once (Broken English Club Remix)

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Anna Funk Damage - Trasmissione |Raw Culture| 2025

Artist » Anna Funk Damage - https://soundcloud.com/afunkdamage

Ep Name »  Tarantola - RWCLTR029

Label » Raw Culture - https://soundcloud.com/raw-culture-recordings

Rome, Italy

Format: VINYL ONLY RELEASE 300 COPIES ONLY 

Release date: November 03, 2025

💲BUY HERE 💲 >>>  https://rawculture.bandcamp.com/album/tarantola

Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial.

Each track is an emotional fragment, a bite that leaves its mark: from the electric tension of Vivere Distaccati to the feverish rush of Trasmissione, from the rawness of Decadente to the hypnotic title track Tarantola, which embodies the beating heart of the album. 

Side B unfolds into more nocturnal and intimate landscapes, from Chiang Mai to the disenchanted sincerity of Lavoro Troppo, closing with a party that carries the bittersweet taste of reality.

Tarantola is a journey into the chaos of human emotions, an album that doesn’t just narrate but pulls you deep into its sonic labyrinth, giving noise back its vulnerable yet powerful soul.

All tracks written and produced by Andrea Natale.
Thanks to my boy Giova for believing and trusting my ideas. And also wanna thank those who indirectly influenced me in some way, like Oreste, Fabio Sechzig, Sandra Mason, my incredibile family. Last but not least Ian Curtis, Swans and Dead Kennedys.

Artwork by crshartwrk
Mastered at Sensorium
RWCLTR029. Raw Culture, Rome, 2025. 

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

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Tarantola

PREMIERE CDL || Anna Funk Damage - Trasmissione |Raw Culture| 2025

💲 BUY VINYL 💲

OAKE - Lilin

BUY VINYL: clawsisthebastard.bandcamp.com/album/splat-city-ii
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes. 


C.L.A.W.S. - Splat City II CLIPS

To be released September 12th, 2016

Antenna, S.Olbricht, Delta Funktionen and DJ Overdose remixing Norwell's debut EP on Pinkman.

B1. Death Of A Star - Delta Funktionen Remix

Berlin DJ & producer Sascha Funke returns with his first solo album since 2008, with "Lotos Land" landing on Tokyo’s Endless Flight next month.
The album takes its title and artwork drawing inspiration from Alfred Tennyson’s 1833 poem, ‘The Lotos-Eaters’, a work that has taken on a particular relevance and fascination for Funke in light of the turbulent world events of 2016. The artwork, by Mule Musiq/Endless Flight & Smallville’s regular illustrator Stefan Marx, is itself an interpretation of a 1901 Lotos-Eaters-inspired illustration by British painter William Edward Frank Britten. 
Despite spending significant moments of his early career in Cologne, Sascha Funke is resolutely a product of the city of his birth, Berlin. It is with one of the city’s most famous techno labels, Ellen Allien’s BPitch Control, that Funke released his previous two solo LPs, with the last ‘Mango’ arriving nine years ago. Since then Funke has been largely focused on the Saschienne project alongside Julienne Dessagne, which issued its debut LP ‘Unknown’ through Kompakt in 2012 and has been a regularly touring live act in the years since. The past year has however seen a renewed focus on Funke’s solo productions, with two new EPs for Canadian imprints Multi Culti and Tiga’s Turbo Recordings. 
Funke credits his work with Dessagne as a key influence on the sound of his new record, which finds him moving into vibrantly diverse sounds more commonly associated with Endless Flight, Optimo Music and Kompakt’s Hippie Dance imprint, the latter pair of which have both released EPs from Dessagne’s Fantastic Twins solo project. Having previously worked almost exclusively with samples and at a computer, these new associations led to a renewed focus on live & analogue instrumentation, utilizing an arsenal of different synths that allowed Funke to engage more emotionally with the music he created. Those instruments included a Korg Arp Odyssey, a Dave Smith Prophet 8, the Moog Voyager and a Solina string keyboard. Meanwhile the tracks ‘Comala’ and ‘Im Feiern Und Feuer’ enlisted the talents of vocalists David Wilson (of another Optimo Music-affiliated act, Glasgow four-piece Junto Club) & Emily Evans, and Tel Aviv live performer Autarkic, who has to date appeared on Disco Halal, Golf Channel and Turbo. With their contributions expanding the album’s emotional landscape, this new approach led Funke to the album’s musical blend of trance, techno, synth-wave, post-punk and ambient that captures perfectly the themes of altered states and community vs individualism that form the heart of Tennyson’s poem and are now explored on Sascha Funke's own adventure in Lotos Land.

Z.I.P.P.O - Last Hope

Nika / Codex Fatale Archiv