The Best Tracks that I've listened to on Soundcloud between 03.07.17 & 28.07.17

Part 2 of my Magic Waves, Berlin set. I had a sense that by this point in the night the crowd were, uh, feelin' kinda high, so it maybe reflects that a bit. It's a tad more all over the place and a little less doomy than the first part.

JD Twitch Live at Magic Waves Summer Festival, Berlin 2015 (Part 2 - So High set)

Wiccans - Automaton

Dj Speedway's set for Scorpio Alliance Official SXSW showcase at Plush

Scorpio Alliance X Dj Speedway SXSW Showcase

Eaters - Embrace The Strange

Eaters - No Secret

DT019 - PILL - Aggressive Advertising
Street date: Fri, June 30, 2017

http://www.stereogum.com/1945472/pill-pina-queen/premiere/

PILL - Piña Queen

DT019 - PILL - Aggressive Advertising
Street date: Fri, June 30, 2017

PILL - Side Eye

PILL - Afraid Of The Mirror

Modafinil Blues finds Matthew Dear four years removed from his last LP and lost in the low-hanging gloam of Topanga Canyon. The producer and pop auteur wrote it there in the evening hours with Troy Nōka, a longtime Frank Ocean collaborator. The song hints at conceptual roadblocks requiring more than a simple or single solution; the manifestation of a meteoric spike in cognitive function, yearning for some form of collective freedom, followed by the inevitable descent into the complexity of the fix. Dear’s baritone verse acknowledges that this existential arc is flawed, and therein lies the blues. Moody and nuanced, slightly undone and hugging the curves of the canyon; a polyrhythmic glissade through cerebral fog.

Modafinil Blues

You are my Sunshine Prod. Earl Sweatshirt and Navy Blue

From the album Partner - In Search Of Lost Time
available September 8, 2017 from You've Changed Records
(YC-032)
LP/CD/Digital
youvechangedrecords.com/

Music and lyrics written by Partner

Recorded in April 2016 at Candle Recording
Engineered by Josh Korody
Assistant Engineered by Dylan Frankland
Recording supervised by Steven Lambke
Additional overdubs engineered by Max Cotter and Tynan Dunfield
Edited by Kevin Brasier
Produced by Josée Caron and Kevin Brasier
Mixed by Chris Shaw
Mastered by Joao Carvalho
Photography by Colin Medley
Layout by Paul Henderson
Art direction by Josée Caron

Vocals and Lead Guitar by Josée Caron
Vocals and Rhythm Guitar by Lucy Niles
Bass by Kevin Brasier
Drums by Simone TB

In Search Of Lost Time

Partner - Sex Object

Get In My Car (Single)

Get In My Car

Written and Produced by SKEPTA
Artwork by Midnight Shane

Hypocrisy

Daybreak tends to creep up on you. Emerging from starry darkness, the sun wobbles at first but proceeds on its scheduled arc. You can’t help but wonder if it ever looks back in disbelief, or regret.  This feeling of self-reflection—of looking back to see how far you’ve come—is precisely the sentiment of Thawing Dawn, the first solo record from A. Savage, released on Dull Tools.

The songs on Thawing Dawn form a guided tour through the romantic environs of A. Savage’s mirrored mind. While some were written recently, other tunes were penned over the past decade. For one reason or another, these compositions didn’t land with any of Savage’s other groups, and instead are presented now as a distinct collection. Reflecting back, Savage says, “Once I realized I had a small body of work that didn’t fit anywhere else, I started to examine the commonalities: What’s the common denominator of all this and how I can expand on it?”

Savage is best known as the frontman for Parquet Court, a duty split with fellow Texan Austin Brown. Their last record, Human Performance, delved into the emotional wreckage of a broken heart, to critical acclaim.  But with Thawing Dawn, it’s clear that Savage has matured. While assembling the record, he fell in love. Now, for the first time, we hear songs about being on the inside of love. Rather than lamenting the end of a relationship, we hear a voice trying, in the moment, to make sense of love’s mysteries. “Part of this maturity,” he says, “is reflecting on something when it’s happening, not just when it’s gone.” 

Thawing Dawn gives us honesty: We see the artist at home in bed, more singer-songwriter portrait than esoteric statement. Throughout his discography Savage has long abbreviated his first name as a kind of writerly gesture. He says, of the move, “I am an uncivilized member of modern civilization--I’m just a savage.” Like Duchamp’s R. Mutt signature on a urinal, the shortening embodies a mischievous directness, enabling this savage to introduce his slanted honesty into the universe.

“I always like it when records are good representations of communities,” Savage says, and this one succeeds in this regard. These ten songs were recorded between December 2016 and June 2017 by a cast of friends in Jarvis Taveniere’s Thump Studios in Brooklyn. Members of Woods, Ultimate Painting, PC Worship, EZTV, and Psychic TV all lend their talents.  Savage’s voice, once shouted into mosh pits, now glides confidently above its backing band. Thawing Dawn marks the arrival point for Savage as a sensitive and skilled vocalist.  A strain of rural inquiry tinges the soundscape, an ongoing trope in Savage’s writing most powerfully felt on Parkay Quart’s ballad “Uncast Shadow of a Southern Myth.” On this record it is stronger, with a healthy helping of pedal steel guitar, a chorus of female back-up vocals, four familiar chords, and maybe the truth, all layered throughout these songs. Their titles also steer us this way, but don’t fully convey the hidden intricacies. “Buffalo Calf Road Woman” opens the record in a burst of C&W energy.  The staccato pop piano of “Eyeballs” lays crisply beneath a refrain of heartbreak. “Wild Wild Horses” finds him confessing inside a Talk Talk bubble of guitar static and organ. The build-up of “What Do I Do” yields a guitar freak out that Parquet Courts fans will recognize. You could two-step to the swing of “Phantom Limbo.” “Ladies from Houston” is a Leonard Cohen-like ramble through a party scene. Finally, the title track is a suite of three interwoven songs that closes the record in a beautifully cinematic style. 

Throughout, A. Savage delivers one-off lines of razor-sharp observation that will stick in your brain, only to surface when you’re least prepared to handle their insights. When you put your copy of Thawing Dawn on your turntable and drop the needle, you’ll learn what A. Savage has to say about romance in our modern world. Keep your ears open--it’s worth hearing.

- Jack Murphy

A. Savage - Winter In The South

DULL TOOLS

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