Classical

"Prelude in Despair" paints a soundscape of tangled thoughts, obsessive fixation, and the profound ache of a futile struggle. This prelude stands as a complete and powerful narrative of anguish, perfect for cinematic scenes of introspection, loss, and unresolved tension.

Prelude In Despair

Sonate n°3 pour piano en fa majeur

J’ai rarement besoin d’introduire mes musiques. Celle-ci fait exception : s’agissant d’une musique à programme, je me dois d’en présenter les grandes lignes pour que, à la fois l’auditeur, mais aussi l’interprète, puissent comprendre ce que j’ai voulu signifier et comment interpréter cette sonate.

Cette sonate pour piano a pour titre « Anthropo-scène ». Elle a pour ambition de décrire l’évolution de l’Homme depuis la nuit des temps jusqu’à nos jours.

Vidéo : https://youtu.be/LeAbQYEAiAs

Sonate n°3 pour piano ­— « Anthropo-scène »

The original version of this song by The Infinity Chamber has an attractive and captivating Pink Floyd vibe to it. That beautiful, melancholic style is what drew me to the song from the beginning. The lyrics, both provocative and moving, still leave me wondering and imagining.

https://soundcloud.com/theinfinitychamber/the-delicate-art-of-reflection?si=00450f0a6093431ebffdc3c80daa0823&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The song depicts a bedroom scene through the eyes of a man who starts to doubt his relationship, his life and life in general and tries to step away from it all. The brutally honest way in which this epiphany of gloom was put into words, generates unexpected sympathy and aversion at the same time. Once the sadness behind the lyrics sinks in, you are helplessly building sympathy for both characters in the scene and that final: “I went and got pissed”, doesn’t even sound mean anymore. It sounds like he deserves the relief.

I hope my version of it does the work justice.

The Delicate Art of Reflection

Incense

Ebb and Flow

A song written for the No Kings march held on October 18, 2025

Lyrics
[verse]
An old vet lays at the overpass.
Gallon of milk, by his head.
P.T.S.D… bites him fast.
While he sleeps on a concrete bed.

Ice! is forming everywhere.
Black, blue and camouflage.
Who they grab, they just don't care.
It's political sabotage.


[chorus]
Remember!  There's strength in masses!
This king is fake!  tarnished bronze!
Eliminate!  right-wing fascists!
We are America's pawns! America's pawns!


[verse]
Give the rich, more tax cuts.
Keepin' 'em happy is the goal.
You see, cheaters have no guts.
Nor do they have a soul.

When you need a little aid.
Some help up off the floor.
No matter how long you pray.
They always punish the poor.


[chorus]
Remember!  There's strength in masses!
This king is fake!  tarnished bronze!
Eliminate!  right-wing fascists!
We are America's pawns!  America's pawns!


[verse]
Media spews worthless news.
Lies from corporate owners.
Pushing right-wing views.
Plus those of crooked donors.

They love their guns, it's crystal clear
While our kids get shot and bleed.
Losing power is their only fear.
Their DNA drips with greed.


[chorus]
Remember!  There's strength in masses!
[background chanted] No Kings!

This king is fake! tarnished bronze!
[background chanted] No Kings!

Eliminate!  right-wing fascists!
[background chanted] No Kings!

We are America's pawns!  America's pawns!


[solo: guitar]


[ chorus ]
Remember!  There's strength in masses!
[background yelled] No Kings!

This king is fake! tarnished bronze!
[background yelled] No Kings!

Eliminate!  right-wing fascists!
[background yelled] No Kings!

We are America's pawns!  America's pawns!

[all yell] No Kings!

Words written by Roger L. Smith
Music & Vocals by Suno.com

© Copyright Roger L. Smith & Ironically Insipid Records, 2025

America's Pawns (No Kings)

You’re Gonna Go Far

This music is the soundtrack to the film "L'aranya teixeix llum" (The Spider Weaves the Light).

It is therefore advisable to watch the film directly on YouTube, as the images and music complement each other, forming a superior whole (unfortunately, SoundCloud does not allow films), so it is better to watch the film than just the music:

https://youtu.be/qCwEE9YSpgE?si=YLXvYaRxxbW1Uosd

This is a locally produced film centered on the Ripoll River, a small river that runs through the outskirts of Sabadell, a city near Barcelona (Spain). It is a short film (13') with a documentary approach but with a "artistic" style. We made it together with Nativitat Ayala and it is based on a poetic text written by her (with the same name as the film). She was primarily responsible for the plot idea and the script. I was in charge of the technical aspects (filming and editing) and, of course, also the musical composition.

The overall intention of this film was to highlight this river and its natural and wild environment, which is still preserved today and is currently in danger given the latest proposals to modify its industrial and tertiary uses by the City Council (which are not at all appreciated by most of the opposition and citizen movements).

Also, in the first part of the film, we sought to emphasize that the harsh conditions that the working women endured in the warehouses of the old factories of the last century are also part of the history of this river.

Thus, in this first part, we sought to create, both with the images and the music, a more somber and despondent atmosphere, which gradually transitions to greater luminosity and serenity, eventually achieving, in the final section, a liberating effect by showing that the natural and wild nature of the river ultimately prevails (at least for the time being). And all of this using a "poetic-artistic language" and modest and simple technical means.

Below are two PDF files, in English and Spanish, that explain the characteristics of the music:

In English:
https://drive.google.com/file/d/1v3DmQEQuOaz4SPXjXkHfyO_RhxSJiIVr/view?usp=sharing

En español:
https://drive.google.com/file/d/1nHrU8rSyndgxS0izdofu8tQoiJcrJ_Xs/view?usp=sharing



The film's soundtrack

Les Ombres


Nous marchons en ligne, les yeux baissés
Les voix qui murmurent, les pas qui s'alignent
Nous suivons le mouvement, sans réfléchir
Les pensées sont ailleurs, les âmes sont absentes


Les écrans nous hypnotisent, les mots nous endorment
Les vérités sont cachées, les mensonges nous dévorent
Nous sommes les marionnettes, qui dansent au rythme
Des fils qui nous manipulent, des voix qui nous commandent


Nous sommes les ombres, qui suivent la foule
Sans penser, sans agir
Nous sommes les visages, qui se fondent dans la masse
Sans identité, sans voix



Et puis un jour, nous nous réveillons
Et nous voyons les chaînes que nous portions
Certains avaient raison
Mais nous étions trop aveuglés pour voir

Nous sommes des ombres, qui suivent la foule
Sans penser, sans agir
Nous sommes les visages, qui se fondent dans la masse
Sans identité, sans voix


Maintenant nous savons, nous voyons clair
Les mensonges sont évidents, les vérités sont là
Mais il est peut-être trop tard, pour changer le cours
Des événements qui nous ont menés là où nous sommes.

Les ombres

Wrote sang and produced this myself...

I haven't completed it yet, I'm not sure what to do. (Demo) :)

Rock Star (Demo)

"Miniature" is a swift polyphonic piece, brought to life by a string ensemble. Its energy lies in the perpetual motion and interweaving voices that create a complex yet harmonious flow. Devoid of a pronounced emotional message, this composition captivates with its sheer dynamism, inviting the listener to appreciate the beauty of the process itself — an endless striving forward.

MINIATURE

Fragile by The Jeremias Langsämmer Ensemble blends emotional piano, dark cinematic strings, subtle bells, and plucked textures to create an atmospheric modern classical piece with a haunting edge. Vintage piano tones meet sweeping orchestral strings and expressive cello lines, moving between delicate moments and ominous tension.

This track is perfect for fans of emotional instrumental music, cinematic soundtracks, contemporary classical, study playlists, and atmospheric orchestral pieces. Whether you're focusing, unwinding, or looking for cinematic inspiration, Fragile delivers a rich and immersive listening experience.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Jóhann Jóhannsson, A Winged Victory for the Sullen, Dustin O’Halloran, Philip Glass, Hildur Guðnadóttir, Michael Nyman

The Jeremias Langsämmer Ensemble – Fragile | Piano, Cinematic Strings & Atmospheric Orchestral Music

Hot Cocoa by the Fireplac

Home for Christmas

Dusty Room [Instrumental]

An orchestral pastoral piece, featuring woodwind, which shifts through a range of moods.

Boats to the Electric Island (pastoral orchestral)

My name is Jack Miller. I am a guitar player/composer/multi-instrumentalist since 1972. Took a break while raising a family for about 18 years. Been at it again since March 2017 and loving it. I play solo and in the group, Counting Coup.

I'm a Freelance Music Producer who is also into Holistic Healing through music and sound

Ebb and Flow

J Dulva

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