STRING  MEDITATION   --   1   --  (  2018  )

Please listen with headphones

Soundscape Maa was released by the Istitute For Alien Research (ifarlabel) in a compilation entitled Concrète Poetry Four on Bandcamp.
https://ifarmusiqueconcretecompilation.bandcamp.com/album/concr-te-poetry-four

The composition combines everyday sounds such as footsteps on different surfaces, the tearing of paper, lighting a match, playing tennis, clapping hands, horses clattering, machine noises and the like with voice samples from my archive, which the Dutch mezzo-soprano singer Jannie Pranger made available to me some time ago and of which a few have been electroni- cally manipulated. These two components are tightly interwoven and form an exciting, multi-layered and multi-faceted musique concrète.
The everyday sounds are treated in the same way as the vocal sounds; for example, in the way one deals with the sounds of percussion instruments, which are also largely noisy. A drum roll, a cymbal crash, a rattle ... or an electric saw, a creaking door, shattering glass, the impact of a golf ball, a swarm of bees, etc. The mezzo-soprano voice involved is extremely varied. Snapping or hissing sounds, whispering, speaking, singing, whistling, blowing and every conceivable sound that can be produced with the voice are included. Earth is the only planet known to date that sounds; where we are constantly surrounded by sounds and noises produced by humans and animals, wind, water, etc. I wanted to represent and celebrate a tiny section of this unique sonic diversity of planet Earth in my composition. The word “maa” in the title is the Finnish word for earth/land.

https://ifarmusiqueconcretecompilation.bandcamp.com/album/sonder

Sonder

Soundscape Maa

In TrajSynth, created for 32-channel diffusion, I explore the use of artificial intelligence as a generative tool - not for producing entire sound materials directly, but for sonifying the dynamic numerical processes that AI methods inherently generate. These constantly evolving numbers, often ignored in mainstream AI-music platforms, carry a latent energy that I find highly effective for sound creation. Rather than relying on ready-made platforms, I focus on tapping into the internal workings of AI – extracting numerical data from within neural networks or training loops - and translating tha...

Special Thanks To Jean Voguet, for giving me the opportunity to work on CRANE lab's 32.2 volumiphonic device in 06/07/2025 and for inviting me to participate in his Curated By series on Sounding Future. And to Fränk Zimmer, for organizing the project and guiding us through the process, offering the opportunity to present our works on the Sounding Future platform for 3D Audio Space.

TrajSynth, for 32-channel fixed media (stereo version) (2025)

Kleines Gitarrentrio – für Kinder und Jugendliche, 2016

Uraufführung: Birkenwerder, Evangelische Kirche; gespielt von Lehrern der Musikschule Hohenneuendorf 2016

Kleines Gitarrentrio – für Kinder und Jugendliche

reading session at Tanglewood Music Center (Koussevitsky Music Shed), July 2025.

four masks (artifact) | for orchestra (2025)

Please listen with headphones
Electroacoustic music  September 2025

While my Guitar....

About the Dawn – Brooks Grow Loud

Jardin musicale – Automne

Debris (2025), for tenor saxophone and live electronics

Live Recording: Alberto Cavallaro, 23 July 2025, Accademia Chigiana Festival, Siena

Debris (2025)

8 Movements:
Stabat Mater  00:00
Quis Est Homo 02:32
Eia Mater 05:03
Vidit Suum 07:34
Sancta Mater 10:11
Inflammatus 14:13
Virgo Virginum 17:10
Quando Corpus 19:58

Stabat Mater (2023/24) - for choir, electronics and viola da gamba

Audio: Mikael Szafirowski

Duo Signal:
Alejandro Oliván - alto saxophone
Adrián Albaladejo Díaz - trombone

Maurizio Pisati - Ö (1991)

DUO SIGNAL​

We are a chamber music group formed by saxophone (Alejandro Oliván) and trombone (Adrián Albaladejo) with a determined commitment to the performance, creation and diffusion of new repertoire.

Maurizio Pisati - Ö (1991)

Duo Signal

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