Post-Classical

1 A Great Divide

Quartet N. 2

5 Opus 43

2 Opus 44

We Move Lightly

a few months ago, Fivos asked me, if I would play to one of his piano pieces. Finally I had time to record and it was a great pleasure to feel myself into his wonderful music. 
you can hear the original version here: https://soundcloud.com/fivosvalachis/nocturne-29-oct-looping

Don't miss his wonderful music, find him @FivosValachis


Nocturne    -    fivosvalachis/jensfelger

Souffle court a été à l'époque ma première composition, elle date de 2017. 
Elle exprime ce que les mots ne disent pas, quand le souffle n'est pas suffisant

Souffle court

Tandem

Composed and produced by Oliver Sadie 
Live piano recorded at Red Room One Studio
© 2015 Oliver Sadie
--
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

~ The Arrow and the Song by Henry Wadsworth Longfellow

Use this in film

Elusive

Alexandre Desplat - Childhood

The Broad Sun

Please check the video on Youtube and subscribe to my chanel : https://youtu.be/StUMx1hsWqA

Can you hear the birds dance ? :)

Birds ( Video on Youtube )

You'll See

You'll See (Piano Day 2018)

S.O.L Best of Album is out 16.3.2018 !
finally, physical CD and digital release is availabe in all major stores

I am so happy to announce that finally you can get and order my physical Best of CD in all major german stores. Even better, many markets already have them on stock. Here is the list:

Kulturkaufhaus Dussmann Berlin
Media Markt Berlin
Saturn Braunschweig
Saturn Bremen
Saturn Frankfurt
Saturn Hamburg
Saturn Köln
Saturn Magdeburg
Hot Rats Magdeburg
Media Markt Ulm
JPC

For all my fans outside Germany you can of course get your copy on my website (dirkmaassen.com)or on amazon. Also the album is ready to stream and to download on all digital stores around like spotify, deezer, apple music, amazon, google play, and many more.

Skin on Skin // Dirk Maassen

Some of the songs are featuring Cello & Piano others just fir the new age piano category. I'll keep updating as I go along. This entire set is by Brian Crain except the last two. Those are by Phillip Wesley

Go here to listen to even more of his songs and albums and I can get the song for you. Most of them I already got though.

http://www.briancrain.com/newpages/PCDuet1.html


Spring Waltz Brian Crain

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

5 Opus 43

Dustinohalloran

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