thank you for the inspiration, Dustin! this piece is a wonder.

Conmovedor. Brinda paz y evoca el invierno.

That's a collection of my favourite minimal, ambient or just relaxing pieces of music.
If you know some pieces which could be in the list please send a message.^^

Greetings from Berlin. :D

Ambient, Minimal and relaxing Music

9 Snow + Light

We Move Lightly

1 Opus 20

11 Opus 37

First Harvest

'Entanglement' is out on Erased Tapes.
Order the album on CD/LP/DL: http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

The Attachment

Buy LP/CD/DL

Michael Price – The Attachment

Keith Kenniff - Resolve

Recorded as an Improvisation. Single take, no overdubs.

'Wall' is taken from the new album by Nils Frahm – 'Solo'. Revealed on Piano Day as a free download and available on CD/LP/DL via www.pianoday.org

Fans can donate to the special piano project which will enable Nils and piano builder David Klavins to create the Klavins M450, the tallest piano in the world.

“Why does the world need a Piano Day? For many reasons. But mostly, because it doesn’t hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.” – Nils Frahm

HOW WILL YOU CELEBRATE PIANO DAY?

create your own piano events with friends or simply share your videos, poems, photos - anything that is piano inspired. don’t forget to tag us in your posts!

Instagram – #pianodayofficial
Twitter – twitter.com/piano__day
Facebook – facebook.com/pages/Piano-Day/382403391947996
Email – share your fun stuff with info@pianoday.org


Solo

Wall

Free DL + Buy LP/CD

Piano M 7966 4:48 06-08-2025

A good man

"Woven Tide" is the debut album by From The Mouth of The Sun, the new collaboration between Dag Rosenqvist, aka Jasper TX, and Aaron Martin.

"Out of the charred embers of dusk 'Woven Tide' emerges with an incandescent glow. Each glimmer cast by the sustained notes of ebony keys, the taut strings of the cello, and the rampant buzz of guitar lights our way, gives us hope, brings us into the dawn of a new day. As From The Mouth of the Sun, the duo act as our torchbearers, scrawling messages along the walls of an elongated cave, toiling through the decayed remnants of fetid matter to create eight illuminating pieces. The listener, who has wiled away the hours, will find a door; 'Woven Tide' will be the light out of the darkness." - Michael Vitrano / Desire Path Recordings

Pieces from "Woven Tide" as well as solo work by Aaron Martin accompanies the new documentary film by Lost Hill Picture's Ross McDonnell and Carter Gunn for Fastnet Films, Remember Me, My Ghost, which is currently touring the film festival circuit.?McDonnell and Carter are most recently known for their award winning documentary film Colony which documents the unexplainable phenomenon known as Colony Collapse Disorder that has left landscapes of empty beehives all across America, and also features music by Aaron Martin.? An upcoming short film by McDonnell and Carter featuring Color Loss from Woven Tide will be included on an upcoming Wholpin DVD magazine published by McSweeney's.

Since 2005 Gothenburg, Sweden based musician Dag Rosenqvist's work has graced imprints including Miasmah, Fang Bomb, Under The Spire, Lampse, Lidar, Slaapwel, Kning Disk, Dead Pilot Records, Lowpoint, and Rural Colors.

Since 2006 Topeka, Kansas based composer Aaron Martin's work has found its rightful home on labels such as Preservation, Mobeer, Experimedia, Type, Under The Spire, and Sonic Meditations. Aaron's most recent solo album, Worried About The Fire, is also available from Experimedia.

The Crossing
Pools of Rust
Color Loss
My Skin Drinks Light That Has Passed through Leaves
Sitting in a Roofless Room
Like Shadows in an Empty Cathedral
A Season in Waters
Snow Burial (While Blue Skies Gather)

All music recorded and mixed in Gothenburg, SE and Topeka, KS by Dag Rosenqvist and Aaron Martin June - December 2010.

Cover artwork & layout by Chris Koelle.
Mastered by Taylor Deupree.

http://label.experimedia.net/021/

Sitting in a Roofless Room

Like Shadows in an Empty Cathedral

Title track off of the full-length album out early 2019 via Unperceived Records. 

Violin by Josh Misner
Mastered by Francesco Donadello
Artwork by Zachary Cramer

Buy NOME

NOME

Off of Elskavon's collaboration EP "Still As Troubled Waters".

Golden (Feat. Elskavon)

"L'ignorance" single from my new album "Fragments", out July 3, 2020. Pre-order now: https://bit.ly/2yWhvwC
This "Fragments" album includes 8 piano solo pieces that I composed during the lockdown. The compositions are inspired by the strange situation that we all lived and by the beauty of the everyday life that always helps me to be happy despite the difficulties of life. I recorded all the tracks in my living room, on my Schimmel upright felted piano.
I hope you'll enjoy these small piano melodies and that they will accompany you during the summer. 
As always, thank you for your support, 
Best, 
Dominique
All music written, performed, recorded and mastered by Dominique Charpentier.
© 2020 Dominique Charpentier. All rights reserved
© 2020 Modern Piano Recordings. All rights reserved
Photo by Dominique Charpentier

Fragments

L'ignorance / "Fragments" New Album Out July 3, 2020

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

9 Snow + Light

Dustinohalloran

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Endless Melancholy

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