Classical

6 Quintette N.1

9 Snow + Light

First Harvest

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Hiatus - Precious Little

I feel very thankful and fortunate to have had a truly amazing summer in 2014.  I visited no fewer than seven counties between July and August.  I witnessed so many amazing things in Romania, Russia, Finland, Sweden, Estonia, Denmark, and Iceland. I spent quality time, working, playing, and planning for the future with close friends and colleagues. I met and befriended many new and truly wonderful people whom I now consider close friends.

I was asked many times both by friends and family in the US, as well as the local people in the various cities I was in, what I thought about all the various political instability in the world today.  The questions invariably centered around something to the effect of "Aren't you worried/concerned/afraid to be traveling at the moment?"

My standard answer, which I became quite practiced in reciting, was:  I think that if some alien species which did not speak any human language came to Earth and visited New York, Washington DC, Bucharest, Moscow, St. Petersburg, Helsinki, Stockholm, Tallinn, Copenhagen, and Reykjavik it would have a very hard time telling us all apart.  Despite our small cultural differences, people everywhere generally want the same things.  We all look quite similar when we smile and laugh as well as when we cry.

It is said,  everybody loves something, is afraid of something, has lost something, and is looking to find something.  Which will you focus on?  Will you give love unconditionally, or will you help create fear in effort to mask your own?  Will you help yourself and others get lost, or will you try your best to find something of true value and meaning?  Will you focus on artificial divisions and all the reasons why you think you can not do something, or will you open the borders of your heart to new experiences and opportunities for growth? The choice is yours.  It is all of ours.



A deep and humble thanks to everyone in Romania, Russia, Finland, Sweden, Estonia, Denmark, and Iceland for sharing part of your lives and wonderful culture with me.  The memories will last a lifetime and have already become a formative experience to my creative process.  Thank you!

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"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.


Andrew Souter -- Without Borders

Music for solo piano.

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Vision

Sierra

Fragile N.4

Museum Nights

Rain

This track is from the album Lifelines of Music and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/martinherzberg8

A River Moves My Time

Evelyn

MATHILDE

Such a beautiful.
Download: https://soundcloud.com/hiatus/rebuilding

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Hiatus - Rebuilding

Dreams


September is always a magical month of the year anywhere else in the northern hemisphere. It never ceases to present the perfect opportunity to go outside and enjoy the wonder of nature. It's the perfect moment to feel the warmth of the sun on your face as it pierces through the branches of trees whose leaves may have already been to show small signs of color. Its a perfect time to be thankful for the fun of summer and to prepare us for the deeper seasons we are about to enter. It always feels strangely like a graduation ceremony as well as the start of the next level of our growth and understanding. Its a decidedly peaceful month. It's a time of the year as well as state of mind. Perhaps the entire world could live in September for a while.

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"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

Andrew Souter -- September

¡For A Sweet Blue Out Now!
From the Nasus's album: Echoes.
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Echoes

For A Sweet Blue

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A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

Fragile N.4

Dustinohalloran

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