spring flushes

Listen to 'Folded Maps' from Scott Jackson's album Riverbanks and Rolling Wheels, released February 26, 2021

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🎧 'Folded Maps', released 26-02-2021
╎ Listen on Spotify: https://spoti.fi/3cRojvw

📖 About the song:
This song is about a camping adventure that went south after an unexpected winter storm came through

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Spotify: New Indie Folk (2021) ✨
https://spoti.fi/3isX4d1

Spotify: New Acoustic Indie Folk (2021) 🪕
https://spoti.fi/35TpgRh

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✏️ Feel free to contact me: 
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📝 Lyrics:

Folded maps
And the coldest wind
To reach this time
Of the year since 
Records were kept

And the fire meets
Every thousand-yard stare
With open arms
How I wish you were here

Cause it seems this storm
Has got more courage than it needs
But as luck would have
I’ve been shaky at the knees
Can’t let it be 
But I cannot find it alone

Now the story goes
We were longing for snow
But that autumn moon
Never looked so at home

Well it seems that storm
Has lost the courage that it needs
But as luck would have
I need the light to carry me free
No one to be
And no more time we should know

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Scott Jackson - Folded Maps (with lyrics)

Invent (2021)

to celebrate PianoDay,
to say thank you to Music
my safe place

gratitude

Wake Up

train to elsewhere

innova 923
https://www.innova.mu/albums/jane-antonia-cornish/continuum

Jane Antonia Cornish: Continuum I

The third piece in my duet set of Songs without Words
A piece in ternary form with lugubrious slow outer sections surrounding a more flowing central passage. The opening theme heard 3 octaves apart returns in the ultra-bass in the final part

SWW24.3

A lot is happening in my life at this moment. Sometimes for me music is a way to escape all the stuff, that makes life complicated. I started working on this new ep and had a lot of emotions and thoughts, which were in need of some form of expression. I really hope you like my compositions, because I put a lot of love, time and work into these. From writing to playing the tracks in a recording environment - I did everything on my own! :) 

Special thanks to DSN Audiprodukion for recording me in his studio, mixing and mastering!

What do you feel when you hear this music?

Life and Plans

temporary home (beautiful piano)

My personal contribution in Celebration of a declared annual holiday by Nils Frahm.  "Piano Day".
The 88th day of this year 28th March 2016
You can also enjoy the fitting visuals created for the piece here - https://www.youtube.com/watch?v=Ujg4YXWaAT4&feature=youtu.be

Enjoy x

'In The Wake' - Piano Day 2016

Moderna Records is celebrating Record Store Day 2017 with the release of its very first vinyl in partnership with Return To Analog : Montreal neo-classical composer TAMBOUR’s Chapitres. 

BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

This collection presents a selection of tracks from TAMBOUR (aka Simon P. Castonguay)’s acclaimed EPs Chapitre I (2015) and Chapitre II (2016), here reunited under a single banner and pressed on limited-edition high quality vinyl with brand new artwork by Marie-Pier Meilleur. 

--
The Nude & The Quiet
from Chapitre I EP [2015] 
Composed and produced by Simon P. Castonguay 

Recorded by Benoît Parent 
Mixed by Pierre Duchesne 
Mastering by Pierre Duchesne 

Piano/Tonal percussions - Simon P. Castonguay 
Violon I - Rose Frappier 
Violon II - Audrée Leduc 
Alto - Mélanie Venditti 
Cello - Eugénie Lalonde

Chapitres

BUY / 12" VINYL

Tambour - The Nude & The Quiet (Vinyl Edition)

Third track of Manos Milonakis's remix release "Sólfar Reworked" by:

Luke Howard (www.lukehoward.com , @lukehoward) : 

Australian Music Prize-nominated composer Luke Howard has been described as “absolutely heavenly” (Mary Anne Hobbs, BBC Radio 6) and his music as “an ambient masterclass” (Musos’ Guide), but no words can fully capture the potency of Howard’s enthralling compositions. A pianist since childhood, Howard has scored films and performed with artists as diverse as Lior and Jeff Mills, capturing audiences with contemporary classical arrangements that curl and twist around the boundaries of a particular emotion. Though wordless, Howard’s songs perform a function unique to music as a medium – that of evoking without describing, bringing listeners to a feeling which defies articulating. 

Now signed to UK label Mercury KX (Lambert, Olafur Arnalds, Solomon Grey) and joined live by drummer and collaborator Daniel Farrugia, 2017 has Howard working across several projects: arranging the keyboard works of photographer William Eggleston, a pioneer of colour photography; a European tour beginning in the UK and ending with a performance at Germany’s legendary Elbphilharmonie; and a new record. 

Howard is one of Australia’s foremost practitioners of contemporary classical music. Having already accomplished so much and with more on the horizon, he is set to captivate audiences worldwide.

---
Celebrating Record Store Day and given the occasion of Sólfar EP’s 1st anniversary, Manos Milonakis invites friends, composers and producers to rethink-reimagine its’ 5 tracks. Sólfar EP was Manos’s second solo release, after Your Hand in Mine, which he recorded in Iceland with contribution of local musicians.

The 5 pieces of Sólfar EP have been reworked by:
Steve Gibbs, Fragile Balloon, Luke Howard, Hior Chronik, Ed Carlsen.

Sólfar Reworked is out worldwide on 22/04/2017, Record Store Day 2017, in limited handmade CD edition and digital.

You can find it at:
Thessaloniki: Lotus, Noise, Stereodisc
Athens: Underflow
Worldwide: www.manosmilonakismusic.com
Digital release: https://manosmilonakismusic.bandcamp.com

Sólfar Reworked

Ten (Luke Howard Rework)

A couple of things I recorded last night at home, warts and all.

Forgotten Postcards

Oversky

My remix for "Réveil" by Dirk Maassen, with all due respect.

You can hear the original here:
https://soundcloud.com/ascoltadi/some-piano-for-remix-open

Dirk Maassen - Réveil (Vla DSound Remix)

Prelude 3

Circles

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

Prelude 3

Dustinohalloran

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