spring flushes

Listen to 'Folded Maps' from Scott Jackson's album Riverbanks and Rolling Wheels, released February 26, 2021

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🎧 'Folded Maps', released 26-02-2021
╎ Listen on Spotify: https://spoti.fi/3cRojvw

📖 About the song:
This song is about a camping adventure that went south after an unexpected winter storm came through

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Spotify: New Indie Folk (2021) ✨
https://spoti.fi/3isX4d1

Spotify: New Acoustic Indie Folk (2021) 🪕
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📝 Lyrics:

Folded maps
And the coldest wind
To reach this time
Of the year since 
Records were kept

And the fire meets
Every thousand-yard stare
With open arms
How I wish you were here

Cause it seems this storm
Has got more courage than it needs
But as luck would have
I’ve been shaky at the knees
Can’t let it be 
But I cannot find it alone

Now the story goes
We were longing for snow
But that autumn moon
Never looked so at home

Well it seems that storm
Has lost the courage that it needs
But as luck would have
I need the light to carry me free
No one to be
And no more time we should know

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Scott Jackson - Folded Maps (with lyrics)

Invent (2021)

to celebrate PianoDay,
to say thank you to Music
my safe place

gratitude

FEDERICO ALBANESE is a composer born in Milan, Italy in 1982, and currently based in Berlin. His musical versatility is a natural gift that pushes him to explore music in all its facets. Albanese's compositions are airy and cinematic, blending classical music, electronics and psychedelia. Federico started studying piano and clarinet as a child before becoming fascinated by rock music. As a teenager he studied bass and became a self-taught guitarist and soon became one of the leading figures of Milan's underground scene, performing in several bands. Influenced by black music, folk, electronic, modern and contemporary classical music his skills as a composer soon emerged.

In February 2014, Federico Albanese released his debut album entitled "THE HOUSEBOAT AND THE MOON" . He recorded all of the piano parts with a 1969 German tape recorder, the Uher Royal Deluxe, which allowed him to catch all of the tiny hidden shades, the imperfections, the noises of the piano and its surrounding space. Federico melted this rarefied sound with electronics, live recordings, strings, and homemade instruments. The result was a combination of contrasts and colors with a variety of atmospheres that wonderfully represented Federico's musical universe

Carousel #3

PIANOCEE2 55iso PT1 12_11

watch: https://www.youtube.com/watch?v=WQWNwikqNIM

everytime we touch piano cover

Heroes (We Could Be) - Alesso feat. Tove Lo - Piano Cover

Taken from the compilation Piano Cloud Series - Volume One
Release date: March 11, 2016

www.1631recordings.com
www.1631recordings.bandcamp.com

Peter Broderick - Eyes Closed And Traveling

Prehension

Ab Ovo

Living Room Songs

Fyrsta

When, on friday 1st march, this track by Federico Albanese appeared on my Spotify "Release radar", after having listened several times, magnetised, i decided to work on an unauthorized respectful remix. Here we are. A bass and minimal rhytmical and synth stuff. That's all.
Listen to the original one here: 
https://open.spotify.com/track/59dEOlkDpsq6v3SeGrekNj

The Stars We Follow - Federico Albanese (Jayber.C RMX)

My remix for "Réveil" by Dirk Maassen, with all due respect.

You can hear the original here:
https://soundcloud.com/ascoltadi/some-piano-for-remix-open

Dirk Maassen - Réveil (Vla DSound Remix)

Prelude 3

Circles

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

Prelude 3

Dustinohalloran

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