"We Move Lightly" by Dustin O'Halloran is pure magic. The delicate piano melodies are both soothing and deeply moving. It feels like the perfect soundtrack for quiet moments of reflection. This track carries such grace and beauty—truly a masterpiece! 🌌🎶

not tumblr but songs dat I like agh

Watch the video: http://bit.ly/17CUxYf
Download here: http://bit.ly/WLxvcg

Artwork by Spencer Murphy, from his Traces series: http://bit.ly/X9so5E.

Precious Little

Oskar Schuster
https://soundcloud.com/oskarschuster
http://oskarschuster.com
https://www.facebook.com/oskarschustermusic
https://twitter.com/oskarschuster

Sheepy on Spotify
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Oskar Schuster - Wunder

Music for piano and string orchestra.

Follow:

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Vision

I took some time away to write a short collection of piano and string pieces named 'Of Sleep and Time'. This is the opening piece.

Of Sleep and Time is available for free download at https://levipatel.bandcamp.com/

I have recently released an alternate version 'As she passes (nocturne)', included on my album A Shifting Lightness https://levipatel.bandcamp.com/album/a-shifting-lightness

Of Sleep and Time

Free Download

As she passes

We Move Lightly

Taken from ‘Music for the Motion Picture Victoria’ – released by Erased Tapes on June 15th, 2015
ORDER LP/CD/Digital here:
www.erasedtapes.com/store/index/ERATP071
ORDER DL via iTunes here:
http://snip.ftpromo.net/victoria

ABOUT:

Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon. 

More info: nilsfrahm.com · erasedtapes.com

Music for the Motion Picture Victoria

Them

Buy LP/CD/DL

https://soundcloud.com/beatsantique

Wild Belle - Vox 
Major Lazer - Production 
Adam Theis - Trombone 
Shaina Evoniuk  - Violin - Viola 
Lewis Patzner - Cello 
Sidecar Tommy - Drums - Piano -  Beats Production 
David Satori - Production 
Zoe Jakes - Production 

Mastered by Eric Oberthaler 
Additional Recording at Beats Antique Studios - Oakland CA 2015

Major Lazer - Be Together (feat. Wild Belle) - Beats Antique Remix

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
itunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: The Nude And The Quiet :.
Composed and produced by Simon P. Castonguay

Recorded by Benoît Parent
Mixed by Pierre Duchesne
Mastering by Pierre Duchesne

Piano/Tonal percussions - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Cello - Eugénie Lalonde

Tambour - The Nude And The Quiet

Lambert
https://soundcloud.com/listentolambert
https://www.facebook.com/listentolambert
https://www.youtube.com/user/listentolambert
http://listentolambert.com/

Photo By Alexander Shark
https://flic.kr/p/vENT2m

Sheepy on Spotify
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Stay In The Dark

Download

Lambert - Stay In The Dark

Sam Moss
https://soundcloud.com/sam_moss/
https://www.facebook.com/sammossmusic
http://www.sammoss.net

Picture by Mi Es I Rywle
https://flic.kr/p/wmD8sB

Sheepy on Spotify
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Sam Moss - Walking The Line

I reasonlty released a new track feel free to check it out! :) (28.07.2024)
https://soundcloud.com/fossekall/dommer?si=31a035ffced04ca9b70b1a7d1747119b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Thank you all so much for all the love and support! 😄

If you liked this, feel free to check out my new instrumental track: https://soundcloud.com/abist-466198880/mp3 😋

Feel free to support me:
Spotify: https://open.spotify.com/album/03zUMmOPP2dPRaxhxLDjry?si=pOr593CuTNyLNNvXzZOxdA
Bandcamp: https://fossekall.bandcamp.com/
Soundcloud: https://soundcloud.com/fossekall
Youtube: https://www.youtube.com/@Fossekall
Twitter:  https://twitter.com/Fossekall1
Instagram: https://www.instagram.com/fossekall11/

MUSIC USAGE CONDITIONS:
ask me at: awwofficial@outlook.com


Piano sheet music: https://www.dropbox.com/sh/sydf2zyfi9q6tji/AABHpf_cmoa2PXyf_Wla1t2ua?dl=0

Cover art:
https://pixabay.com/no/d%C3%B8d-m%C3%B8rke-hette-hooded-sp%C3%B8kelse-164761/

All glory to God ✞

Our Shadows

Pay What You Want

✓ Music available for licensing https://audiojungle.net/item/cinematic-romantic-story/23191252

Spotify: https://open.spotify.com/album/0tPMseLw9h5KAUV5bOnEdU?si=lJm0vrYAQ-ST1vUB7Q2Ang

Apple Music: https://music.apple.com/us/album/we-are/1619764543?i=1619764544

Deezer: https://deezer.page.link/eEvHdV2pQSMrEnAt6

Licensing

We Are

Die lange Version unseres Pianostückes aus der TV-Werbung

Travel Dreams - HRS Long

Listen on Spotify

The Road

April Waltz

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

We Move Lightly

Dustinohalloran

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