woesss lovely end heavy song thnks for the upload greetings from holland

cloud.selector

a demonic ragtime (part 1) - cloud.selector tape#05

Tracklist

01. Ian Hawgood - Mary
02. Mount Shrine - Ghostly
03. Digiklvb - Lightbulbs
04. Hipnotic Earth - Saguaro
05. Cat Tyson Hughes - Trees
06. Moss Covered Technology - Cross Currents
07. Landtitles - Folded Yellow, Framed
08. Ana Roxanne - Immortality
09. Rinnovare feat. Benoît Pioulard - To Be in the Grey is Okay
10. Danny Clay - Ocean Park I
11. Federico Durand - Alba

225. Sleepy Sunday Podcast (Elm Records)

Edit it later

CD/Digital

Limited to 50 copies, last copies available here:
shimmeringmoodsrecords.bandcamp.com/album/a…bum-001
"This book will perhaps only be understood by those who have themselves already thought the thoughts which are expressed in it—or similar thoughts" Ludwig Wittgenstein

Releases October 8, 2021

Written and produced by David Onanov 
Mastered by Andrea Porcu 
Shimmering Moods Records 2021 
SHM 174

Toshihiko Mori - Sei (Album Preview)

from the album 'essays in idleness' available 4/7

christopher bissonnette 'entanglements'

Taken from the Cardamon Copy tape, out next Monday 12th of May.

Lord Skywave - Newt

When I Went to Leland
Walter “Tangle Eye” Jackson, Willie “Hard Hat” Lacey,
Benny Will “22” Richardson, “Little Red”: vocals and axes. Recorded late 1947 at Mississippi State Penitentiary.

When I went to Leland I thought I was lost
I went around the corner, met my walking boss
Well, my old mister he promised me
When he die he gonna set me free
Before he dies, he gonna set me free

More info: http://www.dust-digital.com/parchman-farm/

Tangle Eye, Hard Hat, 22, and Little Red - When I Went to Leland

27 - Irla Irla Ukum Pukum

Fortran

First track off Jonas Munk's (Causa Sui) and Nicklas Sørensen's (Papir) new collaborative album, "Always Already Here", out August 16th, 2019!

Preorder available soon from www.elparaisorecords.com

Info:

"Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music – both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation. Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic music and kosmische (Brian Eno, Manuel Göttsching), still it doesn't sound derivative or retrospective. The type of hypnotic bliss Munk and Sørensen strive for is distinctly timeless."

Jonas Munk & Nicklas Sørensen: "Shift"

buy vinyl/digital nicemusiclabel.bandcamp.com

taken from Thomas Hardisty 'Peace In The Plaza' NM028V

Nice Music presents the debut album proper from Melbourne's Thomas Hardisty, known for his varied and imaginative contributions to Nun, Constant Mongrel, Woollen Kits and more. Hardisty has quietly laboured on 'Peace In The Plaza' over the 2 years leading up to its release, taking time to channel the wordless profundity which fills this record in plumes of contemplative melody and warmth. His placid focus on understated expression on this recording seems to be fueled deeply by its decided concept; a study of the mind's quiet hours which bookend the working day's concerns. This essence slides glacially within a specific physical space, encapsulated entirely by the suburban valley in which Hardisty has found himself - Northcote's verdant suburban strips which back onto parkland and more namely, the somewhat notorious Northcote Plaza. The ghosts of concepts such as sobriety or daily responsibility linger with indolence in the distance while this music gives space to a purer consciousness, albeit within a commonly experienced inner city milieu. Hardisty wields the sleight of hand to animate this juxtaposition, intangibly and lovingly. 

For fans of Hiroshi Yoshimura, Abul Mogard

Peace in the Plaza

Peace In The Plaza

Thomas Hardisty 'Peace in the Plaza'

»Fabulous Youth« is 8 minutes and 5 seconds, side A, track 2 from the upcoming EP by Museum of No Art. To be released on a swimming blue tape on BAD BOY JESUS TAPE CLUB.

Museum of No Art – Fabulous Youth

FIRST 9 SOUNDS IS FOLEY RECORDING OF FOOTSTEPS IN WHICH I USED POTATO STARCH. ANOTHER 9 SOUNDS IS THE FIELD RECORDING OF FOOTSTEPS ON SNOW

FOOTSTEPS IN SNOW - FOLEY VS FIELD RECORDING

Bio Exit

Bio Ext

Dutch composer Rutger Hoedemaekers makes his debut solo release with a stunning album that marks the culmination of a decade spent in the hyper-creative studio environment he co-founded in Berlin, including four years working closely alongside Jóhann Jóhannsson. Sonically rich, emotionally deep, and immaculately handled, 'The Age Of Oddities’ showcases a brilliant new talent, its cinematic eloquence bearing witness to Rutger’s experiences composing for film alongside Oscar-winner Hildur Guðnadóttir and Jóhannsson, for whom the album is partly a eulogy.

Whilst paying homage to Jóhannsson, ‘The Age Of Oddities’ sees Hoedemaekers forging his own sound and vision. It’s a bold and forward-thinking record, with a rich, hybrid sound seeing vocals processed and blurred alongside brass parts and a wall of strings shadowed by Rutger’s understated, textural electronics. Beautifully scored, immaculately performed and recorded, the album utilises the power of Budapest Art Orchestra’s 23-piece string ensemble conducted and co-orchestrated by Viktor Orri Árnason, alongside vocals (Kira Kira, Theatre of Voices’ Else Torp and Laura Jansen), horn (Morris Kliphuis), trombone (Hilary Jeffery) and violin (Una Sveinbjarnardóttir and Viktor Orri Árnason), with Hoedemaekers contributing trumpet, piano, keyboard and electronics.

Born out of a shared creative environment during a time of personal as well as social change, ‘The Age Of Oddities’ is a powerful and emotive work that closes a deeply productive yet also dark and heavy period for its creator.  It sees Hoedemaekers finally stepping out into the spotlight after many years working behind the scenes, revealing a hugely talented new composer who is surely one to watch in coming years.

The Age Of Oddities

pre-order

Rutger Hoedemaekers - Goodbye, Donald

Nicolas Gravel (1985) is a Chilean scientist, writer and sound artist. His music has been published in the labels Research and Waves and Das Andere Selbst.

Tangle Eye, Hard Hat, 22, and Little Red - When I Went to Leland

Dust-to-Digital

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