Wonderful compositions of a high level. The song reminds me of the Gentle Giant band.

som no maximo

Agenor - As Canções de Cazuza 
Produzido por DJ Zé Pedro 
Curadoria Lorena Calabria
Capa: Omar Salomão

10. Mais Feliz - Silva

08. Doralinda - Kassin

Clubbing at a Squat in Bucharest, with a feeling that this is the right place to be and that there aint anything else you'd rather be doing right now. It's all about the people and the moment, innit!

SALVATI-ROSIA-MONTANA-MIX 
--------------------------------
1. Alex Burkat-Shower scene
2. Ninetoes-Finder (Supernova Remix)
3. X-Press 2 Ft. Roland Clark -Let Love Decide (Art Department Remix)
4. Output-Vibrations (Peace Division Remix)
5. Matthew Dear & Seth Troxler-Hurt
6. Wordlife -Breakthrough (Kyodai Remix)
7. Peace Division Feat. Pleasant Gehman-Blacklight Sleaze
8. Shit Robot-Feels Real (Extended Dance Version)
9. Tiga-Plush
10. Sebastien Tellier-Amour Et La Violence (Original)
----------
(36:16)



SALVATI-ROSIA-MONTANA-MIX

First single of Joakim's upcoming new album 'Tropics Of Love'.

"This is the cover of one of my favorite songs by one of my favorite artists, On The Beach by Neil Young. When i first heard that song, i felt like i could have or should have written it. The lyrics are so dark and beautiful, they relate to the slightly autistic part that a lot of artists are hiding and the artist condition in general. But I'm no Neil Young when it comes to song-writing, so instead of trying to write something as good, I decided to make a cover, twist that blues tune and turn it into something completely different and (much to my surprise) even darker, to the point where most people don't even recognize the original song."
Joakim

Recorded at Tigersushi studio in Paris (RIP).
Saxophone by Etienne Jaumet, recorded at Red Bull Studios, Paris.
Edited at home, New York.
Mixed at The Space, New York.
Mastered by Mark Santangelo at Masterdisk, New York.
Artwork by Camille Henrot.

Joakim - On The Beach

Dj_suks_mixtape_vol_1

MINI MIX
------------------------------------
Les Sins - Grind
Daniel Maloso - Caracol 
Slove - Flash (Pachanga Boys Remix)
Bohemian Groove - High Jinks
Daniel Avery-Drone Logic (Factory Floor Gabe Gurnsey Remix)
Boy George and The Dharma Protocol - Coming Home
Nightmares on Wax - Now Is The Time



CLEAN MOUTH DISCO MIX

Mark Barrott - Sketches From An Island
Al Dobson Jr. - Work Together 
Typesun - Last Home (Dj Nature Remix)
The Salsoul Invention - Soul Machine 
Cubenx - Mercurial
Neurotic Drum Band - Neurotic Erotic Adventure 
The Blaxploited Orchestra - The Pursuit (Good Guy Mikesh &amp; Filburt remix)
Prins Thomas - Hans Majestet 
Seahawks - Hot Space 
The Emperor Machine - The Point 
Mugwump - Boutade (Miseridub)
Glass Animals - Gooey (Wild Culture Remix)
Ashra - 77 Slightly Delayed 

AM2AM MIX

Music & words: DVA
Recorded, produced and mixed by: DVA
Released by: Label Home Table (self) / mp3 + CDR
Out: 2009


DVA - MON FATALE (music for computer game Na draka)

Radio Ivo je přenesení rozhlasové hry na divadelní prkna bez jakékoli transformace. Pouze s možností vidět její vznik.
Hra ŽIVOT NEDOCENÍŠ v režii Romany Bohunské a její další repríza s novým námětem. Výrazová civilnost a zvukový realismus v pozvolném tempu.
Normální příběhy ze života. Rozpačitá trojice performerů podává vcelku suverénní výkon...
Hrají: Petr Marek (MIDI LIDI), Johana Švarcová (KAZETY), Marian Moštík (LÁHOR/SOUNDSYSTEM) 
www.unarclub.cz
www.facebook.com/radio.ivo
www.myspace.com/radioivo

47 Radio Ivo - Život nedoceníš (Brno, Praha, 11.3.2015)

Píseň z CD "Děkujeme, pokračujeme" 
k výročí 20 let Asistence Praha.

www.asistence.org
www.monikinokino.cz
https://monikinokino.bandcamp.com
https://www.facebook.com/monikinokino

Dnes s tebou obedvam

telegraphharp.com/patrick-higgins-bachanalia

People have been reinventing Bach for nearly 300 years but there has never been anything quite likePatrick Higgins’ Bachanalia. Equal parts gorgeous and severe, these highly original arrangements of JS Bach prove the endless possibilities contained within the master’s pen. Bachanalia emerges from a dynamic relationship among three main elements: Higgins’ own virtuosic classical guitar playing, stereo electronic processing, and the recording spaces themselves. Truly site-specific, it makes unique use of the extreme and special acoustics of St. Cecilia’s Church in Brooklyn and Future-Past Studios, an upstate New York recording complex housed in a historic Lutheran church. While Bach’s compositions will be familiar to almost everyone, Higgins gives us a mesmerizing glimpse into the future.

Described by The New Yorker as one of the “prime movers of the local avant-garde,” and an “exacting avant-classical guitarist” by Time Out NY, Patrick Higgins is a New York-based composer/performer of experimental music. Higgins has composed works for some of the nation’s leading ensembles, from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored music for television, museum exhibitions, and films both short-form and feature-length. Higgins plays guitar and composes in Zs, hailed by The New York Times as “one of the strongest avant-garde bands in New York.” As a producer and studio owner at Future-Past, Higgins has helped produce records for The National, Josephine Foster, John Zorn and Dither Quartet, Mantra Percussion, Zs, Eric Wubbels and Josh Modney, Ensemble Contemporaneous, Vicky Chow, and many more.

For Bachanalia, Higgins and co-engineer Ben Greenberg worked with a collection of rare vintage Neumann, RCA, and Sennheiser microphones to carefully capture a spatialized natural room reverb. This provided a palate to warp, manipulate, and re-process the sound in precise counterpoint to Bach’s compositions. The end result weaves together live performance and studio composition. The musical arc reaches from light to dark, both in the emotional timbre of the compositions and in the density of the electronic elements. In the final three tracks (“Minuet,” “Chaconne,” “Aria da Capo”), both the experimentation and emotional intensity are pushed to new heights. This is highlighted in the “Chaconne,” Bach’s infamous death mass written after the passing of his first wife, presented here as a 14 minute epic recorded in two continuous takes. While any piece on Bachanalia can stand alone, the album articulates Patrick Higgins’ singular narrative vision from start to finish.

Patrick Higgins "Prelude - Violin Partita No. 3 BWV 1006" - Bachanalia (Telegraph Harp, 10/16)

Album Give Masterpiece a Chance! vyjde 15. června 2016 na CD a 2LP / objednat možno zde ► http://midilidi.bandcamp.com

Petr Marek - zpěv, texty, Ableton Live, klávesy, elektrická kytara, basová kytara, perkuse, tleskání, pískání, vysavač, prdy, sklenice, kapky, zvukové atmosféry
Prokop Holoubek - Ableton Live, Korg MS 10, Simmons SDS8, basová kytara, akustická kytara, kroucení echem, bicí, tleskání, kukání, sbor, banjo
Tomáš Kelar - bicí, elektronické bicí, Ableton Live, perkuse, elektrická kytara, tleskání, sbor, telefon, Figure.
Markéta Lisá - zpěv, zvuky, Ableton Live

Hosté:
Kaťka a Baťka - zpěv v písních Tak už se zachraň! a Žižla
Petr Harmáček - trumpeta v písni Tak už se zachraň!
Jan Jirucha - trombon v písni Tak už se zachraň!
Anežka a Jiřík - recitace v písni Volám
Mardoša - recitace v písni Ten bonbón
Mantrovník - zpěv v písni Duch
Pro Foro Interno - recitace, text a tibetská mísa v písni Duch
Roman Holý - klávesové sólo v písni Lux
Magdalena Hrubá - zpěv v písni Žižla

Text písně Koupaliště tajemné inspirován Zuzanou Bergrovou
Text písně Duch: Maya Roztočilová, Martin Herold, Jiří Bouma, Ira Svobodová, Lenka Jirková, Veronika Kaurová
Píseň Duch obsahuje úryvek z písně Navigace skupiny Pro Foro Interno a zvuk indického mantrovníku
Píseň Tak už se zachraň! obsahuje úryvek z písně Radio Koleda píseň Žižla úryvky z písní Drž hubu! a Radio Koleda z alba Drž hubu! aneb Kdo nedrží hubu, není in! skupiny Kaťka a Baťka
Na albu jsou použity zvukové atmosféry z kolekce Sound Ideas

Cover photo: StrangeLittleImp - all efforts were made to contact the author, so please contact us! 

Nahráno ve Studiu Lívanec, Studiu Luka, Studiu Jiranda, Studiu u Rosiho, Studiu Fair price music
Mix a mastering: Ondřej Ježek ve Studiu jáMOR
Grafika: Tomáš Kelar
Produkce a booking: Prokop Holoubek / Bumbum Satori / www.bumbumsatori.org
Vydali: Bumbum Satori & Xproduction
Vyrobeno: azcd & xvinylx
©+℗ MIDI LIDI 2016

Všechny písně na desce jsou o něčem.
www.midilidi.com

Ten bonbón

Áudio do show do dia 19 de novembro de 2011, no Sesc Belenzinho, do novo projeto de Lanny Gordin, o Lanny's Quartet.

Show teve participações especiais de Pepeu Gomes e Luiz Carlini

Lanny's Quartet com Pepeu Gomes e Luiz Carlini - Show Sesc Belenzinho 2011-11-19

Tropkillaz joined @LeoJusti to Remix Claudia's "Deixa eu dizer" (1973) also used by Marcelo D2,props to our boy @NaveBeatz 

Deixa Eu Dizer (Desabafo) feat. Leo Justi

Juchu [DVA / Botanicula OST] [Piano]

Bára Ungerová and Jan Kratochvíl - have carved out a niche with their rich, complex musical landscape. Established in 2006, the Czech project have toured the world and received numerous awards for their idiosyncratic “pop for non-existing radios” or “folklore of non-existing nations”. With three acclaimed albums under their belt, an award for best soundtrack, and a growing global fanbase, DVA are one of the most successful Czech bands to emerge in the last decade. 

-----------

Operating in their own microcosm, DVA have stood out with an idiosyncratic sonic lexicon – “pop for non-existing radios” or “folklore of non-existing nations”, as they say. The duo – it takes two “dva” in Czech, to tango - Bára Ungerová and Jan Kratochvíl, have carved out a niche with their rich musical landscape. Established in 2006, the Czech project have toured the world, playing at esteemed festivals including SXSW, Eurosonic, Fusion, Incubate or OFF charming their growing global fanbase with smart sophisticated pop. In 2012, DVA toured the US twice and played more than 80 concerts in 10 countries. DVA's soundtrack for the computer game Botanicula scooped the main prize at Independent Games Festival awards in San Francisco last year, and was also nominated for the UK Sound & Music Awards. 

DVA's much-acclaimed debut album Fonók was released in 2008 which was followed by Hu in 2010, and an eponymous soundtrack for the aforementioned video game in 2013 with a new record in the works. Their lyrics, written in an imaginary language, remain abstruse, yet universally comprehensible, while the music is similarly peculiarly universal – an aural collage of “pop, kitchen beatbox, tango, cabaret, circus, radio noise”, bearing their unmistakable stamp - quirky, but accessible. Championed by critics - from the BBC to national and specialist music press and beyond - and fans alike, DVA are one of the most successful Czech bands to emerge in the last decade. Aside from music, they are also active in theatre whose features they have transferred into the music as well. It is not surprising then that the project's seeds were sewn during the recording of the science fiction radio play by I. Asimov – Victory Unintentional. DVA are a living and breathing aural organism, its own thing.


Discography:
2024 Piri Piri (album)
2014 Nipomo (album)
2012 Botanicula (soundtrack)
2010 HU (album)
2009 Kolektt8 (compilation)
2008 Fonók (album)
2008 Ringtones for mobile uPhones 
2007 Caligari (soundtrack) 
2007 Kapitán_Demo (demo)

DVA online
linktr.ee/dvamusic
instagram@dva_music_official
www.dva2.bandcamp.com
www.facebook.com/hudba2
www.myspace.com/hudba2
www.2dva.cz

contact / live booking:
prokop@bumbumsatori.org
www.bumbumsatori.org

DVA - MON FATALE (music for computer game Na draka)

DVA

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