POST-ERROR (18 février 18)

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Error.Error - Pentácoron

Revoluciones Por Nanosegundo

bad landz

CVLTSC009
Free download: http://bit.ly/SC009DL

@ytem

Mastered by @newfear

CVLT Singles

24/07/2017

Buy on Bandcamp

Ytem - Délok [CVLTSC009]

Producing and DJing under a nom-de-plume, Chilean born, @Paul-Marmota, makes truly global club music. He started producing at 17, using FruityLoops to build his first beats, whilst living on the rural outskirts of suburban Santiago with his grandparents.

For Paul Marmota, music and family are one in the same. Having constantly grown up around music, an impression was left on a young Paul in major ways. Marmota attributes this largely to his grandparents’ influence; his grandfather had a large collection of science fiction novels and jazz and soul records on cassette, exposing a young Paul Marmota to so many varied and worldly influences whilst his grandmother was an art professor who would make beautiful collages that decorated their home. Her approach, to collage a mixture of different and eclectic images, influenced Paul in his style of production wherein he mixes a diverse array of ideas.

Paul Marmota’s music is an impressive amalgamation of Latin and Western electronic sounds refracted through a science-fiction lens, seemingly drawing from the past, present, and future simultaneously which makes it impossible to tie down in any one period of time.

Paul Marmota’s DJ sets weave his influences intricately together with his productions and home-made edits, creating a global patchwork that would be guaranteed to raise the body temperature of any dancefloor.

Often opting for a more minimalist approach, Marmota’s music is characterised by vivid melodies peppered with impeccably precise percussion - ‘Adaptacion’ works in an album context whilst remaining super functional in the club, built with a DJs perspective in mind.

Not tied to a single approach, the album can not be easily pigeonholed into any one genre as Marmota’s music consistently reappropriates traditional Latin sounds and samples to fit into a global club context.

Tracks like ‘sS’ and ‘Gio’ re-use and recycle elements from Dembow, including the percussive sound palette, whilst altering it’s context to fit modern dance floors. Some of the other songs on ‘Adaptacion’ such as ‘Maleanteo’, ‘Resonancia’, ‘Hum’, ‘Duro’ and ‘Signal’ were produced on affordable, second-hand hardware purchased in the middle of Mexico City - including a Yamaha dX7, a Roland xp-80 keyboard and drum machines such as the Yamaha Rm1x, Boss DR-660 and a Korg Electribe. The strength in these tracks lies in the principle that limitation is your best friend in creation, using 1980s consumer electronics in ways they have not been used before.

Since relocating from Santiago, Chile to Mexico City in 2010, Paul Marmota has been heavily cross-pollinating club sounds. ‘Adaptacion’ is a collection of some of his recent works, delving into many diverse corners of the club music spectrum. Drawing from a variety of Latin musical influences such as Dembow, Tribal Prehispanico, Musica Andina, Flamenco and other worldly sounds such as Algerian Rai and Afrobeats, Paul mixes these disparate styles together with elements of Industrial music, Bubbling, Techno, and Rap resulting in a remarkably reinvigorating reaction to modern-electronic-club music.

Paul Marmota is one of the most-visible and highly-regarded producers in Mexico’s underground music scene, all this whilst having been an essential member of Mexico’s renowned NAAFI DJ collective come record label, up until his recent departure from the group. Additionally, Paul Marmota is known for his productions for the the likes of many incredible Latino artists including; Tomasa Del Real, Badgyal, Mc Bin Laden, Yogafire & Fantasy, MC Buseta, Khaled, Kaidy Cain, Yung Beef, El Mini, Fute Billete, James Manuel, Audrinix and Zonora Point.

‘Adapatacion’ from Paul Marmota bridges the gap between modern-club-music and Latin America’s rich, indigenous musical heritage with ease, whilst playfully washing the collective dance canvas clean.

Credits

All tracks written, produced & mixed by Paul Marmota
All tracks mastered by J-Cush
Artwork by Hector LLanquín

Adaptacion

Paul Marmota - Signal

Our second annual giveaway compilation is available now. Featuring four artists new to the APR fold and four mainstays.

Download here: http://astralplanerecordings.com/

Follow:
lak (@blackblackclub)
AMAZONDOTCOM (@amazondotcom)
M.D. James (@mjddj)
Dane Law (@thedanelaw)
LOFT (@loftminduk)
Chants (@chantssound)
SHALT (@shalt)
Nunu (@nunununu)

NEW YR NEW US 2

Download

Air Max '97 x MHD - Hounded Molo (SHALT Edit)

AMAZONDOTCOM - youknowhowwedu

8ajj

perls & 9old

https://soundcloud.com/thesillytang_laselva

Cumbia Amazonica

Jungle Manifest

The Silly Tang - Jungle Manifest

Todo Va A Estar Mal

Siete Catorce - Todo Va A Estar Mal

High and Low VOL. II ♡ @lowersnetlabel
free download / descarga libre

High and Low Vol.2

Conejx - glitchinthematrix [Lowers: High&LowII]

Conexión (High and Low Vol. 2 by Lowers)

Out February 16th via @wearetar.

Read more: bit.ly/2o4dehl

S280F & Echavox - force fed

Siete Catorce - meetyomaker

With 12 tracks in total, Debit’s debut album ‘Animus’ is an animalistic cross-pollination of progressive dance music and surreal ambient design. Releasing on the esteemed, groundbreaking Mexico City imprint NAAFI, the project is finely paired with the forward-thinking, intoxicating ethos often associated with the label.

Each track on ‘Animus’ has been described by the imprint as being “a point of tension and resolution, the ebbs and flows in rhythms speak to the inner struggle we all necessarily go through”. The tune we’re premiering today is a spectacular example of this conflicted mentality, as ‘Audiacious’ moves through hard percussive textures and breathless drama with deconstructed ease. 

‘Animus’ is out February 23 on NAAFI, however first single and premiere track ‘Audiacious’ is available to purchase now. 

https://itunes.apple.com/album/animus/1346538234

Animus

More exclusive music

Premiere: Debit 'Audiacious'

Soul_Blade

Cs139

Dj Doraemon - Guitarradas

"j'aime quand ça fait "PAW", quand ça vient d'en bas, et puis quand c'est pas
peaufiné, léché, trop sophistiqué c'est péché"

........................

"la cohérence c'est trébucher dans la rue"

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"MTV move to fast
i refuse to understand"

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"Je ne crois plus qu'en un petit brin d'herbe
Oublié sur la voie ferrée
Je ne crois plus qu'en un petit brin d'herbe
Ressuscité Au milieu des pavés"

.............................

youtube
https://youtube.com/@dvidda?si=iYWe5a0VBT0HH_oi

facebook 
d’vid’da
https://www.facebook.com/dvid.da.3
radio barokoH!
https://www.facebook.com/share/1HwuJACmTD/

POST-ERROR (18 février 18)

d´vid´da