-post-error-23-03-23-

fun lil stinker! been in the vault for a min. stoked to roll this one out. 

mastered by @keota-us

free dl

taffy

new release,
please check→https://dagshenma.bandcamp.com/album/my-sound-on-canvas

He2shi000.wav101010

Quake

Download & Streaming

Transmissions

FREE DOWNLOAD

unravel

Hear an epic six-handed action of laser-fuelled & syncopated UK Bass from the occasional trio of producers First Epoque, Slowglide & Vina Konda, with a gentle take on sound design and vocal science, to be released on Lyon’s oddest electronic bird nest Dill Dodos Recife.

Read more on CxC 🔗 couvrexchefs.com/en/dill-dodos-recife-first-epoque-slowglide-vina-konda-droseliane

Article

PREMIERE: First Epoque, Slowglide & Vina Konda - Droseliane (Dill Dodos Recife)

Le CRABE - WIP - War Dub #1

Italian DnB Stallions Shadow Sect back on PRSPCT with 2 heavy hitters. 
One murderous collab with DJ Hidden titled "London Calling" and a killer Zardonic Remix of "In The Shadow", originally by Shadow Sect & Lucy Furr. 

If you're into hard, rocking quality drum & bass this release has got you covered! 

Tracklist: 
1: Shadow Sect & DJ Hidden - London Calling
2: Shadow Sect & Lucy Furr - In The Shadow (Zardonic Remix)

Shadow Sect w/ DJ Hidden, Lucy Furr - London Calling / In The Shadow (Zardonic Remix) Out March 24th

Title: FICSXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: FICSXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

FICTOSEXUALITY IS AN ATTRACTION TO FICTIONAL CHARACTERS. 

See here for more info: https://bit.ly/ILOVEFUCKINGMONEY

PHILTH HAUS, "FICSXL" (2023). Courtesy AQNB, London.

Roman Slavka is a multidisciplinary musician from Dnipro, Ukraine. His work was the foundational basis of the TMC project in 2002 in which he participated in until 2006. From the beginning of 2007 Roman has allured his expert musical tutelage independently. Roman has digital releases on labels including Nexsound, Enough Records, Test Tube, Pincet, & ~taqueOT along the global airspeed with an upcoming release on New York’s Clean Error™ with a splash of splesh, remix style, on his track 'Rotation Pull' straight from the brainbox style of the charismatic, adroit, & adept Enabl.ed. 

Roman's music predominantly depends on his concurrent mood or pervading atmospherics in which he grasps the nest of contemporaneous in constancy. Within its very absolution, It might be the balmiest halcyon staking claim to ambient melodicism, or may simply slip into an uproaring clangour of harsh & aggressive noise. Roman only plays a live set rarely, courteously and respectfully, which carries a genuine respect amongst his fans and peers, however, he prefers to create a unique live set for each concert, as with a sui generis. As he aligns that in which he does ever so consistently, he solidify's a concrete perimeter that is simply unsurpassable balmy.

Buy at Bandcamp

Rotation Pull (Enabl.ed Remix)

Roman Slavka is a multidisciplinary musician from Dnipro, Ukraine. His work was the foundational basis of the TMC project in 2002 in which he participated in until 2006. From the beginning of 2007 Roman has allured his expert musical tutelage independently. Roman has digital releases on labels including Nexsound, Enough Records, Test Tube, Pincet, & ~taqueOT along the global airspeed with an upcoming release on New York’s Clean Error™ with a splash of splesh, remix style, on his track 'Rotation Pull' straight from the brainbox style of the charismatic, adroit, & adept Enabl.ed.

Roman's music predominantly depends on his concurrent mood or pervading atmospherics in which he grasps the nest of contemporaneous in constancy. Within its very absolution, It might be the balmiest halcyon staking claim to ambient melodicism, or may simply slip into an uproaring clangour of harsh & aggressive noise. Roman only plays a live set rarely, courteously and respectfully, which carries a genuine respect amongst his fans and peers, however, he prefers to create a unique live set for each concert, as with a sui generis. As he aligns that in which he does ever so consistently, he solidify's a concrete perimeter that is simply unsurpassable balmy.

ERR030: Roman Slavka - Material That Has Been Stored For A Long Time

Download Here

Random Value - Duplo Nerum

Random Value - Yreedys

Bringing Clean Error back ex post facto to a sentiment we felt in respondence only to a very notable and strange nostalgia from the late nineteen-nineties stage of IDM development, Osijek, Croatia's Petar Kulić, also originally known as 'Ceryx', eventually to evolve into the grotto of conceptualization known as YX, drops the modulus ERR032 : YX -YX01.5. The labels latest release is quite a sedulous communiqué of an extremely well self-taught music producer & complacent approaches as a media creator for almost a decade.

For over the last two years YX has rolled the extemporaneous dice of randomness, adventitious movements, and systematically reserved 'live takes', while at the same time maintaining plenary control over his desired parameters utilizing MIDI and capitulating his own live perception in real time to create something that is more descriptively human down to the pristine detail, which derive a delightful escalation into tranquility as in his track 'Falls'.

A recollection as YX was growing up, he was influenced by artists such as Deadmau5 & BSOD and found his research crucial and explorative as to how these artists recorded their productions. All the while, slowly acquiring the exacting tools he needed on the foundational & underlying basis of his own creations that rely upon an artist's absorbance of many different styles including Punk/Alternative Rock to Heavy/Death Metal, Electronica, Hip-Hop, House/Techno, and of course, IDM and other amalgamated genres.

In knowing that, and how onerous it actually is to manage it all at times with music always being on the sidelines, for that very reason YX continues his sonically ophthalmic experimentation in hopes of opening fissures that aren't quite so suddenly ajar at times yet, at once are perhaps opening again with more purview  each time, to make the scope & development of his oeuvre always newfangled and electrifying to the evolutionary listener.

Available on Bandcamp

ERR032: YX - YX 01.5

Israel’s Random Value returns with his second release for Clean Error records with entrancingly clever field recordings, recherche & arcane audio chains, and the epigenetically diverse industrial wound milieu, straight from the Chuku soul. ERR031 (Chuku Kelev) Is a succinct and adaptable summary of everyday dynamical granularity abiding by the inclination of being hands-free of communicative portabilities, thus engaging only in what is sonically parallel to one’s pivotal autarkic of expressional assertion. 

As Shahar Fleisher elucidates insights from a sigil mirage you may have dreamt of last week, tracks like Duplo Nerum emerge from 'Chika' placements with leading advancement towards the exquisitely layered 4SD, which really exemplifies the sheer structural and melodic stealth this artist sustains so delicately, yet safely. Quite simply, it’s a monolithic wave front built from the grandeur of density on the brink of the brightest biotic condensation. The belief that aligning many random values brings the continuities that make things feel existentially alive and unpredictable yet, still human. 

Shahar Fleisher sometimes takes weeks to build improvisational sound chains, allowing them to snuggly unfold on their own sonic unpredictability, yet, completely autonomously. Like myself and many other musical predecessors, Random Values primary foundations come from guitar based origins, later teaching himself the conversions of such guitar based passages and the translation of them, to piano chord based projections. At the age of fourteen Shahar started experimenting with Scream Tracker which enabled him to create sonic latitudes from a binary perspective which later led to newer and more versatile softwares, thus creating newer juxtapositions. Such as certain algorithms being influenced by the quantum representation of numerous variables which solely rely on the sheer element of surprise, as their outcome.

Chuku Kelev

Available @ Bandcamp

ERR031: Random Value - Chuku Kelev

1. enabl.ed - Lacking A New Error

2. Enabl.ed - Adaptable Cluster

3. Enabl.ed - My View Of Pigeon Street Through A Caustic Window

4. Enabled- Bad Render

XXIII // 150 is a compilation specially delivered and made to feed the club scene. It contains 12 tracks + 1 bonus track of funk150bpm. Some blend the new genre with worldwide hits and some are original tracks that catch up with funk150bpm. 
XXIII brings together brazilian and european artists to promote this new sub-genre in Europe and squeeze some of that funk150bpm into the clubs. 

Full Compilation: soundcloud.com/xxiiibeats/sets/xxiii-150
or https://xxiii.bandcamp.com/album/xxiii-150

Shootouts to @amorsatyr , @petitpiment , @lym_dot , @shiftshiftshift , @ckrono , @boutdj , @larinhx , @djbjf , @nathschleder , @dkvpz , @mu540 and @jlzoficial

<a href='https://theartistunion.com/tracks/e96eb1'>Download for free on The Artist Union</a>

= MTG TOXIC 155bpm = [b o u t]

"j'aime quand ça fait "PAW", quand ça vient d'en bas, et puis quand c'est pas
peaufiné, léché, trop sophistiqué c'est péché"

........................

"la cohérence c'est trébucher dans la rue"

.........................

"MTV move to fast
i refuse to understand"

......................

"Je ne crois plus qu'en un petit brin d'herbe
Oublié sur la voie ferrée
Je ne crois plus qu'en un petit brin d'herbe
Ressuscité Au milieu des pavés"

-post-error-23-03-23-

d´vid´da