brings me back to that night at The Profile Center for Satisfied 2.0!

Dude, i just danced almost 12h at your Berghain Clonsing, but still can‘t have enough. Thanks. 

Bro’  i know your track is old, but damn that is so fu**ing good... happy to find it !!! 💚

Mises bout à bout, ces notes de musique forment un tout, un ensemble qui se doit de refléter une entité distincte, reconnaissable et aspirationnelle. Une quadruple intro en hommage au Violongay tu te dis ? Elles ont simplement pour but de t'emmener vers des lieux peu explorés voire totalement inconnus en valorisant progression et transgression, deux variables indispensables à l'enivrement spirituelle, repartir des bases fondamentales, s'appuyer sur elles pour aller plus loin et s'initier dans un processus exploratoire où la brume d'antécédents devront s'écouler au gré de la pilo-érection que tu vas ressentir...

BULLSHIT !!! Fais en juste profiter tout l'open-space !

www.hellofdp.com   
www.twitter.com/hellofdp 
www.facebook.com/hellofdp

HELLOFDP - Sheeptape #11 by @_albin_

Radial - Asiel

Played by Jeff Mills, Richie Hawtin, Levon Vincent, Len Faki, Boddika, San Soda, and more.

Released 2013 via Fifth Wall Records 

Protocol

A Man Apart

DJ Hyperactive - Venus (Truncate Remix)

KW17 - Heiko Laux

Too Insistent (Trentemøller Remix)

DVS1 Break Away KW08

....The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum-tunneling processes ....

Deep Heet Vol. 4

Planetary Assault Systems - Desert Races

Ben Klock’s Klockworks invites the legendary London-based artist The Advent to join the ever-growing roster to deliver the 22nd instalment on the label, to be due out this September. The Advent started producing in his trademark raw, energetic style in 1994 and since then has become a rebel and an icon in the scene. Cisco Ferreira puts forward three stand-out tracks for Klockworks, one brand new one and two from The Advent’s rave archives.

On the A-side, ‘High Horse’ is a fresh track from The Advent that has been prominent in his live sets, features a saucy vocal that can also be recognised as a favourite in Ben Klock’s DJ sets in the past few months, now finally making an appearance on wax for the label. 

The flip-side features two previously unreleased tracks from the 90’s when the approach was more raw and groovy, something that can be seen having a revival in current times. ‘Un Named’ is more stripped down and pulsating while ‘Sound Pove’ features a jacking Chicago house groove with a techno tempo, both fitting perfectly into the Klockworks catalog.

All tracks written & produced by The Advent
Cat. No. KW22 – all rights reserved
℗ & © Klockworks 2018
www.klockworks.de

A1. The Advent - High Horse (KW22)

Released on Slater’s iconic ‘Freek Funk’ album on NovaMute - one of the most seminal techno albums of the 90s - ‘Love’ finally gets the remix treatment it deserves more than two decades after its initial release.

Marcel Dettmann provides two takes on Love, his ‘City’ remix features a cacophony of metallic rhythm, ebbing pads and plenty of swing whilst mantra-like vocals operate throughout, followed by the thudding ‘Black Glove’ remix with its murky tones and rattling effects.

Luke Slater - Love - Marcel Dettmann Black Gloves Remix

Deep, Detroit influenced techno.

Also available on vinyl:
https://www.juno.co.uk/products/truncate-wave-2/730268-01/
https://hardwax.com/81089/truncate/wave-2/

Wave 2

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Classics For Hope

Spring 1 (2012)

Download

@benjamindamage's track 'Deep Space Transit' will be released on 'Deep Space Transit' through @artsltd in June. More Info: bit.ly/BDamagePremiere

Deep Space Transit ARTSCOLLECTIVE032

Benjamin Damage – Deep Space Transit

Forthcoming Black Butter Records - Out July 2013

Download: http://smarturl.it/blackbutter48

Watch the official video → http://youtu.be/LzSHTEpHg2s!

SAILOR & I 
Like → facebook.com/sailorandi
Follow → https://twitter.com/sailorandi
Listen → @sailorandi

BLACK BUTTER RECORDS
Like → facebook.com/blackbutterrecords 
Follow → twitter.com/blackbutterrecs 
Listen → http://www.black-butter.co.uk

DVS1 Break Away KW08

DVS1

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