Improvised mix of some of my electro records. 

Tracks by:

Bolz Bolz - Transatlantic Treasure EP
Zeta Reticula - Isolate EP
214 - North Cascades EP
Ectomorph - Subsonic Vibrations EP
Anthony Rother - Hyperbolic EP
M.S.L - Re-Adapt EP
Ara-U & Radioactive Man - Houghton Blues EP
Zeta Reticula - Stars Wobble EP
OvelhaTrax pres. Elektro Magnetico - Chapter 1
C-Lektro – C-Lektro 5 EP
Mor Elian - Fairplex Drive EP
Panstarrs - Ice and Dust EP
Lost Trax - Life Out of Balance EP

Electric Fail

jack carel in raw & hipnotic, techno ,electro mix for UNGUARD
https://on.soundcloud.com/drUDtpmQP9YJEFbDA

25.2.25 mix @פורים UNGUARD

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

LNS & DJ Sotofett - Gearbox

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

BANDCAMP

PREMIERE: Black Sites - 3D

A special Acid Avengers show with our two french guests Kragg and RTR. Expect a bunch of electro bombs and techno bangers !

TRIPALIUM CORP avec KRAGG & RTR - 22 Mai 2025

UK based record label Weapons of Desire was born on the 30th November 2017. The brain child of three friends Alex Handley, Mick Clarke and Toni Aslam. Alex and Toni first met Mick two years before when they had a couple of Auto Sound City EPs out on Mick’s long running Flight Recorder label. 

The saying “Being around the block a few times” is an understatement when you look at the recording history of them all. Playing, making and releasing music all the way back to the 80’s (even further in Mick’s case) seemed like a natural progression when talking about a potential label and the vision they had before its creation using their recording names (Iron Blu and Auto Sound City) to make the kind of music they wanted to dance to. The ethos was and still is to release tough dancefloor publications as stated in the label description "Spinning an endless cable of steel sound".

Over the years Weapons Of Desire has released vinyl as single-sided two track hand stamped records, four track EPs, a couple of six track compilations entitled Machine Funk Vol. 1 and 2, double packs and an album. The label Is also now fully integrated with regular digital releases too.

31 releases and a total of 33 different artists, Weapons of Desire has a seat firmly at the table with more chairs added for 2025. Afterall without great music, life would most certainly be a mistake



Weapons Of Desire takeover w. Snuffo Live [05.05.25]

An EP That Features Promo For SoTheBy's HK Maison, Nicolas Chow, Titled The Subconsious. Hard Hitting Electro That' Funky Yet Thought Provoking

BandCamp

A1 Shawescape Renegade - The Subconscious

Moy - The Caustic Wymondham EP - OFFEN 030

The Chairman of Acid Norwich debuts on Offen with The Caustic Wymondham EP.
Four much beloved tunes to impress your friends. 

AI for the Zoomers:

MOY, the groundbreaking [artist/band/group], has set a new milestone in the [music/entertainment] industry with their latest record-breaking achievement. [His/Her/Their] newest [album/single/track], titled [Album/Single Name], has officially become the [fastest-selling/highest-streamed/most-awarded/etc.] [album/single] in [genre/category], cementing MOY’s status as a global phenomenon.

A1 Phaseacid
A2 Outburst 
B1 Strange Geometry
B2 Platonic Solid

Limited Super Sound 12" Single

Photography by Jonny Moy
Mastered by Toby at Viceworks Mastering
Lacquer cut by Andreas at Schnittstelle
Pressed by Optimal
Artwork by Percy
All tracks written and produced by Jonny Moy

Offen Music 2025

Buy at the source

MOY - The Caustic Wymondham EP - PREVIEW

OMAKASE, episode 486
Airdate: 04-20-2025
DJ: GOLD CODE x KOSMIK
Part 1: https://soundcloud.com/theblacklodgela/bl-radio_gold-code

OMAKASE

OMAKASE 486b, GOLD CODE x KOSMIK

Allecto with Sybil - 04 June 2025

Purchase here: dvsnme.bandcamp.com/album/public-relations

Released May 14, 2024

This album relies heavily on the sounds of classic synthesizers/drum machines like Mono/Poly, MS-20, SH-101, Jupiter-8, Juno-106, SH-2, JX-8P, System 100, Juno 60, JX-3P, TB-303, Polysix, TR-606, OB-8, TR-808, ARP Odyssey, as well as some contemporary additions to my studio like Hydrasynth, System 8, MC-707, MicroFreak, Prophet Rev2, Oberheim OB6, Novation Peak, Minilogue, SE-02, and Microkorg.

A majority of the songs on this album were recorded in only one take in my home studio and recorded to high-quality video as well. The same recordings heard on this album can be seen performed live on YouTube. www.youtube.com/@JohanSebastianBot/videos

Buy Here

DVS NME - Purse Strings

DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.

DVS NME - Purse Strings

DVS NME

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