raster

CAPSIZE RECOVERY takes the listener on a ride through a very dark universe of gloomy sounds and atmospheres.

the eight rather longish tracks of the album are characterized by senking‘s epic signature sounds - creepy hovering bass lines, clean and slowed down drums, paired with oscillating and sometimes fierce synth melodies and shots.

with his extremely deep and dubby arrangements that explore the depths and abysses of bass heavy music, he again is able to create soundscapes that convey a subtle sense of unease or even fear, as if they were the soundtrack to a mysterious and disturbing film.

already the opener „chainsawfish“ reflects this perfectly. a minimalistic composition of droning basses and synth pad sounds is decorated by scary voice snippets that seem to be taken from a horror movie, which eventually evokes the uncanny feeling of being haunted.

the track „tiefenstop“ - a truly telling title - is a continuation of this theme and can be seen as the lowest point of the journey where the bass is reaching ever deeper spheres. again, voice snippets are used that intensify the hectic and stressful impression of the track, but here they are juxtaposed with rather positive and balancing melody lines.

besides the omnipresent mysterious atmosphere, the overall sound of jens massel‘s new record is organic and possesses a certain live character that can also be discovered in the last track. senking, by the way, is also one of the few artists who creates his music without the use of a computer.

„enduro bones“ starts with a monotone beat to which single elements like echoes, synth sounds, and fragments of melodies are added. by means of repetitions and extensions, the track is gradually becoming more dense and complex, and therefore it seems to be a song that is being created at this very moment.

senking‘s new record is an excursion to the depths of the human psyche. it‘s like the record is reflecting a difficult situation one can get into, as well as the struggle of getting out of it again - hence the title CAPSIZE RECOVERY.

senking. shading (excerpt). taken from senking. capsizerecovery

after their successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound.

recur is presented as emptyset’s third studio album, continuing on from their work with demiurge. the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project’s exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point.

recur is also available as cd ( r-n151), 12" vinyl (r-n151-2) and limited edition of 180 gr heavy vinyl + cd + art print signed by the artists (r-n151-3).

emptyset. limit (excerpt). taken from emptyset. recur

Taken from the album 'TO BEAT' released as CD / Download

COH 'Meguro 10-6' (EMEGO 197)

'Venter' - taken from Ben Frost's forthcoming album A U R O R A, out 26/27 May 2014 on Mute / Bedroom Community. Pre-order A U R O R A here: iTunes -- http://smarturl.it/auroraiTunes
CD -- http://smarturl.it/auroraCD
Standard Vinyl -- http://smarturl.it/auroraLP
Coloured Limited Edition Vinyl Boomkat -- http://boomkat.com/vinyl/969946
Rough Trade -- http://www.roughtrade.com/albums/81853

www.ethermachines.com
www.facebook.com/theghostofbenfrost
www.twitter.com/ethermachines
www.benfrost.bandcamp.com
www.myspace.com/theghostofbenfrost
www.soundcloud.com/benfrost

Ben Frost :: 'Venter'

frank bretschneider’s new project SINN + FORM (MEANING AND FORM) is based on the idea of a fundamentally chaotic world as we know it from mathematical or physical theories and models (dynamical systems, probability theory, stochastic systems), and the constant attempt of man to recognize and to describe, predict, control and change this world.

musically, this system is simulated electronically using a modular synthesizer system. various modules produce a constant flow of randomly generated data that modulate the decisive musical parameters (pitch, note length, volume, tone). the attempt of SINN + FORM in this context is to transform this stream of events into a musically relevant system of chaos and order, dynamics and statics, content and form by means of an improvised but deliberate process of constant control and influence.

aesthetically, the project recalls the electronic music of the mid 20th century: studios such as the IRCAM in paris, stockholm’s EMS (elektronmusikstudion), the WDR »studio for electronic music« in cologne, or new york’s »columbia- princeton electronic music center«. SINN + FORM also captures the dynamics and energy of a spontaneous improvisation, last but not least as a reaction to a complex world, a world in permanent crisis.

the material was recorded in july 2014 at EMS, stockholm, using the buchla and serge analog synthesizer systems. 

frank bretschneider. data mining (excerpt). taken from frank bretschneider. sinn + form

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

Track taken from Emptyset, debut self-titled on double LP, reissue. Available now to buy from: www.subtextrecordings.net/ SUB014

Emptyset - Completely Gone (SUB015)

A rare DJ mix from one of electronic music's chief practitioners.

RA.276 Alva Noto

From 3 track 12" vinyl on Just This - out now!

http://www.juno.co.uk/products/tom-trago-pisetzky-eduardo-broken-promises-ep/618542-01/

http://www.kompakt.fm/releases/broken_promises_ep

Kelpe - Dry Riser (Just This)

»decadent yet depraved«, the debut album by belief defect, finds shelter and complicity in raster as home and label.

familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener.

at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering.

the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future — underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album.

yet, more than a political statement »decadent yet depraved« is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

sculpture, prosthetics, photography by sarah sitken.

Decadent Yet Depraved

belief defect »deliverance« taken from »decadent yet depraved«

Alva Noto - Uni c

belief defect »slipping away« taken from »decadent yet depraved«

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

Unieqav

Uni Sub

Alva Noto - Uni Sub

Diamond Version (alva noto & Byetone) "Mode Operator Beispiel A" (MONKEYTOWN027)

Track included on the CD GO SERIES 89 - L.E.V. Festival 2012 compilation.

Originally released on "Redsuperstructure" (r-n 134) by Raster Noton

http://www.levfestival.com 
http://www.go-mag.com

www.raster-noton.net


04. Robert Lippok - Whitesuperstructure

Produced by Opiate & Alva Noto as Opto for the "2nd" album.
Released by Hobby Industries in 2005.

Opiate+Alva Noto=Opto-11.33 a.m. (2005)

[p*dis] distribution sampler for Septmeber 2012

Grischa Lichtenberger - and.IV [inertia] - 1011 11 ss1 (raster-noton)

Midnight Davis - Severance EP out mid September.

http://twitter.com/midnightdavis
http://facebook.com/fiveeasypieces

raster

dxmtek