If I go to crazy, Would You come and Save Me?

Save Me

Nomine Sound proudly introduces Basura to The Tribe with his latest offering, "The Momentous EP." Featuring four innovative tracks, a unique blend of deep foundational dubstep vibes in a contemporary setting with sprinkles of ethnic elements, subs and signature heaviness.

Hailing from Davenport, Iowa, Basura (Kyle Green) has emerged as a standout producer on the Deep Dark & Dangerous circuit. His journey began around 2010 in Colorado, influenced by the likes of DMVU, Biome, Cartridge, and Brakence. With releases on labels like DDD, Wheel & Deal, MUD, and Fat Kid on Fire, Basura is not just a producer but a trailblazer in modern Bass Music.

The Momentous EP" encapsulates Basura’s talent for fusing deep sounds with bassweight energy, promising a fresh experience for dubstep and bass.

Basura on Soundcloud: soundcloud.com/basurasounds
Basura on IG: basura_official_

Momentous EP

NS025_Doubt by Basura

special guest: @desoli
hosted by @yungabner
aired on wmpg 90.9 fm fri feb 23rd 2024

tracklist at 100 likes

𝗘𝗣. 𝟮𝟰: 𝗗𝗘𝗦𝗢𝗟𝗜

Beat CP30 [HoofHustle]

Constructed in Sri Lanka, Finished in India.
Despite the name i longer partake in Beedi's, my poor lungs had enough.

This is a soundcloud pre release with Free Download link

Beedi

We wrote this track in early 2012 when we were starting to find our sound and focusing on that rolling, futuristic aesthetic that we felt brought a lot more energy compared to all of the slower vibes we were hearing at the time. The layers and musicality and the rolling bassline syncopation seemed to go down well on the dancefloor. This one was never released and I don't think we even played it out very much, but kinda wish we did.

DyAD - Embrace Reality [2012 Archives - Free DL]

Hip-hop heads and bass lovers, this one's for YOU.  Straight out the Grimy streets of Louisville, KY!

Making Movies Remix

Making Movies Remix - Chuck Tone x Joe Veevo

Weapons Grade on Sub FM 23rd April 2024 - https://www.sub.fm

Weapons Grade - 23 Apr 2024

SERA021: Satellite Era presents “Xtilde EP,” an accumulation of ethereal music by Sol Rosenthal, best known as Iris Ipsum.

Out now on all major platforms: https://ffm.to/sera021

Broadcasting from somewhere deep in the noisy liveliness of Los Angeles, one may not expect to hear experimental electronic music met with lush, tranquil tones. The urban world feels confined to a snow globe at times, making it difficult to welcome foreign influences into its uniformity. It takes a more calculated approach to break these boundaries - thankfully we have recruited a rising star to help us persist.

At quite a young age compared to the sonic pioneers that move us, Iris Ipsum has already made a clear statement in our biosphere: they are bunkering down for the long run. Juggling music, visual art, and software design, they ensure to blend together and implement all of their crafts with each project. On the audio side, they are inspired by early electronic subgenres such as ambient, electronica, breakbeat, and everything in between. This curiosity led to their debut album “Pattern Language” landing on the esteemed Touched Music imprint last year. Sharing a platform with innovators such as Autechre, The Future Sound of London, and Plaid is an incredible feat, but their follow-up to the release flexes the potential for even more promising times ahead.

Since its conception, “Xtilde EP” was influenced by Iris Ipsum’s devotion to expanding in multiple mediums. Their visuals normally embody sculptures as a focal point, which also serves as a catalytic aspect of their sound practices. Utilizing field recordings and deep listening amidst the franticness of urban environments lays the foundation of their work; spending time in the California mountains and deserts capture the essence of what makes it unique. Tying two tangible realms together is their passion for creative coding - most of this project was produced using self-made Max for Live instruments and VST plugins.

“Xtilde EP” was continually written, building on a collective idea and meant to be enjoyed from start to finish. Though cohesive by nature, Iris Ipsum also allows the project to encapsulate different moods, rather than staying on a singular path. The EP begins on a high note with “Subspace,” an energetic jungle track that nicely fits bouncing drum breaks with a dazzling ambiance. “Loreti” slows the tempo down, introducing a change of pace for the rest of the project. From here, we are met by a clever contrast between pristine drum work that feels heavy yet clean, along with uplifting melodies and tonal vocal chops. This can be heard in “Voxi” and “Essa” with clear nods to trip-hop and electronica. The EP closes with its title track, slightly bringing the pace back up and adding more glitched-out sounds to the structure left by its predecessors.

A collective effort on all fronts, “Xtilde EP” is simply Iris Ipsum at their finest. Reminiscent of early 2000s video game soundtracks, the project brings worldbuilding to life in audible form. Having studied decades of fabled electronic music, we have no doubts that they will become a household name when discussing contemporary experimental artists for years to come. 

Written & produced by Sol Rosenthal
Mastered by Amir Mashayekhi
Cover art & visuals by Nic Juister

BUY / STREAM

Iris Ipsum - Voxi

Tinfoil Hats_69.mp3

Track 5 from the 'Chrysalis' EP by cable.percussion
Released Jan 25 2024
Label: Aduaine
Mastering : Chris McCormack (Blacklisted)
Artwork: Barry Greaves/Kaiber

Chrysalis is available on Bandcamp
https://aduaine.bandcamp.com/album/chrysalis

Chrysalis

Hypnos

DyAD, originally a partnership between Dan Charles and the late Matt Yemm, was a modest yet passionate presence in the UK's dubstep scene. Their work, characterized by a genuine love for the genre, led to releases on labels like Abyssal Audio, Sub:Concious, Mindstep, and Pressed Records. T

hey enjoyed a niche following, thanks to their distinctive approach to dubstep, blending dancefloor energy with deeper, more introspective compositions. 

Their music found its way onto popular blogs like FatKidOnFire and KeepDeep (EDM.com), and remixes such as Matt U's “Danger” and Sick ft. Talabun's “Virus” resonated within the underground community.

The duo's dedication also shone through in live performances, notably their energetic set on GetDarker TV 241, which showcased their versatility as both producers and DJs. This appearance, along with their creative output, caught the attention of M.U.D, a label known for its commitment to quality dubstep.

However, the journey took a pause in 2017 with the passing of Matt Yemm, leading to a period of reflection for Dan. During this time, the DyAD project was put on hold, as Dan navigated through his loss and reconsidered his path in music.

In 2023, Dan re-emerged with a refreshed outlook. With no intentions of chasing the previous heights or conforming to the music industry's demands, he has shifted focus towards the sheer enjoyment of music creation and fostering connections within the community. 

This new phase is less about accolades or recognition and more about engaging with music in a way that feels true to him and honors the spirit of DyAD.

Dan's current work as DyAD is an invitation to explore music without expectations, a journey that values creativity and community above all else. 

While the project's scale may be modest, the passion behind it remains as vibrant as ever. Dan's approach today reflects a blend of homage to the past and excitement for the simple joy of making music.

DyAD - Embrace Reality [2012 Archives - Free DL]

DyAD Music

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