Name: Amadis (2008) by Dylan Drazen in Live Techno Sets From Spain (2000-2010)
Duration: 2 h 57 min 51 s
Description: Performed Live at Club Amadis - Salamanca, Spain - 05.17.2008

This whole set is so damn good, forget giving it a bump. The whole damn thing is bumpin!

Live Techno Sets From Spain (2000-2010)

2-01	Yennah–	Dyadic Shift (Audiomontage Bonus Beats)
Producer, Written-By – Mark Wadsworth, Sam Kynaston
Remix – Audiomontage
Producer, Written-By – Mark Wadsworth, Sam Kynaston
Remix – Audiomontage
7:46
2-02	All Good Funk Alliance–	Unica
Producer, Written-By – Francisco Cueto
Producer, Written-By – Francisco Cueto
5:59
2-03	Dada Munchamonkey–	The Operator (DJ Garth Rocket Mix)
Producer – Tom Chasteen
Producer, Written-By – Dada Munchamonkey
Remix – Rocket
Producer – Tom Chasteen
Producer, Written-By – Dada Munchamonkey
Remix – Rocket
4:29
2-04	Halo Varga*–	Primitive
Keyboards – Greg Sankovich
Producer, Written-By – Halo Varga*
Keyboards – Greg Sankovich
Producer, Written-By – Halo Varga*
7:19
2-05	Midnite City Soul Affair–	Still Loving You (Original Mix)
Composed By – Jori Hulkkonen
Composed By – Jori Hulkkonen
6:26
2-06	Natural Rhythm–	Fall
Producer – Pete Williams, Thomas White
Producer – Pete Williams, Thomas White
4:23
2-07	Martin Solveig–	Afro Deep
Producer, Composed By, Written-By – Martin Solveig
Producer, Composed By, Written-By – Martin Solveig
5:33
2-08	Leroy Hanghofer–	Pin (Jaques Lu Cont & Sloop John Barillo Remix)
Producer, Written-By – Leroy Hanghofer
Remix – Jacques Lu Cont, Sloop John Barillo
Producer, Written-By – Leroy Hanghofer
Remix – Jacques Lu Cont, Sloop John Barillo
4:13
2-09	The Mirror Boys–	See The Music (1 AM)
Producer [Post Production] – Markie Mark
Written By – Thomas Bullock
Producer [Post Production] – Markie Mark
Written By – Thomas Bullock
3:36
2-10	Aquatherium–	All Night Long (Tony's Mix)
Keyboards – Greg Sankovich
Producer, Written-By – Aquatherium
Remix – Tony*
Keyboards – Greg Sankovich
Producer, Written-By – Aquatherium
Remix – Tony*
3:07
2-11	Hipp-E & Tony–	Time & Again
Keyboards – Greg Sankovich
Producer, Written-By – Hipp-E, Tony Hewitt
Keyboards – Greg Sankovich
Producer, Written-By – Hipp-E, Tony Hewitt
6:11
2-12	Metro Area–	The Art Of Hot
Composed By – Darshan Jesrani, Morgan Geist
Composed By – Darshan Jesrani, Morgan Geist
7:37

H Foundation - Nite:Life 02 (Disc 2)

An excellent early 90's Trance mix from DJ taylor

DJ TAYLOR 1993

After 4 years of hiding in the shadows, the masterminds behind Cod3 QR (@cod3qr) record label are finally revealed to be Laurent Garnier and Scan X.

Find More: https://www.junodownload.com/laurent-garnier-cod3-qr-label-takeover/?utm_source=soundcloud&utm_medium=find-more&utm_campaign=guest-mix&utm_content=cod3-qr

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Artwork photo by: Bazil Lamy
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More @ Juno Download

Juno Download Guest Mix - Laurent Garnier - 4AM (COD3 QR)

Recorded live at Industrial Copera - Granada, Spain - 01.16.2010

Industrial Copera (2010)

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Shout out for the share on this one, you know who you are!

126 - Terry's Café - A DJ Mix by Terry Lee Brown Jnr (1997)

Next up on the GROOVE Podcast is Ian Pooley (@ianpooley). Go to bit.ly/PooleyPod for interview and track list.

GROOVE Podcast 466 – Ian Pooley

AMK Passenger Resident following on from the best DJ in Scotland Domenic Cappello - the postman always delivers they say - certainly did on this occasion. SUBLIME. 

Allan McKenzie, aka AMK, proved once again why he’s one of Passenger’s most versatile and accomplished resident DJs. A true journeyman of the scene and master selector, he has the rare ability to warm up, close, and move fluidly through tempos in any setting. 

At the Passenger Dance Tent at the Back Doune the Rabbit Hole Festival, following the legendary Domenic Cappello was no small task but AMK didn’t just fill those big boots, he brought the whole shoe shop with him. 

His set radiated raw energy and unrelenting pressure, culminating in a breathtaking, melancholy track that at one point had myself and others in complete awe.

It was an unforgettable performance, cementing his reputation as one of the best, and we’ll be back for more at next year’s festival, 17–19 July.



AMK replay - Back Doune The Rabbit Hole Fest- Saturday Night - Peak TIme - Passenger Dance Tent

Quality music only.

@satoshi-fumi

6:00 – 7:00pm
Monthly on the third Thursday

www.blooplondon.com
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@blooplondon

Sequent w/ Satoshi Fumi - 18.09.25 🇯🇵

160 minute techno set performed live at club reset in madrid.  i came form vegas to do this one, and well worth it; the vibe was amazing in there.  check the track video!

Recorded Live at Club Reset - Madrid, Spain - 13 Feb 2009

Deadmau5 - Duo Cad Sordid - Mau5trap 
Patric La Funk - Restless (Tim Weeks Remix) - Opaque 
Nagano Kitchen - GSXR 810 (Adam Beyer Remix) - Apotek 
Paul Boex & Marco Rane - LK Remix Part 1 - Naked Lunch 
Deckmonsters - Unbreakable (A. Paul Remix) - Naked Lunch 
A. Paul - Convey - Naked Lunch 
R-Play - Twisted - Naked Lunch 
DJ Ferro - Moribayassa (A. Paul Remix) - Naked Lunch 
DJ Ferro - Zibra (A. Paul Remix) - Naked Lunch 
A. Paul - Cydonia (2008 Remix) - Naked Lunch 
Elton D. & Snoo - Drumfunk (Daisychain Remix) - Patterns 
Hertz & Johan Bacto - Muzaka - Sway 
Ignition Technician - Still Worqin It - Wedafuqawi 
Elton D. & Snoo - Saga - Patterns 
Elton D. & Snoo - Glitches - Patterns 
Peppelino & Odessa Soundfreaks - Reflections (Vitamin D Remix) - Toyfriend 
S.K.A.T.I. - Incomplete - Now We Do... 
Ivan Devero - Brasylia - Reset 
Carl Falk - Bull-Shot - Patterns 
DJ Ogi - Septicka - Brother Convention 
DJ Ogi - Kamen - Armatura 
Patrick DSP & DJ Pauze - Quirky Project - Hardsignal 
Wavemother - Marathon - Audio Assault 
Wavemother - The Pretenders - Audio Assault 
Reeko - Divina Venganza - Mental Disorder 
Paul Boex & Marco Rane - What Would It Be Like (Bas Mooy Remix 1) 
Paul Boex & Marco Rane - What Would It Be Like (Bas Mooy Remix 2) 
Vegim - Bad Butcher - TMM 
Rekka & SKT - Spinal Flux - Don't Look 
Chris De Seed - Falcon (Dave Schiemann Tribality Remix) - Selecta 
Andy B - Insolent Ungodliness (Korekt Remix) - 4Beat 
Korekt - Klima - Distract 
DJ Kodex - System Underrun - Distract 
Korekt - Monton - Distract 
Korekt - Palack - Distract 
Korekt - Katedra - White 
Monocore - Sudden Drop - Hardsignal 
Peter B - Akin - Submissions 
Patrick DSP - Khur Rhok - Submissions 
Bilro & Barbosa - Frequency - Naked Lunch 
Extortion Group - To Mosh - Naked Lunch 
Bilro & Barbosa - Supercharded - Naked Lunch 
Bilro & Barbosa - East Hemisphere - Naked Lunch 
Mike Dehnert - Live PA (Cut 2) - Fachwerk

Reset (2009)

Live at Urban Kaos in Almeria, Spain - May 15, 2010

Urban Kaos (2010)

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Blake Baxter

Buy on Discogs

335 - Blake Baxter ‎– A Decade Underground (1998)

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Desyn Masiello

346 - Symphonic mixed by Desyn Massiello (2001)

Performed Live at Club Amadis - Salamanca, Spain - 05.17.2008

Amadis (2008)

Recorded live at Circus Techno III - Granada, Spain - 02.14.2009

Circus Techno III (2009)

Live at Danzoo - Club Space - Feb 26, 2010


Macumba (2010)

JAMIIE (https://soundcloud.com/jamiie_jamiie) presents United We Rise Podcast Nr. 023

🗯🗯 How Did Corona change your artist life? 🗯🗯

The loss of gigs and the resulting loss of income was of course the most drastic change. On the up side, it made me even more think about in which direction I actually want to go as an artist, especially regarding the sound I’m playing. After all, it’s a completely natural process to develop oneself further. Now I just have the feeling that it is going a little bit faster. Apart from this, I have played many live-streams which I never did before and I continue to work on my own productions.

🗯🗯 Where did you record the mix and how did you feel? 🗯🗯

I recorded the mix at home in my living room.

🗯🗯 What are your wishes for the time after Corona? 🗯🗯

This is a good question. Of course, I would like the government to offer us a fair solution that will pull the event industry out of the not self-inflicted financial crisis and save it from bankruptcy. I wish that there were ways that we could start club operations safely during the pandemic. For the time after Covid-19 I wish that the new solidarity in our scene will be maintained and that people will continue to support each other as they currently do. I hope that the clubs have not died out and I am looking forward to hopefully many wonderful gigs.

✘ JAMIIE (Watergate - Berlin)
SC - https://soundcloud.com/jamiie_jamiie
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Insta - https://www.instagram.com/this_is_jamiie/

✘ United We Stream (Berlin / Global)
FB - https://www.facebook.com/unitedwestream/
WB - https://unitedwestream.berlin/
INSTA - https://www.instagram.com/unitedwestream/

✘ ARTE United We Stream
https://www.arte.tv/de/videos/RC-019297/united-we-stream/

United We Rise Podcast

Free Downlaod

JAMIIE presents United We Rise Podcast Nr. 023

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.

Amadis (2008)

Dylan Drazen

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