Best house set of all time. Been listening to it on repeat since 2000

This dj set still rocks my boat and have saved dozens of workdays from boredom. Thank you!

This 30 minute power mix is dedicated to the 1991 Rave sound and appeared on my run for cover radio show on Radio Magnetic Saturday 13th March 2021. 

If mixcloud is your thing check the full show out here with interview and guest mix from Nick Stewart of Legendary Glasgow Old School night 'Lets Go Back' where he discusses the dawn of the rave scene in Glasgow:https://www.mixcloud.com/RadioMagnetic/run4cover-ep5-w-andy-piacentini-bosco-lets-go-back/

10 x 1991 rave records in 30 minutes - Andy Piacentini

EDDIE AMADOR - HOUSE MUSIC [DEL BIANCHI cover 25]

128 bpm disco house, summer house music, funky house, nu-disco, dance anthem, upbeat house track, vibrant house grooves, feel-good electronic music.

Postman

Live recording of my 3 hour opening set at ZeeZout on Tour in Paradigm, Groningen before Midland and Optimo. 16-12-2016

Nachtbraker 3hour warm up @ ZeeZout on Tour Groningen

part 3 - macaroni & cheese 

the perfect side dish to make it go down smooth. we take it down a notch and gives it to you a bit deeper still. make room on your plate for melodies made not only for the dance floor. now that's nice. 

George Levin - When I'm With You - Recreation 
Lovebirds feat. Marie - Tweak - Trax of Interest 
Jersey Street - Step into the Light - Glasgow Underground 
Weekender - Spirit in Your Soul - Toko 
Modaji - Into Something - Laws of Motion 
Taana Gardener - Heartbeat (Touch of Class rmx) - West End 
Gemo/Fabrice vs. Street Vibes - Walking - Disco Inn 
Microman - Too Mankind - Ahab 
Losoul - Lies - Classic 
Bougie Soliterre - Superficial - Quiet Riot 
Soldiers of Twilight - Feeling So High - What's Up 
Seal - Latest Craze - white 

Barbecue (Part 3) (2001)

Spanish producer Rayko (@mrkrokett} has been at the top of the disco tree for more than a decade during which time he has had 50 vinyl releases alone on the cream of electronic labels including Eskimo, Lumberjacks in Hell, Whisky Disco and Editorial. He is also behind the Rare Wiri imprint which is one of the most celebrated labels of it’s genre. 

We are big fans over at LV HQ so we tracked Rayko down to his studio and prised him away from his mixing desk to talk to him about his career, his label and to get him to put together a mix for our mixtape series. you can check the interview on LV online via the link below:
https://levisiteuronline.com/music/rayko-le-visiteur-featured-artist/

LV Disco Selectors 06(Under the Radar, a Cosmic Oddysey Mixtape)

FREE DL

LV Disco Selectors 06 - Rayko (Under the Radar, a Cosmic Oddysey Mixtape)

Commentary: https://docs.google.com/document/d/1u23nsp14NDMUsA3sBiBZw3KR_SBDQ1rrftwvMMzf77g/edit?usp=sharing

Selected TM Journey w/ written commentary!

Lost Files

bandcamp

Untitled 1

Housepedia Podcasts #HomeIsWhereHouseIsPlaying 8 I Sebastian G



Born in Medellin Colombia , underground DJ, music addicted, beginner producer ,influenced by 90s sounds like hip hop , house, disco ,deep house ,techno and R&B.

Info about the artist:
@sebastiangdj

Submit your mixtape: https://housepediamusic.online/submissions/

Listen on Apple: https://podcasts.apple.com/ca/podcast/home-is-where-house-is-playing/id1523865206

Stream on Apple

Home Is Where House Is Playing 8 [Housepedia Podcasts] I Sebastian G

Detroit's ALTON MILLER (KDJ, SOUND SIGNATURE) returns to NOBLE SQUARE with "WHERE DID WE GO WRONG" & "SWEET LOVE". Both are 2 incredibly deep messages to HOUSE MUSIC. Chicago's RICARDO MIRANDA provides a downtempo remix of "SWEET LOVE" with heavy Moog work. Full color sticker on jacket!
PRE-ORDERS NOW AVAILABLE!
http://www.groovedis.com/shop/groovedis.com/shop/833151.html
https://www.redeyerecords.co.uk/vinyl/128691-nsrvinyl013-alton-miller-where-did-we-go-wrong
https://www.deejay.de/Alton_Miller_Where_Did_We_Go_Wrong_NSRVINYL013__963787
http://www.wordandsound.de/article/122993
https://www.juno.co.uk/products/alton-miller-where-did-we-go-wrong/799240-01/

Where Did We Go Wrong 12"

PREVIEW: Alton Miller Where Did We Go Wrong 12"

Afro Bruk Band - Vira Lata [Eclectic Beats Music]
Artist: Afro Bruk Band
Title: Afro Bruk Band
Label: Eclectic Beats Music
Cat #: EBM002
Format: 12” Vinyl and Digital
Genre: Broken Beat / Brasilian Boogie / Beats / Latin
Release Date: 12th Feb 2021
Buy / Pre Order:
https://afrobrukband.bandcamp.com/album/afro-bruk-band

Make way for a truly international meltdown!

Born out of the favelas and samba schools of São Paulo, the Afro Bruk Band Project is a collaboration of singers, poets, musicians, friends and family. Their sound is inspired by Bossa-Nova, Afrobeat, Brasilian / Cuban Yoruba culture and the Broken Beat sound from the UK.

The brainchild of the project is Swiss-based Ruben Estevez, producer and DJ of Bruk Boogie Kru sound system. His aim was to create a live project, to promote musicians, to diffuse their passion out of Brasil and to export Brasilian musical street culture.

The project touches on many geographical locations. Most of the recordings were done in São Paulo with a few finishing touches in Johannesburg and final production by Ruben Estevez in Switzerland and co-production by Rui Fradinho in London.

Web / Social Media Links:
Afro Bruk Band (also known as Bruk Boogie Kru)
Instagram: @brukboogiekru
Facebook: @brukboogiekru
Twitter: @BrukBoogieKru

Eclectic Beats Music Record Label
Bandcamp: eclecticbeatsmusic.bandcamp.com/artists
Instagram: @eclectic_beats_music
Facebook: @EclecticBeatsMusic
Twitter: @EclecticbeatsMs

HSM PREMIERE | Afro Bruk Band - Vira Lata [Eclectic Beats Music]

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.

Barbecue (Part 3) (2001)

Dylan Drazen

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